M. K. Raina

Surinder Sahni, employé consciencieux de la Compagnie d'électricité du Punjab, est invité par un de ses anciens professeurs au mariage de sa fille, Taani. Le très raisonnable mais très ennuyeux Surinder est immédiatement conquis par la joie et la vivacité de la jeune femme. Apprenant la mort accidentelle du futur marié, le vieux professeur a une attaque cardiaque. À l'agonie et craignant de laisser sa fille seule, il fait promettre à Surinder et à Taani de se marier. Le mariage a lieu à la hâte, et le jeune couple s'installe dans la modeste maison de Surinder dans la banlieue d'Amritsar. Celui-ci, sans oser le lui dire, est très amoureux de sa jeune épouse mais n'est pas payé en retour.

Set against the backdrop of bustling New Delhi, the story quietly follows a specific day in the mundane routine-driven life of a young boy called Manu. Manu is a nineteen-year-old, introverted, repressed boy who loves art, and belongs to a middle-class religious family in India. On this particular day, a series of events brings him finally to confront himself, and in the end, leaves him in a dilemma to bring the change in his life or not.

Twelve male members of a jury gather together in an enclosed room to deliberate their decision on a charge of murder against a young man who has been accused of killing his elderly father. All of the jury, save for one, are convinced of this young man's guilt, and they would like to convince their colleague also to come to the same unanimous decision. But will they be able to convince him to change his verdict? Its a hindi remake of the movie 12 angry men.

Sanjay wanted to study art, but his domineering father, an engine-driver in retirement after a crippling injury, insisted that a railway job, with its security, was the best thing for him. So Sanjay ended up as a train conductor, unhappy with the career forced upon him, and the mechanical, meaningless life that he lives. In the course of his duty on the train, he runs into a working girl, Shalini and feels attracted to her. His father hears about his interest in Shalini, strongly disapproves of it and intervenes in Sanjay's life once again. Unable to stand up to his father, Sanjay soon finds himself married to a village girl. Life becomes even more unbearable for Sanjay. He takes to wandering and seeks comfort in drink and brothels. One final chance comes his way to break loose from his shackles and plan a new life with Shalini.

At an anniversary party, Sohrab Handa is found dead, with his throat slit in the hall. As the investigation unravels, friendships are tested, and secrets are revealed.

In this rather routine, made-for-television movie by famed Indian director Mrinal Sen, an employee (K.K. Raina) in a large office is suddenly facing unemployment because his bosses have found him guilty of negligence. He is devastated, but he cannot lose his job since he is the only support of his family. Interspersed with the employee's efforts to convince his boss, in several different ways, that he cannot be fired are direct dialogues with the author (Shyamanand Jalan) who created the character of the employee. In these latter conversations, the employee berates his creator for giving him an impossible, no-win situation — he has no control over his fate.

Aisha, who loves playing matchmaker much to her friend Arjun's disapproval, finds a new target in the simple Shefali. But in the process, she ends up ruining her own relationship with close friends.

Savi, a simple housewife, attempts a daring jailbreak to get her husband out of one of England's high-security prisons consisting of 400 inmates, 75 armed guards, and 60 surveillance cameras.

When a politician is killed, a journalist discovers that a member of parliament had the man assassinated. As his editor digs deeper, the complicity of higher-placed politicians comes to the surface, which leads to riots in one town and an attempt to suppress his story.

Taking an experimental approach to the relationship between the written text and moving image, Mani Kaul has a series of texts read aloud in voice-overs (poetry, essays, and stories), while the characters within the texts walk through real or imaginary landscapes.

The story of one house in three different eras. Where 50 years ago it was divided between a school and an apartment, in which a young boy struggles with the pressures of pre-pubescent school life, coupled with being compelled to share a tiny room with his paralysed, disconsolate grandfather. Who in turn has devious plans for the child's 12th birthday which happens to fall on a leap year. The same building 20 years later becomes home to a brothel, where a young unexploited concubine is dealing with her self-proclaimed "first" client who has a strange inability to fulfil his physical desire unless obligated to the duress of a transaction to do so. Now, 30 years later these same walls surround a sublime home which belongs to a soul-stirring 75 year old couple who love, laugh and dance together. They whisper the secrets of time forgone and seemed to have overcome the undying need for love and escape which seems to have plagued the inhabitants of this house in the past.

Sardar is a 1993 Indian biopic on Sardar Vallabhbhai Patel, one of India's greatest freedom fighters, directed by Ketan Mehta and written by noted playwright Vijay Tendulkar.

Ishaan Awasthi, âgé de huit ans, est un enfant espiègle et imaginatif. Issu d'une famille aisée, ses piètres résultats scolaires font le désespoir de ses parents qui décident de l'inscrire dans un pensionnat pour qu'il y acquière rigueur, goût du travail et de la réussite. Mais dans cet environnement rigide et hostile, coupé de sa famille et de ses amis, Ishaan se renferme et s'étiole jusqu'au jour où un jeune professeur découvre ses talents de peintre et sa dyslexie, cause de ses difficultés d'apprentissage.

Après un premier essai raté dans l'armée, le fils d'une riche famille se réengage et fait preuve de courage en devenant officier alors qu'une guerre se prépare à éclater.

Rahul, the son-in-law of an old industrialist and one of the heirs to his fortune, clashes with Dinesh, the industrialist’s nephew who is openly unscrupulous. Rahul, on his part, conceals his personal ambition under a cloak of liberalism and encourages indigenous production.

A rural politician marries a widow with kids and gains a respectable position and trusts his stepson more than his own in political matters; thus upsetting his son beyond limits.

In a remote village at Karnataka-Maharashtra border in India, the poor residents follow Devdasi tradition according to which young girls are given up in the service of Goddess Yellamma.

This is a story about having an extramarital affair within the family itself.

This is a simple, straightforward tale about the rise and fall of human civilization that focuses solely on four characters: a farmer (Naseeruddin Shah), a weaver (Om Puri), a trader (M.K. Raina), and a woman (Shabana Azmi). At the beginning of the story, the workers in a decaying village are offered food and water if they work for the local lords. The farmer and the weaver refuse. The farmer grows food for them both, and the weaver creates textiles that uses to barter with an itinerant trader. One day a frightened, lonely woman arrives on the scene and she is taken in by the two men. She cooks and cleans, and before long becomes a source of contention. Meanwhile, the trader is observing these events from the sidelines.

Pour la liberté retrace l'histoire du Lt Sodhi et de ses troupes d'hommes et de femmes qui se sont battus héroïquement pour l'indépendance de l'Inde, au sein de l'Armée Nationale Indienne. Armée formée à la suite de la défaite Britannique à Singapour, pendant la Seconde Guerre mondiale, et menée par le chef charismatique qu'était "Netaji" Subhash Chandra Bose.