Sudan

In a suspenseful and dramatic setting, the story unfolds around a night guard who develops feelings for a beautiful widow in the neighborhood he watches over during the night. In the same residence, a painter resides who creates a painting for her. Believing there is a connection between the painter and the widow, the night guard proposes to her, but she rejects him. Subsequently, a burglary occurs in the house, resulting in the theft of the painting. However, a fire breaks out in the night guard's own house, ultimately aiding in the revelation of his crime.

The first Tunisian musical film, and the first film made in Arabic in Tunisia. It is starred by the singer Mohamed Jamoussi. It is considered one of the key films in the pre–World War II history of cinema in North Africa.

Competes friends working on the same farm at the heart of the girl, but she liked the younger, generating jealousy in the heart of the other lover, seeks to differentiate between loved ones, take advantage of the owner of the farm these feelings, who shall kill the girl's father, and deliver a charge to the young older, and pushes the young man to escape from the farm, even with impunity, which is intended however, that proved the charge, the younger lover in revealing the truth to succeed, and be arrested on his farm.

When a chief clerk falls in love with a dancer, he embezzles an amount of money that he spends on her and ends up in prison, and things turn upside down in his life.

A silent amateur comedy about a Lebanese immigrant who returns home after trying his luck in the United States of America.

After a few years spent in France and in the West Indies, Jamil comes home as a broken man. He arrives in a bookshop in the center of colonial Tunis for a temporary job as a clerk. He is attracted to Aicha, 15 years older woman and the mother of the book shop owner Tarak.

A classic Syrian/Lebanese movie featuring 70s famous: Ighraa, Liz Serkisian and Mahmoud Jabr.

The small south Tunisian village of Al-Malga (literally "The Shelter") is spurred into action when a series of phone calls from the capital announce the impending visit of a prestigious production team from German television in the region. Consequently, the town's cultural committee decides to give a positive image of the village and the country and creates an artificial veneer, substantially camouflaging the reality. Chaos ensues as the committee's sycophantic chairman, an ardent feminist, and a number of other unusual characters disagree on the best course of action.