Suzanne Fletcher

Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.

When Nicole, a young copy-shop employee, is hired to translate an ancient Chinese manuscript, she soon finds that the document has strange powers that little by little begin to exert an eerie influence over her life.

Aloysious Parker erre dans les rues de New York durant deux jours et demi. Jeune vagabond sans attache et livré à lui-même, il croise différents personnages singuliers.

A young woman escapes from a mental hospital during the chaos of a nearby multiple-car accident. She is mistaken for a shock victim and is driven to her sister's house by a rescue volunteer. Then the real story begins...

Une femme devient obsédée par la pornographie et le mystérieux riche mécène du théâtre porno de Times Square appelé Variety où elle travaille à la vente de billets. Cela éveille sa sexualité, ce qui rend confus son petit ami inquiet.