Mario Cabré

Recently added

Pandora
6.601

Pandora

Apr 13, 1951
À la fin de l'été 1930, un corps est retrouvé sur la côte espagnole. L'oncle Geoffrey raconte… Pandora Reynolds est une belle chanteuse américaine, adulée de tous. Mettant ses prétendants à l'épreuve, elle demande à Stephen Cameron, un pilote automobile britannique, de jeter sa voiture du haut de la falaise. En échange, elle lui fait une promesse de mariage. Intriguée par un yacht appartenant à un certain Hendrick van der Zee, elle s'y rend à la nage. Ce dernier n'est autre que le Hollandais volant, un marin maudit condamné à naviguer éternellement qui n'est autorisé à vivre une vie humaine que six mois tous les sept ans. A moins qu'une femme n'accepte de mourir par amour pour lui…
Romance
Trampa mortal
1

Trampa mortal

Oct 28, 1963
A former convict, named Raul Vela, and a cabaret singer, called Clara, are a couple who tries to lead a normal life. He has found an employment and she wants to leave the cabaret. One day an old chief, who wants to disappear, proposes him to justify his supposed death in a supposed accident. In exchange, Raúl will receive one hundred thousand pesetas as gratification. Raul refuses to engage in the deception. Shortly after, he reads in a newspaper about the death of Cervera, which makes the police relate him to the case.
Thriller
Nocturno 29
5.1

Nocturno 29

Jul 01, 1969
Portabella’s first feature, co-scripted by poet Joan Brossa, became one of the most influential works of the Barcelona avant-garde, although like all his early films, it circulated only in an underground fashion. Eschewing dialogue, the director constructs a non-narrative story in fragments that reveal the daily lives of an adulterous couple interspersed with a cryptic stream of unrelated imagery. The title of this homage to directors including Eisenstein, Antonioni, Bergman, and Buñuel refers to the 29 “black years” of the Franco dictatorship. — chicago.cervantes.es
Drama
No contéis con los dedos
5.8
Pere Portabella’s first work as a director starts with the following phrase: “defeated…but not conquered”. This may or should be taken as an allusion to the technical K.O. taken by Portabella from Franco’s regime during the sixties as regards his work as a producer. Through the extremely raging playthings of the words of Catalan poet Joan Brossa, Portabella attempts to dismantle the forms of advertising discourse of that time.
Drama
Una cubana en España
6

Una cubana en España

Sep 01, 1951
Blanquita, a very superstitious Cuban young woman, visits a fortune teller on the eve of her wedding to Roberto. She predicts that her first husband is destined to die, as well as would not make her happy. Believing this and according to her uncle, Blanquita starts looking for a man about to die, with the intention to marry him, then become widower and take Roberto as her second husband, thus freeing him from the curse.
Comedy
Nuits andalouses
1

Nuits andalouses

Apr 02, 1954
When her father died, Dominique de Bellocombes inherited her ancestors' château, some worthless shares and a mine in Spain. To save the castle, which is in danger of falling into ruin, and pay off her debts, she is determined to marry Armand de Puysherbeux, whom she doesn't love, but who is rich. The situation changes abruptly, however, when news comes through that the Spanish mine holds a vein of untapped gold. Dominique leaves for Andalusia, abandoning her fiancé. Her fiancé, determined not to give up on the beautiful Dominique, precedes her to the site, destroys the plans and claims that the engineer is mad...
Drama
Los hampones
1

Los hampones

Feb 16, 1961
A woman robs the authoritarian boss of a criminal gang and then falls in love with a buddy.
Mystery