An experimental adaptation of Hamlet to Brazil's rural areas. Farmer's son returns home after his father's death and can't stand the thought of his mother marrying his uncle.
A panel of Brazilian political scenery in 1967, alternating images of the main events and politicians and specialists' statements about freedom of the press.
With death getting near, a retired officer remembers the most important passages in his life and his participation in historical events in Brazil, such as the Lieutenants' Movement, and the 1964 coup.
With death getting near, a retired officer remembers the most important passages in his life and his participation in historical events in Brazil, such as the Lieutenants' Movement, and the 1964 coup.
With death getting near, a retired officer remembers the most important passages in his life and his participation in historical events in Brazil, such as the Lieutenants' Movement, and the 1964 coup.
Vicente, a tax collector, is sent to a distant region to defy the dominion of Melo, a powerful landowner. When Melo's henchmen burn down the collector's office building, the government retaliates by deploying soldiers, overseen by Carvalho, a hard-headed judge. Carvalho orders the soldiers to invade Melo's land, which prompts the start of a full-blown war.
Mateus, his wife Antônia, their three kids and his brother Pedro opened a grocery/bar in Goiânia, Brazil, in 1959, called "Armazém Brazil". But in the opening party, the Police, headed by a violent inspector nicknamed "Capitão", arrive to arrest, with extreme violence, an outlaw known as "Flexa". This violent scene scars the family permanently and becomes the prelude to a tragedy.
Poor and beautiful girl is hired by a sales promoter to advertise a new brand of soap. The success is immediate, but the need for a new face hinders her way to stardom.
The documentary tells the story of journalist Vladimir Herzog, nicknamed Vlado, who has been tortured and murdered during the repression years of Brazilian military dictatorship.
Reconstruction of the life of Wilsinho, who was a dangerous criminal by the time he was 14. After getting arrested multiple times, he finally was killed by the police at the home of his girlfriend Geni.
Symbolic film from the Underground Movement of Brazilian Cinema (Cinema Marginal) about a woman, three men and some apes. In the director's own words: “a fable where realism and logic have no place, and in which sex is a translation of all the tortures, circumstances and violent actions.”
Mateus, his wife Antônia, their three kids and his brother Pedro opened a grocery/bar in Goiânia, Brazil, in 1959, called "Armazém Brazil". But in the opening party, the Police, headed by a violent inspector nicknamed "Capitão", arrive to arrest, with extreme violence, an outlaw known as "Flexa". This violent scene scars the family permanently and becomes the prelude to a tragedy.
With death getting near, a retired officer remembers the most important passages in his life and his participation in historical events in Brazil, such as the Lieutenants' Movement, and the 1964 coup.
The crossing of generations under the influence of military dictatorship and political openness. Documentary highlights the role of the organizers of the March for the Family with God for Freedom in 1964. Based on stories of life under the military dictatorship, stories and reflections of people who had a significant participation in that period, whether for or against the coup.
The crossing of generations under the influence of military dictatorship and political openness. Documentary highlights the role of the organizers of the March for the Family with God for Freedom in 1964. Based on stories of life under the military dictatorship, stories and reflections of people who had a significant participation in that period, whether for or against the coup.
A panel of Brazilian political scenery in 1967, alternating images of the main events and politicians and specialists' statements about freedom of the press.
A panel of Brazilian political scenery in 1967, alternating images of the main events and politicians and specialists' statements about freedom of the press.
Director João Batista de Andrade was filming a documentary about migrants coming from Northeast Brazil to São Paulo in search of a better living. His intention was to give voice to these underprivileged and homeless people. While preparing to interview a man who lived under a bridge, a passer-by interfered, starting an argument about the role of people from other states in the development of São Paulo and the rural problem in the Northeast.
A panel of Brazilian political scenery in 1967, alternating images of the main events and politicians and specialists' statements about freedom of the press.
A panel of Brazilian political scenery in 1967, alternating images of the main events and politicians and specialists' statements about freedom of the press.
A countryman kills his father and heads for the big city. On his way, he meets the most bizarre and allegorical types: a robber, a drag queen who thinks he's Carmen Miranda, a black king, a fallen black angel, a priest, two whores, a pregnant cowboy, among others.
The film addresses the problem of occupational accidents in Brazil, based on the lack of safety in quarries where workers are constantly victimized by the explosions.
The film addresses the problem of occupational accidents in Brazil, based on the lack of safety in quarries where workers are constantly victimized by the explosions.
The first work by documentary master Renato Tapajós, "Vila da Barca" focuses on the daily struggles faced by the people who live on the shanty town of Vila da Barca, Pará, Brazil.
With death getting near, a retired officer remembers the most important passages in his life and his participation in historical events in Brazil, such as the Lieutenants' Movement, and the 1964 coup.
When Brazil finally came out from its dictatorship period, Tancredo Neves, the first civilian president after 20 years of military rule, got ill with a strange infection and finally died on 21 April 1985 before taking office. Knowing political stability could get compromised, before dying, he tried to look healthy, and the press also helped with the farce. The documentary is about his slow public agony and death.
Inspired by the testimony of an American technician who, examining the São Paulo dump, stated: "Sao Paulo rubbish is the richest in the world." The film shows the misery of those who live on this garbage and the police repression on the scavengers.
Vicente, a tax collector, is sent to a distant region to defy the dominion of Melo, a powerful landowner. When Melo's henchmen burn down the collector's office building, the government retaliates by deploying soldiers, overseen by Carvalho, a hard-headed judge. Carvalho orders the soldiers to invade Melo's land, which prompts the start of a full-blown war.
Documentary wich tries to capture the iconoclastic spirit of the 1922 Week of Modern Art, to tell about the beginning of cinema made in the city of São Paulo.
The central character is a talented sculptor of saints from the historic city of Pirenópolis, Goiás. Praised, controversial, he opens his life and the vigor of his work to the camera, willing to also reveal the dark sides of his existence as a craftsman and as a person. His name: José Inácio Nascimento.
The film addresses the problem of occupational accidents in Brazil, based on the lack of safety in quarries where workers are constantly victimized by the explosions.
The film addresses the problem of occupational accidents in Brazil, based on the lack of safety in quarries where workers are constantly victimized by the explosions.
Documentary short focusing on the people of a poor São Paulo neighborhood, whose lives are made difficult by a large hole on the ground that the government won't fix.
Starting from a starting point of a bus line, the film discusses the deficiencies of urban transport and the problems caused to workers. Interviews reveal a population on the periphery that was the hidden counterpoint to the economic miracle. In the big image of the film, the cameraman travels hanging on the bus, along with other passengers. This subjective image in the narrative places the viewer on the side of the population who daily risk themselves to go to work.
Starting from a starting point of a bus line, the film discusses the deficiencies of urban transport and the problems caused to workers. Interviews reveal a population on the periphery that was the hidden counterpoint to the economic miracle. In the big image of the film, the cameraman travels hanging on the bus, along with other passengers. This subjective image in the narrative places the viewer on the side of the population who daily risk themselves to go to work.