Virginia García

A surrealistic nightmare inspired by an 1855 photographic portrait, in which the magic tricks of early cinema are used to eerie effect. Creepy and beautiful at the same time, it does not share platitudinous ways to frighten the audience with the vast majority of modern horrors. Countess di Castiglione is a really existed Italian courtesan famous for her beauty and wide acquaintanceship among the ruling elite of those times. She directed Pierre-Louis Pierson to help her create 700 different photographs in which she re-created the signature moments of her life for the camera. Robert de Montesquiou, a Symbolist poet, dandy, and avid art collector, was fascinated by the Countess di Castiglione. He spent thirteen years writing a biography, La Divine Comtesse, which appeared in 1913. After her death, he collected 433 of her photographs, all of which entered the collection of the Metropolitan Museum of Art.

Adaptation moderne de la célèbre légende qui connaît dans le monde prés de cinq cents versions dont la premiere serait d'origine chinoise et liée à la passion bien connue de ce peuple pour les petits pieds. Dans cette version, Danielle, l'héroïne, n'a rien d'une victime et décide de son propre chef de rester dans la maison paternelle après la disparition de son père, entre sa maratre Rodmilla et ses deux soeurs Marguerite et Jacqueline. Cette Cendrillon est belle, libre et surtout eminemment spirituelle et cultivée. Elle saura séduire le futur héritier du trône de France.

In the Middle Age, a farmer named Mauro is heading to Madrid following the last will of his father.

This drama, centered on a homosexual man, studies the consequences of the loneliness and misunderstanding that we continually face. On any given day in the life of Martín, his almost lost battle against anxiety will take a turn when his conflicts with family and friends show him that the existential emptiness that he already feels as part of him is not reason enough to as defeated.