Russian Federation

The plague of civil war reached a provincial town, where several noble families were stuck waiting for a train. The joy of hope was replaced by despair, fear of the future. No one knew how much was allotted to him in this life. Emotions boil, passions run high, hearts break, will is destroyed, pride is trampled. Each of the heroes survives in his own way, but all fell low. Ah, if you only knew when the long-awaited train would arrive in Moscow ...

On the federal television channel they shoot an entertainment show, New Year's ether, pop stars. Over the ranks of the crowd, the loud voice of the brigadier rushes: "Besides the fact that you came to have fun, do not forget that you are on work. Enjoy, smile. You can see absolutely everyone in the picture. " But this is not true - most of them no one will ever see. But, if you go to one of the regular participants in the extras home - you can see something that will never be shown on TV.

Veronica went out for a motorcycle ride one evening and was hit by a drunk driver who did not want to stop. Now she moves in a wheelchair and dreams of an operation for which she does not have the means. One day she meets Andrei, a young but successful lawyer. Andrei is almost married, his fiancee is pregnant and rich, but meeting Veronica turns his whole life upside down...

About how Little Fox, Father Fox and Crow helped the snowman not to melt.

A few women, wives of a big communist bosses are blackmailed into prostitution but no one is trying to escape this business.

A comedy about Krushchev's 'Virgin Lands' project, to transform the barren and inhospitable spaces of the vast Soviet Union into fertile agricultural plains. A classically Socialist-Realist narrative of an individual's 're-education'. Zhenia, a hapless idler, arrives with a band of enthusiastic young Konsomol members to build a new town in the steppe. Although his dream, like that of all the young participants, is 'to become a tractor driver and a hero', he isn't prepared to work for the honour.

Ex-Gulag prison guard investigates murder on the movie set.

The Second World War is over. The post-war Germany is divided into several responsibility zones. Still many Russian people languish in camps located in the American zone. Though former allies are in no hurry to let them off to the motherland, and even try to enroll some of them. The American intelligence agency gets to know that they've got a daughter of one of the West Germany cities commandant, whose brother is a famous soviet rocket engineering designer. They plan a crafty operation on the discrimination of the Russian colonel and introduction of the niece into the uncles design office. The Russian Intelligence service is also aware of the Americans interest in the designers works. The special department colonel Lartsev is coming from Moscow to Germany to prepare a reciprocal operation.

In capital city Baku, eminent editor Yusef Abranov (Mustafayev regular Avtandil Makharadze) and director Mehmet (Yashar Nuri) are determined to get their latest movie made by any means necessary, after being shut down by the bankrupt national studio. Following various schemes, the only way left to raise the cash is to marry off Yusef’s son to the daughter of the rich guy who’s bought Yusef’s bizarre, mirror-filled house.

An immaculate, vivid and breathtaking implementation of Swift's romanticism.

The fox was assigned to build a chicken coop and she fulfilled the order, leaving a loophole for herself.

The year is 1994. One year, from spring to spring, from the life of the courtyard of an ordinary five–storey building of pre-war Grozny is the last peaceful year on the eve of a terrible war, during which the life of every resident will change forever.

A cinematic journey through the classes of the Vaganova Academy of Russian Ballet in St.Petersburg where teachers and students spend most of their time and from where young talents take the big stage

A film about the omnipotence of the bureaucracy and the corruption generated by this power. These are not general arguments, but answers to specific questions, who, when and how extorts bribes. The film is based on real stories and events. Its protagonists are people who dared to talk about their encounters with the corrupt bureaucratic machine. St. Petersburg politicians, social activists, and historians act as commentators and opponents.