Matthew Patrick

Prior to leaving Hampshire College in 1980, Tom was working on a 16mm film inspired by Jose Arguelles' book, The Transformative Vision: Reflections on the Nature and History of Human Expression. Shot in sync and MOS, the footage reflects Tom's interest in perception, human consciousness, and signaled his evolving interest in fusing non-fiction, experimental and dramatic genres. All the original materials for this unfinished film were stored at the LA home of Ken Levin, another Hampshire College alum who along with several other students, worked with Tom on this project, which he called the Architecture of Mountains.

Graffiti is a 1985 English language short film directed by Matthew Patrick. It follows a young man who lives in a South American military dictatorship goes out during curfew to make drawings with chalk, for thrills. The film was nominated for an Oscar for Best Live Action Short Film.

Graffiti is a 1985 English language short film directed by Matthew Patrick. It follows a young man who lives in a South American military dictatorship goes out during curfew to make drawings with chalk, for thrills. The film was nominated for an Oscar for Best Live Action Short Film.

New York: Every night the mysterious "Night Owl" goes on the air with her moody radio show. She seems to have an inexplicable influence on some men; several of Julie's friends commit suicide while listening to her voice. She fears for her husband Harry, who becomes more and more distant from her.

Graffiti is a 1985 English language short film directed by Matthew Patrick. It follows a young man who lives in a South American military dictatorship goes out during curfew to make drawings with chalk, for thrills. The film was nominated for an Oscar for Best Live Action Short Film.

Alba is a mystic who lives in an underground apartment. A plumber named Carlos is visiting her when a disaster causes the building to collapse, trapping both of them.

Prior to leaving Hampshire College in 1980, Tom was working on a 16mm film inspired by Jose Arguelles' book, The Transformative Vision: Reflections on the Nature and History of Human Expression. Shot in sync and MOS, the footage reflects Tom's interest in perception, human consciousness, and signaled his evolving interest in fusing non-fiction, experimental and dramatic genres. All the original materials for this unfinished film were stored at the LA home of Ken Levin, another Hampshire College alum who along with several other students, worked with Tom on this project, which he called the Architecture of Mountains.