Gavino Ledda

Dans la Sardaigne profonde des années 1940, le petit Gavino ne peut aller à l'école que deux mois par an ; le reste de l'année, il doit aider son père à garder les animaux. Il grandit ainsi dans l'isolement, loin de la société humaine. C'est grâce au service militaire à l'âge de 21 ans qu'il peut échapper à l'emprise de son père. Il apprend à lire, ce qui est pour lui une révélation (il deviendra linguiste), et en sortant de l'armée, il rejette le rapport de quasi-esclavage imposé par son père.

Memories and anecdotes of the making of "Padre Padrone"

Soaked to the skin, Costantino sinks into the haystack like old timber left on the shore by a stormy sea. Torrential rain has just put out the fire that in a single night ravaged Assandira, a farmstay deep in the woods of Sardinia. But the rain hasn't quenched the pain, the endless remorse for the son lost to the flames, the son he was unable to save. The first to arrive are the carabinieri and the young investigating magistrate: Costantino tries to tell them what happened the previous night, to explain how it all began.

Writer and director, scholar and philosopher, and now actor playing himself in this autobiographical sequel to Padre Padrone, Gavino Ledda has created an intellectual, avant-garde film that might reach slightly beyond the grasp of audiences looking forward to being entertained but not necessarily enlightened. When he goes back to live in the village of his ancestors, Ledda is equipped with a university degree that alienates him from the peasants, and he is suffering from an ulcer which he cures with the help of Leonardo da Vinci, his imaginary mentor. As Ledda finds himself in the small shepherd's cottage that becomes his home, he is visited by Greek goddesses as well as demons that must be subjugated if he is to continue learning. His own pride, or "hubris" derives from a willingness to dominate these gods, and he is resigned to suffering the inevitable punishments for assuming that arrogant stance.

Writer and director, scholar and philosopher, and now actor playing himself in this autobiographical sequel to Padre Padrone, Gavino Ledda has created an intellectual, avant-garde film that might reach slightly beyond the grasp of audiences looking forward to being entertained but not necessarily enlightened. When he goes back to live in the village of his ancestors, Ledda is equipped with a university degree that alienates him from the peasants, and he is suffering from an ulcer which he cures with the help of Leonardo da Vinci, his imaginary mentor. As Ledda finds himself in the small shepherd's cottage that becomes his home, he is visited by Greek goddesses as well as demons that must be subjugated if he is to continue learning. His own pride, or "hubris" derives from a willingness to dominate these gods, and he is resigned to suffering the inevitable punishments for assuming that arrogant stance.