Walter Frentz

La vie et l'œuvre de Leni Riefenstahl, qui au contraire de ses homologues qui, tel Fritz Lang, quittèrent l'Allemagne nazie, refusa de partir et devint la cinéaste attitrée du national-socialisme.

From Stag Beetle to Swastika narrates in a richly detailed, associative montage the boundless possibilities of manipulating images and using images to seduce.

Filming of the performance show the Deutsche Wehrmacht (German Army) made during the Reichsparteitag of the NSDAP in Nurnberg 1935. Showing the readiness and the will of the newly build army. The third documentary directed by Leni Riefenstahl.

"Götterdämmerung 1945: The last 10 weeks of the Third Reich" - from the battle of the Ardennes till the end. Die Deutsche Wochenschau (The German Weekly Review) was the title of the unified newsreel series released in the cinemas of Nazi Germany from 1940 until the end of World War II.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.