Anna Nogara

A young student is visited by a mysterious and wealthy philosopher with an offer to make the student his heir .

Un naufrage amène un homme d'affaires italien moderne sur une île déserte. Tel Robinson Crusoé, il doit trouver un moyen de revenir à la civilisation. Contrairement à lui, il est un homme du XXe siècle, un cas totalement différent.

Rome, 70s. Rocco and Antonia, high school students, meet during a political rally. The two young people share age, political ideas, dissatisfaction with their parents. Moreover, by attending, they realize they have fallen in love. It is the discovery of sex and passion. After some time, however, their relationship goes into crisis.

Sketchs sur les relations en vacances qui se font et se défont sur la Riviera italienne, entre maris, femmes, amants potentiels, et la cantatrice Ada.

'The subject of this film is the conversation between a man and a woman. A couple, maybe lovers, maybe married, it doesn't matter. (...) During this conversation, we do not see but the city of Rome. I wanted to transmit that what Rome provokes in me, the feeling of an intrinsic matter, indissoluble, in difference with Paris, made of small parks and open spaces, crossed by the sky and the wind. Hand in hand with the film, the difficulty of the two lovers assumes a clearer, more explicit form. But as much as, in my opinion, it is impossible to describe and film Rome, the difficulty in the love of a couple can never be totally understood.' - Marguerite Duras, Venice film festival catalogue, 1982.

Une jeune et belle paysanne napolitaine au tempérament volcanique essaie de conquérir le coeur du Prince d'Espagne, qui doit, sur ordre de son père le Roi, se trouver une épouse italienne. Elle décide de se faire passer pour l'une d'entre elles...

A dramatization of the events from the Last Supper through the arrest and trial of Jesus to the Crucifixion.

After a close call on on the highway, Marco--a very famous singer/songwriter in 1968--climbs onto the roof of his car and starts to sing. After an unsuccessful suicide attempt, he tries to take his life back into his own hands.

Also known as “Letter from Venice,” Susan Sontag’s fourth and final film tells of a relationship that is fragmenting as the partners tour the decaying ruins of a hallucinatory Venice.

The story of the “Oresteia” begins with King Agamemnon's return to Argos after the fall of Troy. The chorus, composed of old Argives, recalls the sacrifice offered to the gods by Agamemnon, in Aulis, of his daughter Iphigenia to gain their favor.

Mini-série produite par la RAI

A story about the devil's influence on five people's lives in 20th-century Venice.