Pierre Schaeffer

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La Voix
1

La Voix

Dec 01, 2023
The images of this short film are linked to the concrete music by Michel Chion, and let the monologue of Saint Antoine (Pierre Schaeffer's voice) unfold and offer itself completely. The imagery, presented in parallel pictures, is intended to be earthy and close to nature, rediscovering, when necessary, the material which is offered in a metaphor surrounded by mists. At the sound of the gunshot, concrete in the music, occurs this break in the discourse, and the image, like this gunshot, finds the Asian connotation of death. And the dream raises the human form, then a face which offers itself before disappearing in the tumults of an imaginary sea. The earth seen from the sky then the sky itself take us very far (Robert Cahen)
Antoine et Colette
7.2

Antoine et Colette

Jun 22, 1962
Antoine tombe amoureux de Colette, mais elle le traite en copain. Deuxième volet du cycle Antoine Doinel initié avec le film Les 400 Coups.
Romance
Etude aux allures
1

Etude aux allures

Jan 01, 1960
The pace is the oscillation that results from the maintenance of a sound, the internal rhythm of its sound structure, which makes it live and change from its emission until its extinction. In this study, the painter Raymond HAINS attempts a visual transposition of this acoustic law by filming his works through fluted lenses directly attached to the camera creating optical vibration effects that animate the shapes and colors and produce a colorful rhythm.
Animation
Objets animés
6.4

Objets animés

Jan 01, 1960
The film is an apology of movement, made here by a short editing pushed to the extreme.
Documentary
Maskerage
1

Maskerage

Apr 23, 1952
Tones of experimental music lead us into the National Museum of Ethnology in Leiden. An extensive collection of exotic masks is hanging on the walls while the night watchman makes his rounds. But not for long: the masks are waiting for the moment when they can reveal their imposing selves to the viewer. A collection of masks from different parts of the world shows its true face: shocking, charming or sinister. Max de Haas brings the faces to life through his camera-eye. Impressive light-and-dark effects and a chaotic music track enable the masques to tell their own stories, even when nobody is wearing them.
Garabatos
1

Garabatos

Jan 01, 1964
Based on two poems by Rafael Alberti, Garabatos (“Scribbles”) is a reflection on childhood, education and the demise of innocence. Music by Pierre Henry, Pierre Schaeffer and Edgard Varèse.
Animation
Je, tu, elles...
4

Je, tu, elles...

Jun 28, 1973
A portrait of the artist as a "sublime demon with the archangel's face", with an innovative musique concrète soundtrack.
Fantasy
O Pátio
6.8

O Pátio

Jan 01, 1959
A man and a woman are laying on a chess-like patio. Both are trying to reach each other in the best way they can. However, for some odd reason they don't get on their feet, they don't talk to each other, and the only sounds heard are voices coming from a radio and strange sounds that seem to indicate something's about to happen.
Drama
Symphonie pour un homme seul
1
The "Symphony for a man alone" was composed from 1949 to 1950 by Pierre Schaeffer and Pierre Henry, and then finalised in 12 movements by Pierre Henry in 1951. This is the first major work of musique concrete. In 1955, Maurice Béjart has made the first ballet of musique concrète.
Discorama
1

Discorama

Jan 05, 1975
Discorama est une émission de télévision musicale et culturelle française, créée et présentée par Denise Glaser, sur une proposition de Jean d'Arcy.
Talk