Carles Arquimbau

Riccardo, a southern man of solid principles and good feelings, decides to go and visit his daughter Aurora, who has been living in Barcelona for some time. There, however, a surprise awaits him: Aurora has married a woman. Indignant, Riccardo hastily returns to Italy, determined never to see her again. But perhaps destiny has decided otherwise.

An esteemed piano tuner and repairer, Jacobo leads an apparently happy life with his wife, Helena. His serene existence is thrown into a state of confusion when insomnia creeps in, and pianos that previously repaired miraculously overnight remain unfixed. Jacobo plunges into paranoia and madness, hearing noises during the night and having ephemeral visions of a stranger roaming the house in a dressing gown. Helena reassuringly denies anything out of the ordinary, and suspiciously insists he is hallucinating. Is the life we think safe and secure true, or is there a second reality lurking? THE MOST IMPORTANT THING IN LIFE IS NOT BEING DEAD is a tale of betrayal and forgiveness in a rich musical universe, set against the Franco era, a period of political deceit and distorted reality in Spain. Playfully, the tragicomedy questions our perception of reality and the vulnerability of our human condition.

“If you jerk off a 100 times, you die.” This threat rings through the ears of our main character. One day he has to choose between imminent hell and the impetuousness of adolescence.

The thirteen survivors of a catastrophe by a tunnel's collapse tries to balance their experience trapped along 15 days inside it with their day-by-day outside it.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

Nacho Nieto, a journalist specialising in paranormal activity, is at a professional and personal low. After a failed suicide attempt he comes back to life accompanied by the ghost of his mentor, doctor Estrada, iconic communicator of mystery, who died more than 20 years ago.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.