Lúcia Bronstein

Zeca a trente ans mais il agit comme s’il en avait 15. Il veut être écrivain mais il ne parvient pas à finir son livre. Le sexe est la seule chose qui semble l’intéresser vraiment. Il vit avec Julia, professeur aux Beaux-arts, qui termine son doctorat. Leur couple est las mais résigné. Jusqu’au jour ou Zeca découvre que Julia le trompe, et peut-être avec une femme. Abasourdi, Zeca n’a plus qu’un chose à faire: écrire.

Marcelo leaves his family and moves to Mato Grosso do Sul, where he learns how to fly airplanes by himself watching the pilots. One day, he responds the call of a drug dealer and uses his boss' plane to help the man to transport his cargo. He is hired by the drug lord to work transporting drugs in his airplanes. When he is arrested by the Federal Police, he does not rat his gang and the leader of the cartel gives a large amount of money as a bonus and asks him to leave the gang since he is known by the police. Marcelo uses the money to promote a party in the Carnival of Recife pretending to be the son of the owner of the Gol (a Brazilian air flight company). He lures the high-society, including the television presenter Amaury Jr. Marcelo is arrested again and is sent to prison. During a rebellion, he uses his leadership to present the claims of the prisoners and help to control the situation.

The heroes of Golden Oldies 1— Juca, PR, and Montanha — are back, following different routes. Montanha lives in an old mansion and gets ready to reunite with his friends. Once together again, the three friends get into hilarious situations.

Theo a une vie agréable dans une riche banlieue brésilienne. Médecin, mari et père, il est très pris par sa carrière, jusqu’au jour où son fils de 15 ans, Pedro, disparaît. Il part alors à sa recherche et c’est pendant ce long voyage à travers le Brésil qu’il découvre ce qui compte réellement pour lui.

Brazilian telenovela based on the 1985 telenovela of the same name.

Loosely inspired by real events and tells the story of the love relationship between Lia and Veronica. While Veronica is forced to deal with some traumas, Lia immerses herself in a process of elaborating and questioning her own gender identity.