Stephanie Rhodes

Un groupe d'adolescents découvre le camp de Crystal Lake en même temps que le terrifiant Jason Voorhees et ses intentions meurtrières...

Un exorciste de renom fait équipe avec un prêtre débutant, pour son premier jour d’entraînement. Alors qu'ils rencontrent la représentation de l'enfer sur Terre, la frontière entre le bien et le mal s'estompe et leurs propres démons apparaissent.

Emily is a typical 20-something with one glaring difference - for her, the line between reality and imagination has drastically begun to blur. Constant paranoia and a feeling of being followed has caused her to be institutionalized. Now she finds herself trapped between what is real, and what may be real, as her doctors tell her one thing, and her mind tells her another. With no way of knowing, she will slip in and out of truths until she can get a grasp on the world around her. You never know who is watching you.

In 1885, a female doctor helping a group of people with their phobias becomes embroiled in a murder mystery surrounding a patient that may or may not be a vampire.

An 'urban explorer' is blackmailed into infiltrating a derelict building on the eve of its demolition in the hope he can recover a forgotten treasure.

Accused of the ritualistic murder of his best friend, a vice detective bent on finding the truth is plunged into Hell when he goes undercover and discovers that demons might be real.

HOLD is a tense, spare, and lean drama about a young couple's relationship in the aftermath of a violent home invasion. Boasting no musical score and filmed in claustrophobic closeups, it investigates the frailty of the hero complex by putting a microscope on American paranoia.

RISING FROM THE RAILS: THE STORY OF THE PULLMAN PORTER, a documentary based on the best-selling book by Larry Tye, chronicles the relatively unheralded Pullman Porters, generations of African American men who served as caretakers to wealthy white passengers on luxury trains that traversed the nation during the golden age of rail. Unbeknownst to most of their white passengers, porters played critical political and cultural roles, becoming trailblazers in the struggle for African American dignity and self-sufficiency, patriarchs of black labor unions, and helping give birth to the Civil Rights Movement. Ultimately, however, their greatest legacy is that which they left to future generations.

The second installment of Frank Mosley's Perception Trilogy, inspired by Greek philosopher Plato's quote, "We can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the light." It is an examination of responsibility during the creation of the Atomic bomb during 1945. Shot on a soundstage to invoke the sense of theater, it highlights a moment in time where innocence is lost and only uncertainty lies ahead. Michael Morse is an anonymous man working for an anonymous sector of the Manhattan Project when he gets two phone calls in quick succession: that the atomic bomb has been completed and that his wife has just given birth to their son at the local hospital. What happens next is a fusing of past, present, and future, interweaving in the head of a man doomed to be the messenger of destruction.