John Hunsaker

Des campeurs affrontent un dangereux maniaque en pleine montagne.

A young girl is left to run her grandfather's frontier newspaper. She finds out about a group of conmen and a devious swindle and tries to expose them.

Feature-length retrospective on the classic 80s slasher, Just Before Dawn.

Bid is a self-styled urban commando determined to live outside the system and the law. A hustler in high end auto parts, he is homeless by choice. All his gear in a storage locker, he plies the city on a motorcycle, counting coup on the cops. Yve is Bid’s girl friend, bi-sexual, ambitious but without direction. Neither wants to compromise… but their friendship is about to go tragic.

Estranged from his longtime girlfriend, suburban accountant Perry wanders into the Tenderloin at night and is drawn into a series of dangerous and erotic encounters.

Holiday Weekend centers on how people relate to each other. A young couple quibbles over an impulsive decision to steal a coffee machine, while the victimized pair sans Sanka plays an unusual game of affection and abuse. A young man with werewolf-ism moves in with a fledgling songwriter, while elsewhere, an injured individual with Tourettes seeks council from a high priced lawyer. All the while, some elderly homosexual lovers reunite, dancing to celebrate the rekindling of their long dormant love. Giving us his spin on spirituality and the afterlife. Holiday Weekend is like several small sketches that add up to one incredible portrait.

Spoddy (Disend), a small-time car thief and master auto mechanic, hates cars and harbors contempt for most people, especially the losers of this world. Directed by Rob Nilsson, this film employs the aesthetic of Direct Action Cinema, which Nilsson developed to allow cast and crew maximum freedom to work as a jazz ensemble, improvising dialogue and action in situations articulated by the director.