Musidora

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Les Vampires
6.9

Les Vampires

Nov 13, 1915
Paris est en proie à une terreur invisible contre laquelle la police ne peut rien : une sinistre organisation qui sème le chaos et la mort. L'intrépide journaliste Philippe Guérande et son associé se lancent dans une longue croisade pour mettre fin aux crimes du Grand Vampire et d'Irma Vep, sa dangereuse complice.
Drame
Judex
6.8

Judex

Dec 16, 1916
Le banquier Favraux ne compte plus les victimes qu'il a depouillees, les poussant parfois jusqu'au suicide. C'est ainsi que le fils de l'une d'entre elles decide de se venger. Il prend le pseudonyme de Judex et s'introduit aupres du banquier en qualite de secretaire.
Drame
Le grand souffle
1

Le grand souffle

Jan 01, 1915
The patriotic melodrama, set during WWI, revolves around a thief played by René Navarre.
Drame
Le Roman de la midinette
1
During the WWI, Jeannette (Musidora) finds refuge in the South France, among other women. She starts the correspondence with a soldier of the front line and sends him a parcel.
War
L'autre victoire
1

L'autre victoire

Jan 01, 1914
This 1914 War patriotic melodrama tells the story of reconciliation between the remarried woman and her son.
Family
Le Pied qui étreint
5

Le Pied qui étreint

Jan 01, 1916
The famous scientific detective Justin Crécelle and his faithful assistant Walter Jymson seek to halt the deeds of the "Clutching Foot" gang, who attempt to kidnap Hélène, the fiancée of Justin, in both possible and ridiculous ways. The film is a spoof of the Les Vampires serials, with Musidora appearing in one episode in costume.
Comedy
Vicenta
1

Vicenta

May 14, 1920
Le prince Romano séduit Vicenta, serveuse dans une auberge minable. Elle s'échappe pour le rejoindre à Paris.
Drama
Pour Don Carlos
1

Pour Don Carlos

Dec 01, 1921
Pour Don Carlos was the biggest production by Société des Films Musidora (est. December 10, 1919). Based on a novel by Pierre Benoît, Musidora’s first creatively autonomous work is set during the conflict between Carlists and Bourbons in late 19th century Spain. Benoît insisted that Jacques Lasseyne, a Spanish grandee who put money into the production, should co-direct. The film was shot in 1920, in the Spanish Basque Country. It represents a turning point in Musidora’s career, sparking her passionate love affair with a country and a culture that welcomed her as a great star. Above all, though, she encountered Antonio Cañero, a bullfighter who acted as her technical adviser on the film. Because of him, she did all she could to ensure that her succeeding productions, until 1926, were shot in Spain. Pour Don Carlos was released in Paris and in Madrid in December 1921, in a shortened version because its original, three-hour length made it impossible to release in the market of the time.
Drama
Sol y sombra
5

Sol y sombra

Jan 01, 1922
An innkeeper, Juana, is courted by Jarana, a bullfighter who is then seduced by a stranger. Juana then confides in a hunchbacked antiquarian who loves her desperately.
Drama
Severo Torelli
1

Severo Torelli

May 15, 1914
Pisa, 1494. Young Severo, who has sworn to stab the tyrant in his town, learns that it is his own father.
Le Berceau de Dieu
1

Le Berceau de Dieu

Jun 04, 1926
A young intellectual, J. Powers, loses his faith in God after the untimely death of his wife. He devotes his great talents to writing a shockingly blasphemous book, debunking all religion, and then embarks on a trip to Jerusalem. Far from reconciling him to God, the sight of all the different sects worshipping in that ancient city only serves to embitter him and deepen his unbelief. One day, wandering in the country, he loses his way and stops to ask directions at a small house. The inhabitants are a poor but devout family whose daughter, Ruth, revives his broken heart. At the risk of losing her, he confesses to her his loss of faith, and she gently declares that meditation on the Gospels will heal him. He sorrowfully tells her that he wishes he could believe as she does, but it is impossible.
C'est pour les orphelins
4.9
The artist awakens. His maid brings him a letter from the Gaumont Studio. After a quick glance to it, he hastens to get dressed and runs to the studio followed by his wife, his maid and his son, Bout-de-Zan who want a part in the movie.
Comedy
Sol y sombra
5

Sol y sombra

Jan 01, 1922
An innkeeper, Juana, is courted by Jarana, a bullfighter who is then seduced by a stranger. Juana then confides in a hunchbacked antiquarian who loves her desperately.
Drama
Vicenta
1

Vicenta

May 14, 1920
An innkeeper, Juana, is courted by Jarana, a bullfighter who is then seduced by a stranger. Juana then confides in a hunchbacked antiquarian who loves her desperately.
Drama
Vicenta
1

Vicenta

May 14, 1920
An innkeeper, Juana, is courted by Jarana, a bullfighter who is then seduced by a stranger. Juana then confides in a hunchbacked antiquarian who loves her desperately.
Drama
Vicenta
1

Vicenta

May 14, 1920
An innkeeper, Juana, is courted by Jarana, a bullfighter who is then seduced by a stranger. Juana then confides in a hunchbacked antiquarian who loves her desperately.
Drama
Pour Don Carlos
1

Pour Don Carlos

Dec 01, 1921
Pour Don Carlos was the biggest production by Société des Films Musidora (est. December 10, 1919). Based on a novel by Pierre Benoît, Musidora’s first creatively autonomous work is set during the conflict between Carlists and Bourbons in late 19th century Spain. Benoît insisted that Jacques Lasseyne, a Spanish grandee who put money into the production, should co-direct. The film was shot in 1920, in the Spanish Basque Country. It represents a turning point in Musidora’s career, sparking her passionate love affair with a country and a culture that welcomed her as a great star. Above all, though, she encountered Antonio Cañero, a bullfighter who acted as her technical adviser on the film. Because of him, she did all she could to ensure that her succeeding productions, until 1926, were shot in Spain. Pour Don Carlos was released in Paris and in Madrid in December 1921, in a shortened version because its original, three-hour length made it impossible to release in the market of the time.
Drama
Pour Don Carlos
1

Pour Don Carlos

Dec 01, 1921
Pour Don Carlos was the biggest production by Société des Films Musidora (est. December 10, 1919). Based on a novel by Pierre Benoît, Musidora’s first creatively autonomous work is set during the conflict between Carlists and Bourbons in late 19th century Spain. Benoît insisted that Jacques Lasseyne, a Spanish grandee who put money into the production, should co-direct. The film was shot in 1920, in the Spanish Basque Country. It represents a turning point in Musidora’s career, sparking her passionate love affair with a country and a culture that welcomed her as a great star. Above all, though, she encountered Antonio Cañero, a bullfighter who acted as her technical adviser on the film. Because of him, she did all she could to ensure that her succeeding productions, until 1926, were shot in Spain. Pour Don Carlos was released in Paris and in Madrid in December 1921, in a shortened version because its original, three-hour length made it impossible to release in the market of the time.
Drama
Sol y sombra
5

Sol y sombra

Jan 01, 1922
An innkeeper, Juana, is courted by Jarana, a bullfighter who is then seduced by a stranger. Juana then confides in a hunchbacked antiquarian who loves her desperately.
Drama
Sol y sombra
5

Sol y sombra

Jan 01, 1922
An innkeeper, Juana, is courted by Jarana, a bullfighter who is then seduced by a stranger. Juana then confides in a hunchbacked antiquarian who loves her desperately.
Drama