Estela de Carlotto

Julian plans to leave a legacy to society. The murder of genocidal dictator Jorge Rafael Videla. Result of a violent society, making a decision violent, Julian run huge risks, but the key is to not become the same monster that wants to kill.

1983: After more than seven years of terror, the Argentineans recover the democracy. The reconstruction of a climate of time and an event that marked a point of break not only in the policy but in the culture and the arts of Argentina

Joan Manuel Serrat fled to Mexico when Franco ordered his persecution. In Argentina and Chile, his commitment against military regimes is still remembered. Joaquín Sabina arrived later. His poetry bewitched the audience. In Argentina, he is a tango singer as much as a rocker; in Mexico, the mariachis sing their songs. The former is a symbol, a venerated figure; the latter is a “cuate,” as they say in Mexico, a buddy with whom you can always count.

The documentary directed by Estela Bravo collects the story of girls, boys and young people who were able to recover their true identity thanks to the struggle of the Grandmothers of Plaza de Mayo. The documentary gives an account of the tireless task undertaken by Estela de Carlotto in the search for the stolen granddaughters and grandsons, as well as to reveal the true story of the horror perpetuated by the last civic-military dictatorship in Argentina.

An Argentinean born Spaniard, writer and journalist, whose parents were tortured and murdered during the Military Coup, returns to finish a novel about them, with the ambiguous determination to get even with their murderer, a former Sheriff who lives nearby in Patagonia. He and the Sheriff's daughter fall in love. He takes DNA samples of the Girl's family and realizes the truth; she is not their daughter, which means she might have been abducted from her murdered parents. He indirectly feeds her mistrust. The girl travels to Buenos Aires to investigate. She finds out the truth and faces her father, who avows never agreeing on saving those children. On her question, "Who am I?" he says she is a mistake and that she is alive thanks to his decision. It is her who ultimately solves the Writer's conflict in a tragical showdown with the Sheriff.

For more than forty years, Belela Herrera has dedicated her life to saving that of others. The politically persecuted, those displaced by civil wars, and the world's refugees are her concern and vocation. Her story is also that of a woman who defined herself and twisted the destiny reserved for girls of her social class: marrying to a man from high society, having a large family and a comfortable and elegant existence . And it is also the story of a female legacy that is part and consequence of the invisible resistance of thousands of women.

"The Disappeared" relives the horrors of Argentina's Dirty War (1976-83) through the experience of Horacio Pietragalla, a young man raised by the maid of the officer who kidnapped him after the military brutally murdered his parents. The film follows Horacio as he reconstructs the cause for which his real parents gave their lives, and, through this search, reclaims his true identity. This personal journey internalizes the tragedy that ravaged the country for seven years and exposes polarized views on state-driven terrorism in groundbreaking interviews with top military officials, concentration camp victims, human rights activists, journalists who covered the events, and members of Horacio's surrogate and biological families.