Suzan Pitt

Recently added

Twenty Cigarettes
3.3

Twenty Cigarettes

Feb 17, 2011
Celebrated for his minimal, monumental landscape studies, James Benning turns to the intimacy of the portrait in his latest film, TWENTY CIGARETTES. Referencing Warhol’s screen tests, 1930s Hollywood glamour, and the disappearing cigarette break, the film captures 20 of Benning’s friends (including filmmaker Sharon Lockhart, cultural theorist Dick Hebdige, and book editor Janet Jenkins) satiating their smoke cravings. Each shot’s length is determined by the time it takes each subject to smoke a cigarette, and over the course of the film a dynamic range of personalities emerges out of an array of physical characteristics, distinctive settings, and personal relationships to the camera. (Amy Beste and Jessica Bardsley)
Documentary
Cartoon Noir
8.1

Cartoon Noir

Feb 02, 1999
Six animated shorts eschew traditional animation by featuring supernatural elements and darker themes, such as alien snatchings, life among mannequins and a spiritual rebirth. Among the films are "Ape," which features a couple fighting over a cooked monkey every night; "The Story of the Cat and the Moon," which is a tale of unrequited love; and "Gentle Spirit," which is based on a Fyodor Dostoyevsky story.
Fantasy
El Doctor
5.6

El Doctor

May 10, 2006
Six animated shorts eschew traditional animation by featuring supernatural elements and darker themes, such as alien snatchings, life among mannequins and a spiritual rebirth. Among the films are "Ape," which features a couple fighting over a cooked monkey every night; "The Story of the Cat and the Moon," which is a tale of unrequited love; and "Gentle Spirit," which is based on a Fyodor Dostoyevsky story.
Animation
Joy Street
6.524

Joy Street

Apr 26, 1995
Six animated shorts eschew traditional animation by featuring supernatural elements and darker themes, such as alien snatchings, life among mannequins and a spiritual rebirth. Among the films are "Ape," which features a couple fighting over a cooked monkey every night; "The Story of the Cat and the Moon," which is a tale of unrequited love; and "Gentle Spirit," which is based on a Fyodor Dostoyevsky story.
Animation
Jefferson Circus Songs
6.4
In a fantasy world, life-size cardboard animations interact with children clad in clown wigs, monkey masks, and princess costumes. Together, they host a carnival of surreal goings-on.
Animation
Pinball
5.8

Pinball

Mar 10, 2013
A clay woman smokes.
Animation
Al Tudi Tuhak
1

Al Tudi Tuhak

May 01, 1999
The film, Al Tudi Tuhak, is a creation story inspired by the art and mythology of the Northwest coast people. The story involves the creator, or "The Great Father" as he whittles the world into existence. Each of his wood shavings became fish, trees, birds,... even the sun and moon.
Animation
SUZAN PITT - ANIMATED FILMS
10
Films: - Asparagus (1979, 20 min, 35mm) - Joy Street (1995, 24 min, 35mm) - El Doctor (2006, 23 min, 35mm & video) - Visitation (2012, 12min, video) - Pinball (2013, 7min, video) Bonus: - Persistence of Vision, a film by Blue And Laura Kraning - 2006, 33min
Animation
Asparagus
6.606

Asparagus

Mar 17, 1979
Films: - Asparagus (1979, 20 min, 35mm) - Joy Street (1995, 24 min, 35mm) - El Doctor (2006, 23 min, 35mm & video) - Visitation (2012, 12min, video) - Pinball (2013, 7min, video) Bonus: - Persistence of Vision, a film by Blue And Laura Kraning - 2006, 33min
Animation
Crocus
5.9

Crocus

Mar 13, 1971
Films: - Asparagus (1979, 20 min, 35mm) - Joy Street (1995, 24 min, 35mm) - El Doctor (2006, 23 min, 35mm & video) - Visitation (2012, 12min, video) - Pinball (2013, 7min, video) Bonus: - Persistence of Vision, a film by Blue And Laura Kraning - 2006, 33min
Animation
Cels
1

Cels

Jan 01, 1972
A showcase for the MCAD Animation Workshop 1972 where each student was given one of a series of cells to animate whatever they pleased.
Animation
Whitney Commercial
1

Whitney Commercial

Jan 01, 1973
Commissioned by David Bienstock, creator of the New American Film Series at the Whitney Museum of Art to raise funds for the second season of the series. The film was projected at the end of each program and a box to receive donations was placed at the exit of the theater. Whitney Commercial ran for two or three years until the Museum agreed to sponsor the series on its own which has continued to the present season. Preserved by the Academy Film Archive in 2015.
Animation
Visitation
6.2

Visitation

Mar 10, 2013
Commissioned by David Bienstock, creator of the New American Film Series at the Whitney Museum of Art to raise funds for the second season of the series. The film was projected at the end of each program and a box to receive donations was placed at the exit of the theater. Whitney Commercial ran for two or three years until the Museum agreed to sponsor the series on its own which has continued to the present season. Preserved by the Academy Film Archive in 2015.
Animation
Visitation
6.2

Visitation

Mar 10, 2013
Commissioned by David Bienstock, creator of the New American Film Series at the Whitney Museum of Art to raise funds for the second season of the series. The film was projected at the end of each program and a box to receive donations was placed at the exit of the theater. Whitney Commercial ran for two or three years until the Museum agreed to sponsor the series on its own which has continued to the present season. Preserved by the Academy Film Archive in 2015.
Animation
Joy Street
6.524

Joy Street

Apr 26, 1995
Commissioned by David Bienstock, creator of the New American Film Series at the Whitney Museum of Art to raise funds for the second season of the series. The film was projected at the end of each program and a box to receive donations was placed at the exit of the theater. Whitney Commercial ran for two or three years until the Museum agreed to sponsor the series on its own which has continued to the present season. Preserved by the Academy Film Archive in 2015.
Animation
Asparagus
6.606

Asparagus

Mar 17, 1979
Commissioned by David Bienstock, creator of the New American Film Series at the Whitney Museum of Art to raise funds for the second season of the series. The film was projected at the end of each program and a box to receive donations was placed at the exit of the theater. Whitney Commercial ran for two or three years until the Museum agreed to sponsor the series on its own which has continued to the present season. Preserved by the Academy Film Archive in 2015.
Animation
Crocus
5.9

Crocus

Mar 13, 1971
Commissioned by David Bienstock, creator of the New American Film Series at the Whitney Museum of Art to raise funds for the second season of the series. The film was projected at the end of each program and a box to receive donations was placed at the exit of the theater. Whitney Commercial ran for two or three years until the Museum agreed to sponsor the series on its own which has continued to the present season. Preserved by the Academy Film Archive in 2015.
Animation
Crocus
5.9

Crocus

Mar 13, 1971
Commissioned by David Bienstock, creator of the New American Film Series at the Whitney Museum of Art to raise funds for the second season of the series. The film was projected at the end of each program and a box to receive donations was placed at the exit of the theater. Whitney Commercial ran for two or three years until the Museum agreed to sponsor the series on its own which has continued to the present season. Preserved by the Academy Film Archive in 2015.
Animation
Crocus
5.9

Crocus

Mar 13, 1971
Commissioned by David Bienstock, creator of the New American Film Series at the Whitney Museum of Art to raise funds for the second season of the series. The film was projected at the end of each program and a box to receive donations was placed at the exit of the theater. Whitney Commercial ran for two or three years until the Museum agreed to sponsor the series on its own which has continued to the present season. Preserved by the Academy Film Archive in 2015.
Animation
El Doctor
5.6

El Doctor

May 10, 2006
Commissioned by David Bienstock, creator of the New American Film Series at the Whitney Museum of Art to raise funds for the second season of the series. The film was projected at the end of each program and a box to receive donations was placed at the exit of the theater. Whitney Commercial ran for two or three years until the Museum agreed to sponsor the series on its own which has continued to the present season. Preserved by the Academy Film Archive in 2015.
Animation
Visitation
6.2

Visitation

Mar 10, 2013
Commissioned by David Bienstock, creator of the New American Film Series at the Whitney Museum of Art to raise funds for the second season of the series. The film was projected at the end of each program and a box to receive donations was placed at the exit of the theater. Whitney Commercial ran for two or three years until the Museum agreed to sponsor the series on its own which has continued to the present season. Preserved by the Academy Film Archive in 2015.
Animation
Visitation
6.2

Visitation

Mar 10, 2013
Commissioned by David Bienstock, creator of the New American Film Series at the Whitney Museum of Art to raise funds for the second season of the series. The film was projected at the end of each program and a box to receive donations was placed at the exit of the theater. Whitney Commercial ran for two or three years until the Museum agreed to sponsor the series on its own which has continued to the present season. Preserved by the Academy Film Archive in 2015.
Animation
Visitation
6.2

Visitation

Mar 10, 2013
Commissioned by David Bienstock, creator of the New American Film Series at the Whitney Museum of Art to raise funds for the second season of the series. The film was projected at the end of each program and a box to receive donations was placed at the exit of the theater. Whitney Commercial ran for two or three years until the Museum agreed to sponsor the series on its own which has continued to the present season. Preserved by the Academy Film Archive in 2015.
Animation
Pinball
5.8

Pinball

Mar 10, 2013
Commissioned by David Bienstock, creator of the New American Film Series at the Whitney Museum of Art to raise funds for the second season of the series. The film was projected at the end of each program and a box to receive donations was placed at the exit of the theater. Whitney Commercial ran for two or three years until the Museum agreed to sponsor the series on its own which has continued to the present season. Preserved by the Academy Film Archive in 2015.
Animation
El Diario Cubano
1

El Diario Cubano

Dec 01, 2013
In December 2013 I went to Cuba for 10 days to show my films at the Havana Film Festival. I did not intend to shoot a film about Cuba- but I fell in love with the people, music, and nature of this beautiful island. I turned my video camera on the subjects which passed in my view and then made this edit. The scenes were shot in Havana, in Las Terrazas, and in the Orchid Garden in Soroa. - to Cuba with affection!