Arthur Wing Pinero

An actress cures an aged flirt by posing as his wife.

Having followed the road of romance through many countries, Lord Quex finally falls in love with Muriel Eden. After resisting Lord Quex because of his reputation, Muriel finally capitulates to his charms and agrees to marry him. In her heart, however, Muriel still treasures an affection for Caption Bastling, a fortune hunting womanizer, and when Muriel is told of Lord Quex's continuing contact with the Duchess of Dowager, a situation brought about through the scheming of the Duchess, Muriel turns to Bastling and agrees to meet him at her friend Sophie Fullgarney's manicurist shop.

A woman attempts to regain the love of her husband, who constantly compares her unfavorably to his first wife.

Academy Award nominee and Tony Award-winner John Lithgow (Dirty Rotten Scoundrels, Shrek, 3rd Rock from the Sun) takes the title role in Arthur Wing Pinero’s uproarious Victorian farce, directed by Olivier Award-winner Timothy Sheader (Crazy for You and Into the Woods, Regent’s Park Open Air Theatre, London). In a similar vein to the National Theatre’s smash-hit classic comedies, She Stoops to Conquer and London Assurance, The Magistrate is sure to have audiences doubled up with laughter. When amiable magistrate Posket (John Lithgow) marries Agatha (Olivier Award-winner Nancy Carroll, After the Dance), little does he realise she’s dropped five years from her age – and her son’s. When her deception looks set to be revealed, it sparks a series of hilarious indignities and outrageous mishaps.

The story has been adapted from the Sir Arthur Wing Pinero play. The title means nothing more than the mid-channel of married life, through a character in the feature likening the roughness of the English channel in the center of the trip across from London to Paris to the woes married folks meet in their wedded life.

A theatrical troupe from the west end of London loses its leading lady when she goes off to marry a rich young man from the other side of town. The rest of the play deals with the budding romance and trials and tribulations of their love, as well as the changing face of late-19th-century theatre.

A young woman is hired as a governess for the son of a man grieving the loss of his wife. The governess's presence is unwelcome to the rest of the family, especially after the governess develops a romantic attachment to her employer.

The Enchanted Cottage stars Richard Barthelmess as Oliver, a physically and emotionally wounded World War I veteran who comes home to a fiancée who promptly leaves him. Licking his wounds in solitude, he meets a young woman named Laura (May McAvoy). They fall in love and agree to marry, but unexpected and magical events occur inside The Enchanted Cottage where they have agreed to spend their wedding night.

A rich man's worship of his first wife ends when he learns their son is a bastard.

Letty Shell, a clerk in a London brokerage office, is discouraged by her lack of fine clothes and social position. She becomes infatuated with Nevill Letchmere, a debonair idler from a good family, and believes that he wants to marry her, but after her boss, Bernard Mandeville, who has risen to power and wealth, and who wants to marry Letty, warns Letchmere to keep away from her, Letchmere confesses that he is married. Disappointed, Letty accepts Mandeville's proposal, but when she sees Mandeville's boorishness in a restaurant, she returns to Letchmere. Just as she is about to become his mistress, Letchmere receives word that his married sister has eloped with a lover. When he curses his sister for acting like a "shop girl," Letty realizes that he views her and her class without respect. She leaves and accepts the love of her faithful friend Richard Perry, a poor photographer, whose rich uncle is going to help him in business

A series of dramas featuring staged theatre plays.