Paweł Kleszcz

In a post-State gmina Osiek, on August 15th the plaque commemorating the liberation of the town from the hands of the Bolsheviks in 1920 will be unveiled. Vogt wants the event to be festive and to contribute to the promotion a the forgotten gmina. He needs a veteran, but where will he find a veteran of the 1920 war? Marian, a village shopkeeper, promises to “find” a veteran in excha

Pologne 17e siècle. Helena, une noble polonaise tombe follement amoureuse d'un guerrier cosaque. Poussée par les événements tragiques qui ravagent son pays, à savoir la révolte des cosaques contre l'aristocratie, Helena va devoir choisir entre la sécurité des bras de son mari et l'aventure aux côtés de son amant. Un choix cornélien qui ne se fera pas sans son lot de sacrifices.

Twenty years old prostitute and drug addict, Jola, by chance meets Andrzej, a "railway station gay". They try to stay together, in spite of numerous diffculties. They both are carriers of the HIV virus. At the end of their travels they find themselves in the Red Palace - formerly the recreation centre for Party dignitaries, now a home for AIDS sufferers - which is run by father Jan. In the nearby small town aggression begins to grow again the unwanted guests; the house have been promised to the local people for housing purposes... The lives and fates of Jola, Andrzej, and father Jan become increasingly intertwined with one another...

Jerzy Stuhr scripted, directed and plays four roles in this Polish comedy about four men -- an army officer, a college instructor, a priest, and a drug dealer -- and their relationships with four females. An attractive student puts the teacher in an awkward spot when she reveals her love for him. An 11-year-old informs the priest that she's his daughter. The army officer is pleased when confronted by a past lover. The drug dealer, taken prisoner, must decide whether or not to trust his wife with his hidden loot. In the wrap-up, the elderly accountant passes judgment on all four men. Stuhr acted in films by the late Krzysztof Kieslowski, who had some input here by offering advice to Stuhr on this screenplay.

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