Diana Sands

Un paiement d'assurance substantiel pourrait signifier soit le salut financier, soit la ruine personnelle d'une famille noire pauvre.

At the age of twenty-nine, Elgar Enders "runs away" from home. This running away consists of buying a building in a black ghetto in the Park Slope section of Brooklyn. Initially, his intention is to evict the black tenants and convert the building into a posh flat. But Elgar is not one to be bound by yesterday's urges, and soon he has other thoughts on his mind.

Misères et splendeurs d'un vagabond sélectionné pour une émission de télévision où il fait merveille. Devant un tel succès, "Lonesome" Rhodes est vite courtisé par toutes les chaines de télévision et devient un animateur vedette jusqu'au jour où il doit préparer l'élection du sénateur Fuller. Marcia, à l'origine de son ascension fulgurante, effrayée par son cynisme, rétablit le son au moment où Lonesome, se croyant hors d'antenne, dit tout ce qu'il pense de tout le monde.

The wives of several high-powered doctors feel neglected due to their husbands' focus on their careers, so they embark on a regimen of sex, drugs and booze.

Liv, a mercenary, is drawn into a mission to rescue a kidnapped politician. He travels to the volatile Mideast and is assisted by Laura, a translator, where their lives are imperiled.

Willie Dynamite, proxénète arrogant et ambitieux voit ses plans pour prospérer défiés par des souteneurs rivaux qui n'hésitent pas à corrompre les flics afin de le mettre sur la touche puis de récupérer son cheptel de "femelles", voire de "bitches" puisque c'est ainsi qu'elles sont appelées. Lorsque le monde que Willie D a construit commence du coup à s'effriter, Cora, une femme jadis importante dans la vie de notre pimp, est de retour...

A singer whose companion hates whites falls for a white U.S. photographer in Sweden.

The hard-working but struggling crew of a shrimp boat discover a sunken treasure. Trouble ensues in this dramatic black-cast production.

A neurotic woman, her unhappy husband and three other New Yorkers share a complicated relationship.

An interview with film scholar Mia Mask, co-editor of Poitier Revisited.

The moving story of four young men struggling against overwhelming odds to remain honest. When their crooked employer shorts their earnings; they turn to crime, their first theft ending in tragedy.

Au début du XVIII° siècle, le capitaine Barclay a vu sa femme et sa fille kidnappées par un infâme planteur, Andrew MacAllister. Celui-ci, qui a vendu la femme comme esclave, élève la fille, Christine, comme la sienne, au cœur d'une île imprenable. Vingt ans plus tard, le capitaine Barclay, devenu un redoutable flibustier, décide de se venger.

Dave Burke, ancien policier viré injustement, décide de préparer un casse dont le plan semble facilement réalisable. Pour cela, il a besoin de Earle Slater, un ancien soldat ne réussissant pas à retrouver sa place dans la société, et Johnny Ingram, un chanteur noir criblé de dettes. Mais Slater est un raciste et Ingram est réticent à l'idée de sombrer dans la criminalité...

1945, on an old cargo ship somewhere deep in the Pacific ocean: Captain Morton strives to become commander, so he demands the maximum quality of work from his crew, without granting them any freedom or favors - ignoring that they're thousand of miles away from the front. In one word: he drives his crew crazy. They are near mutiny, but no-one dares to do the first step. Until Ensign Pulver plays a prank on the captain that triggers fatal consequences...

Free to Be…You and Me, a project of the Ms. Foundation for Women, is a record album, and illustrated book first released in November 1972, featuring songs and stories from many current celebrities of the day (credited as "Marlo Thomas and Friends") such as Alan Alda, Rosey Grier, Cicely Tyson, Carol Channing, Michael Jackson, and Diana Ross, among others. An ABC Afterschool Special using poetry, songs, and sketches, followed two years later in March 1974. The basic concept is to encourage a post-60's gender neutrality, while saluting values such as individuality, tolerance, and happiness with one's identity. A major thematic message is that anyone, whether a boy or a girl, can achieve anything.

Medical Center is a medical drama series which aired on CBS from 1969 to 1976. It was produced by MGM Television.

Accusé à tort du meurtre de sa femme, le docteur Richard Kimble est condamné à mort par la Cour Suprême des Etats-Unis. Lors de son transfert dans une autre prison en fourgon cellulaire, un accident se produit et Kimble en profite pour s'échapper, bien déterminé à retrouver le meurtrier d'Helen. Ce dernier est identifiable grâce à une prothèse qu'il porte en guise de bras droit.Mais Kimble est un homme traqué, recherché par toutes les polices, et spécialement par le lieutenant Philip Gerard, bien déterminé à le retrouver pour le livrer à la justice.

The Flip Wilson Show is an hour long variety show that aired in the U.S. on NBC from September 17, 1970 to June 27, 1974. The show starred American comedian Flip Wilson; the program was one of the first American television programs starring a black person in the title role to become highly successful with a white audience. Specifically, it was the first successful network variety series starring an African American. During its first two seasons, its Nielsen ratings made it the nation's second most watched show. The show consisted of many skits over an hour. It also broke new ground in American television by using a 'Theatre-in-the-Round' stage format, with the audience seated on all sides of a circular performance area. Wilson was most famous for creating the role of Geraldine Jones, a sassy, modern woman who had a boyfriend named Killer. Flip also created the role of Reverend Leroy, who was the minister of the Church of What's Happening Now!. New parishioners were wary of coming to the church as it was hinted that Reverend Leroy was a con artist. Wilson popularized such catchphrases as "What you see is what you get", and "The devil made me do it!".

ABC Stage 67 is the umbrella title for a series of 26 weekly shows that included dramas, variety shows, documentaries, and original musicals. It premiered on American Broadcasting Company on September 14, 1966 with Murray Schisgal's The Love Song of Barney Kempinksi, directed by Stanley Prager and starring Alan Arkin as a man enjoying the sights and sounds of New York City in his last remaining hours of bachelorhood. Arkin was nominated for an Emmy Award for Outstanding Single Performance By An Actor in a Leading Role in a Drama and the program was nominated as Outstanding Dramatic Program. Future programs included appearances by Petula Clark, Bobby Darin, Sir Laurence Olivier, Albert Finney, Peter Sellers, David Frost, and Jack Paar. ABC's effort to bring culture to the masses was a noble but unsuccessful experiment. Scheduled first against I Spy on Wednesdays and then The Dean Martin Show on Thursdays, the show consistently received low ratings. Its last production, an adaptation of Jean Cocteau's one-woman play The Human Voice starring Ingrid Bergman, aired on May 4, 1967. "Stage 67" was not actually a part of the primary ABC facilities in Los Angeles. It was produced at the old Monogram Studios backlot that was later sold to KCET.

Breaking Point is an American medical drama that aired on ABC from September 16, 1963, to April 27, 1964, continuing in rebroadcasts until September 7. The series, which was a spinoff of Ben Casey, stars Paul Richards and Eduard Franz. The series was created by Meta Rosenberg.

The story of a young intern in a large metropolitan hospital trying to learn his profession, deal with the problems of his patients, and win the respect of the senior doctor in his specialty, internal medicine.

"Ce n'est pas une défaillance de votre téléviseur ! N'essayez pas de régler l'image ! Nous maîtrisons à présent toutes les retransmissions. Nous contrôlons les horizontales et les verticales. Nous pouvons vous noyer sous un millier de chaînes ou dilater une simple image jusqu'à lui donner la clarté du cristal, et même au-delà. Nous pouvons modeler votre vision pour lui fournir tout ce que votre imagination peut concevoir. Nous contrôlerons tout ce que vous allez voir et entendre. Nous partagerons les angoisses et les mystères qui gisent dans les plus profonds abysses avec Au-delà du réel !". Épisode après épisode, monstres et autres créatures terrifiantes prennent possession de votre téléviseur pour une incroyable aventure mêlant suspense et fantastique.