Vladan Gajović

A biographical story of Serbian King Aleksandar I Karadjordjevic.

Belgrade, the summer of 1991. Yugoslavia is falling apart. Gavran can't get a driving licence because he is color blind. He is a rural Bosnian introvert obsessed with trucks. So, as soon as he is released from prison, he steals a truck to go on a joyride. Suzana, a city girl, discovers she is pregnant, but until she's due for an abortion, she decides to go to Dubrovnik. She hitchikes and Gavran almost runs her over. She is unhurt, but she blackmails him to take her to Dubrovnik. Two people from different worlds, equally removed from the real one. For him she is the first woman he can talk to; for her he is just another idiot to add to the long list of them that she has so far compiled. But the pressure of danger and the intimations of war force them together. The world about them has become so absurd that they seem to each other the only sober people left.

An antiwar movie about living-dead soldiers waiting for morning to go home.

Sultana and the bootmaker's wife Pela looks very much like each other, with replacement clothing and residence, Sultana becomes Pela and Pela becomes Sultana. The consequence of disguise is that the Sultana are undergoing torture from Pela's husband which changes her nature, which makes positive impact on her environment. The script abounds with musical numbers that contribute to the atmosphere, establish era and the place of action, and in this play bring vaudeville jollity.

A story about war-disabled combatants that fought in Serbo-Turkish wars in 1876-1878. Left on their own and without limbs, they became beggars – a burden for the state that doesn’t pay attention about them. Their destiny depends exclusively on people who feel sympathy.

An ex-secret service man, gets the offer from his colleagues to exact his revenge on a drug dealer that killed his wife.

Year 1973, turmoil between Kosovo Serbs and Albanians in Autonomous province of Kosovo. A story that describes the beginning of the crisis in Kosovo.

Mile is a cab driver who lives a life for which he himself sometimes does not know where he is headed. On one hand, he has a ten year old relationship with a woman he fools into marrying her, and on the other he has a wife and an adult son with whom he constantly comes into conflict. When Mile's wife realizes what life is like, things take another direction.

In a series of comic situations, the hilarious Simeon, with the help of his extramarital sons, Momir and Dragan, and his roommate, Marina, manages to deceive everyone he meets on the doorstep of his apartment in the center of Belgrade.

A young journalist Bosko, along with his girlfriend Jelena and best friend Milenko, gets caught up in a conspiracy to obtain a notebook which records unexplained paranormal events.

Ranjeni orao was a Serbian television show produced in 2008 and aired on RTS1 during late 2008 and early 2009. The 17 episode series is based on the 1936 novel "Ranjeni orao" by Serbian author Mir Jam. The show had unprecedented success with the last episode averaging over 3 million viewers, making it the most watched Serbian television series ever made.

Miniseries about the life of Serbian statesman Nikola Pašić.

At the turning point of his life, 20-year-old Aljoša Kovač is trying to strike a balance between the expectations of his father Velja, the ambitions of his mother Mira, his own hard-to-achieve passion for music, and a love that is nearing its inevitable end.

The eight-episode series follows the life of the writer Ivo Andrić during several months in the fall and winter of 1961, from the moment he found out he had won the Nobel Prize until he returned from the award ceremony, via Switzerland, to Belgrade. Each of the episodes has two parallel streams of narration: one, related to the year 1961, in which we follow Andrić's preparations for going to Stockholm, and the second, a subjective jump back to the past. Andrić's view of the key moments of his own life, which were almost always the key moments of the country where he lived and lives, the encounters and decisions he made, is full of questioning, doubts and re-evaluation. Through eight episodes, the most important, well-known and less well-known, paths that Andrić walked, the faces that surrounded him and the places where he lived during the winter of 1961 and throughout his life are revealed and followed.