Margherita Girelli

Rocio is a young deliverer of a fashion house who walks the streets of Madrid delivering dresses to clients. Until one day, because a model does not arrive to a parade, there arises an opportunity to replace her to save the situation. Therefore Rocío becomes a model overnight. A new work that opens unsuspected horizons about relationships and friendships.

Study of a man whose basic sense of inferiority leads him from worse to worse.

Adolfo Cocchi has a building firm but his plan to build a set of buildings is been stopped by an old former Garibaldian, Don Leopoldo, who refuses to sell his property. A group of young people go to his house to play and sing. Marcella, Cocchi's daughter, who has a beautiful voice, goes to visit Leopoldo and falls in love with Paolo. They have an idea: open a night-club called "Io bacio... tu baci"...

Antonio Berlinghieri, un ingénieur de quarante ans séparé de son épouse s'en va rendre visite à son fils placé en pensionnat. Que la route il dépanne une bande de jeunes allant passer le week-end au bord de la mer. Dans cette bande dont les membres n'attirent pas vraiment la sympathie, il remarque Francesca qui s'amuse à le provoquer. Notre ingénieur tombe sous le charme et finit par intégrer le groupe ne voulant pas perdre de vue cette jolie jeune fille et se nourrissant d'illusions, allant même jusqu'à supporter les humiliations que lui feront subir le groupe. Le week-end terminé, Antonio se retrouvera seul sans ses illusions.

Parigi O Cara is probably the most camp in the history of Italian cinema, certainly a favourite with the GLBT community who quote its lines by heart. Unique as it's the only film where Franca Valeri (now 90) is the unquestioned star, in the role of Delia, a snobbish, stingy prostitute who is moving to Paris looking for greener and more lucrative pastures. An anti-neorealist, amoral, almost abstract comedy, which anticipates Almodóvar, a ferocious, though gentle, non-moralistic portrayal of the 60's boom and its broken dreams. The dialogue between Delia and her brother (played by Fiorenzo Fiorentini), when he does (or does not) tell her he is a homosexual, is memorable, a primordial coming-out, a masterpiece of allusions. But what makes it one of the first examples of a film with a "gay point of view" is the approach: perceptive, non-conformist, caustically witty. A film ahead of its times, still unbeaten.

Un noble sicilien veut se remarier, mais comme le divorce est illégal en Italie, il fait tout pour que sa femme tombe amoureuse d’un autre homme, pour pouvoir les surprendre ensemble, la tuer et n’avoir qu’une peine légère pour crime d'honneur.

This film features a colossal clash between a mass of invaders and the faithful Roman soldiers who must fight to defend the Roman Empire.