Mohammad Malas

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Caméra arabe
5.7

Caméra arabe

Jan 02, 1987
Focusing on key Arab films produced in the last 20 years. Férid Boughedir traces the development of the film-makers' concern to produce more socially aware cinema. Themes include the issue of Palestinian homeland rights and the nature of Arab identity. The film-makers also share a desire to develop a strong poetic tradition.
Documentary
Carnet de Dubaï Hiver VI: Lumière et Reflets
1
Gérard Courant's "Filmed Diary" of December 14, 2011, produced in Dubai (United Arab Emirates). Between December 7 and 15, 2011, Gérard Courant was invited by the Dubai International Film Festival, in the United Arab Emirates. It was an opportunity for him to film many "Cinematons" of personalities from the Arab world and to continue his "Film Notebooks" from which he brought back 7 episodes.
Documentary
Le Destin
6.8

Le Destin

Aug 18, 1997
Au XIIème siècle, en Espagne, les enseignements controversés d'un penseur mettent en péril le pouvoir du Calife en place, que ses opposants menacent de renverser.
Drama
Le plat de sardines
8

Le plat de sardines

Sep 22, 1997
Un homme se souvient du conflit au Moyen-Orient à travers sa mémoire personnelle. Dans ce court documentaire, Amiralay se penche sur la première fois qu'il a entendu parler d'Israël. A travers des conversations enregistrées avec le cinéaste Mohamed Malas, Amiralay et Malas partagent leurs propres histoires et expériences sur Israël et l'occupation israélienne.
Documentary
الذاكرة
8

الذاكرة

Jan 01, 1975
The precise portrait of a woman who is present and fey at the same time, who is as tired as she is courageous and who seems to have surrendered and emancipated at once.
Documentary
الليل
7

الليل

Jan 02, 1992
A young man aspires to follow in his father's footsteps and live up to his legacy of resisting the Zionist occupation. He reflects on his father's journey from his arrival in Quneitra in 1936 to his death after the Zionist army captured the city.
Drama
الليل
7

الليل

Jan 02, 1992
A young man aspires to follow in his father's footsteps and live up to his legacy of resisting the Zionist occupation. He reflects on his father's journey from his arrival in Quneitra in 1936 to his death after the Zionist army captured the city.
Drama
المنام
6.5

المنام

Oct 01, 1987
Interviews with Palestinians living in Lebanese refugee camps, some of it shot in Sabra and Shatila before the massacre.
Documentary
المنام
6.5

المنام

Oct 01, 1987
Interviews with Palestinians living in Lebanese refugee camps, some of it shot in Sabra and Shatila before the massacre.
Documentary
فـوق الرمل … تحت الشمس
1
Short documentary about political prisoners struggling to come to terms with haunting memories, produced for the anniversary of the Universal Declaration of Human Rights. The film presents a reflection on the effects of prison in general and on the theatre director Ghassan Jbaii in particular. The artist used his work to come to terms with his haunting memories and regain the world outside the prison walls.
Documentary
Passion
5.7

Passion

Aug 10, 2005
Short documentary about political prisoners struggling to come to terms with haunting memories, produced for the anniversary of the Universal Declaration of Human Rights. The film presents a reflection on the effects of prison in general and on the theatre director Ghassan Jbaii in particular. The artist used his work to come to terms with his haunting memories and regain the world outside the prison walls.
Drama
Passion
5.7

Passion

Aug 10, 2005
Short documentary about political prisoners struggling to come to terms with haunting memories, produced for the anniversary of the Universal Declaration of Human Rights. The film presents a reflection on the effects of prison in general and on the theatre director Ghassan Jbaii in particular. The artist used his work to come to terms with his haunting memories and regain the world outside the prison walls.
Drama
Quneitra 74
1

Quneitra 74

Apr 12, 1974
Quneytra 74 begins with shots of people on the edge of the blasted city of Kuneitra. A woman breaks away from the crowd, makes her way towards the city, speeds up the step, as if to escape from the camera. Filmed on behalf of Syrian TV, the accuracy of Malas' light, shadow, silence and soundscape as essential elements of his cinematic language is evidenced here, as well as his interest in the issues of civil war, territorial war and identity destruction.
Drama
نور وظلال
1

نور وظلال

Apr 25, 1994
Trained as an electrician, Nazih Shahbandar became fascinated with the technology behind film production and was one of the pioneers of cinema production in the 1930s and 1940s. In 1947, he set up a studio fitted with film equipment that was almost entirely of his own fabrication. He wrote scripts, built sets, and innovated new methods of sound recording and transmission. As an enthusiastic inventor, he produced and directed the first Syrian film with sound. His dream was to film and screen a 3D film. An ode to cinema, this documentary is a portrait of Shahbandar.
Documentary
Moudarres
1

Moudarres

Apr 25, 1995
Fateh Moudarres (1922-1999) was a crucial personage in Syrian artistic and cultural life, a pioneer of contemporary painting, a literate and prolific novelist. For about forty years has transformed his atelier, located in the center of Damascus, into a place of encounter and dialogue on art. The film is a journey of love to the artist's universe, to his works composed from memories of light, colors, and the shadows of a painful existence.
Documentary
محارم .. محارم
1
Suleiman, a 12-year old boy, lives overlooking Damascus with his poor family, along with many other displaced people from the Golan Heights. Suleiman decides with his mother and siblings to raise money by selling tissues to help his father, a gas cylinder seller. His dream? To buy a Suzuki pick-up truck of his own.
Documentary
Oh Father, I Am Youssef
1
While Syrian artist Youssef Abdelke’s paintings and visual works form the essence of this film, it is his dialogue with the director Mohamad Malas that constitutes the backbone of the documentary. Deeply engaged with his birthplace of Qamishli, then Damascus and later Paris, Abdelke did not find his ‘paradise’ in a specific place but rather in resistance to the harsh realities of human existence. (Synopsis from Sharjah Film Platform 7)