Marlon Riggs

Recently added

Absolutely Positive
1

Absolutely Positive

Feb 23, 1991
The narrator/filmmaker is Peter Adair (Word is Out) and the disease is the HIV virus. Adair has asked 11 people — women and men, gay and straight, from all walks of life — to share their stories. Alternately irreverent, candid and soulful, this stirring film is not about being sick; it is about being true to the emotional complexity of being mortal.
Documentary
Tongues Untied
6.7

Tongues Untied

Mar 16, 1990
Marlon Riggs, with assistance from other gay Black men, especially poet Essex Hemphill, celebrates Black men loving Black men as a revolutionary act. The film intercuts footage of Hemphill reciting his poetry, Riggs telling the story of his growing up, scenes of men in social intercourse and dance, and various comic riffs, including a visit to the "Institute of Snap!thology," where men take lessons in how to snap their fingers: the sling snap, the point snap, the diva snap.
Documentary
Anthem
4.4

Anthem

Jul 21, 1993
A collage of erotic images and a call to arms, with a feverish hip-hop energy that celebrates the lives of African American men.
Music
Black Is… Black Ain’t
6.1
African-American documentary filmmaker Marlon Riggs was working on this final film as he died from AIDS-related complications in 1994; he addresses the camera from his hospital bed in several scenes. The film directly addresses sexism and homophobia within the black community, with snippets of misogynistic and anti-gay slurs from popular hip-hop songs juxtaposed with interviews with African-American intellectuals and political theorists, including Cornel West, bell hooks and Angela Davis.
Documentary
I Shall Not Be Removed: The Life of Marlon Riggs
3.5
Incorporating archival material, revelatory verite footage, and clips from his own work, a documentary which chronicles the life and works of the black, openly gay filmmaker Marlon Riggs whose controversial body works exploded on the scene with his landmark 1989 film "Tongues Untied" (USA). Riggs specialized in films dealing mainly with African-American males and the nuances of sexuality as it relates to their cultural, religious, and social identity. A teacher and prolific documentarian, the outspoken artist, Riggs, eventually succumbed to an AIDS-related illness in 1994.
Documentary
Positive Men
1

Positive Men

Jul 11, 1995
Positive Men begins as a docudrama which illustrates the impact of the AIDS epidemic on gay men in the early 1980s. Memories of New York and San Francisco are the backdrop for seven dramatic scenes which designate the intersection of community support, medical science, and gay politics that emerged in response to the AIDS epidemic. Words and images from these scenes resonate throughout the documentary portraits which follow. The interviews, conducted in Toronto and San Francisco (1993-1994), feature artists, filmmakers, AIDS community workers, writers and volunteers who have made unique contributions within the cultural and community responses to AIDS.
Documentary
Tongues Untied
6.7

Tongues Untied

Mar 16, 1990
Marlon Riggs, with assistance from other gay Black men, especially poet Essex Hemphill, celebrates Black men loving Black men as a revolutionary act. The film intercuts footage of Hemphill reciting his poetry, Riggs telling the story of his growing up, scenes of men in social intercourse and dance, and various comic riffs, including a visit to the "Institute of Snap!thology," where men take lessons in how to snap their fingers: the sling snap, the point snap, the diva snap.
Documentary
Ethnic Notions
7.1

Ethnic Notions

Dec 05, 1986
This documentary traces the deep-rooted stereotypes which have fueled anti-black prejudice.
Documentary
Color Adjustment
6.9

Color Adjustment

Jan 29, 1992
From Amos 'n' Andy to Nat King Cole, from Roots to The Cosby Show, black people have played many roles on primetime television. Brilliantly weaving clips from classic TV shows with commentary from TV producers, black actors and scholars, Marlon Riggs blends humor, insight, and thoughtful analysis to explore the evolution of black/white relations as reflected by America's favorite addiction.
Documentary
Boys' Shorts
3.5

Boys' Shorts

Sep 10, 1993
In these sexy, fun and darkly entertaining boys shorts, we see the hilarious terrors of gay childhood, an Internet hook-up with unexpected motivation and what happens when you hate musicals. You might wonder if theres hope for a gay Lothario, and sometimes you'll see that when you go home, the end is just the beginning.
Comedy
Black Is… Black Ain’t
6.1
African-American documentary filmmaker Marlon Riggs was working on this final film as he died from AIDS-related complications in 1994; he addresses the camera from his hospital bed in several scenes. The film directly addresses sexism and homophobia within the black community, with snippets of misogynistic and anti-gay slurs from popular hip-hop songs juxtaposed with interviews with African-American intellectuals and political theorists, including Cornel West, bell hooks and Angela Davis.
Documentary
Anthem
4.4

Anthem

Jul 21, 1993
A collage of erotic images and a call to arms, with a feverish hip-hop energy that celebrates the lives of African American men.
Music
Tongues Untied
6.7

Tongues Untied

Mar 16, 1990
Marlon Riggs, with assistance from other gay Black men, especially poet Essex Hemphill, celebrates Black men loving Black men as a revolutionary act. The film intercuts footage of Hemphill reciting his poetry, Riggs telling the story of his growing up, scenes of men in social intercourse and dance, and various comic riffs, including a visit to the "Institute of Snap!thology," where men take lessons in how to snap their fingers: the sling snap, the point snap, the diva snap.
Documentary
Tongues Untied
6.7

Tongues Untied

Mar 16, 1990
Marlon Riggs, with assistance from other gay Black men, especially poet Essex Hemphill, celebrates Black men loving Black men as a revolutionary act. The film intercuts footage of Hemphill reciting his poetry, Riggs telling the story of his growing up, scenes of men in social intercourse and dance, and various comic riffs, including a visit to the "Institute of Snap!thology," where men take lessons in how to snap their fingers: the sling snap, the point snap, the diva snap.
Documentary
Affirmations
5.6

Affirmations

Jun 23, 1990
A look at what it's like to be gay and black in America.
Documentary
Tongues Untied
6.7

Tongues Untied

Mar 16, 1990
Marlon Riggs, with assistance from other gay Black men, especially poet Essex Hemphill, celebrates Black men loving Black men as a revolutionary act. The film intercuts footage of Hemphill reciting his poetry, Riggs telling the story of his growing up, scenes of men in social intercourse and dance, and various comic riffs, including a visit to the "Institute of Snap!thology," where men take lessons in how to snap their fingers: the sling snap, the point snap, the diva snap.
Documentary
Tongues Untied
6.7

Tongues Untied

Mar 16, 1990
Marlon Riggs, with assistance from other gay Black men, especially poet Essex Hemphill, celebrates Black men loving Black men as a revolutionary act. The film intercuts footage of Hemphill reciting his poetry, Riggs telling the story of his growing up, scenes of men in social intercourse and dance, and various comic riffs, including a visit to the "Institute of Snap!thology," where men take lessons in how to snap their fingers: the sling snap, the point snap, the diva snap.
Documentary
Black Is… Black Ain’t
6.1
African-American documentary filmmaker Marlon Riggs was working on this final film as he died from AIDS-related complications in 1994; he addresses the camera from his hospital bed in several scenes. The film directly addresses sexism and homophobia within the black community, with snippets of misogynistic and anti-gay slurs from popular hip-hop songs juxtaposed with interviews with African-American intellectuals and political theorists, including Cornel West, bell hooks and Angela Davis.
Documentary
Color Adjustment
6.9

Color Adjustment

Jan 29, 1992
From Amos 'n' Andy to Nat King Cole, from Roots to The Cosby Show, black people have played many roles on primetime television. Brilliantly weaving clips from classic TV shows with commentary from TV producers, black actors and scholars, Marlon Riggs blends humor, insight, and thoughtful analysis to explore the evolution of black/white relations as reflected by America's favorite addiction.
Documentary
Color Adjustment
6.9

Color Adjustment

Jan 29, 1992
From Amos 'n' Andy to Nat King Cole, from Roots to The Cosby Show, black people have played many roles on primetime television. Brilliantly weaving clips from classic TV shows with commentary from TV producers, black actors and scholars, Marlon Riggs blends humor, insight, and thoughtful analysis to explore the evolution of black/white relations as reflected by America's favorite addiction.
Documentary
Affirmations
5.6

Affirmations

Jun 23, 1990
A look at what it's like to be gay and black in America.
Documentary
Affirmations
5.6

Affirmations

Jun 23, 1990
A look at what it's like to be gay and black in America.
Documentary
Ethnic Notions
7.1

Ethnic Notions

Dec 05, 1986
This documentary traces the deep-rooted stereotypes which have fueled anti-black prejudice.
Documentary
Anthem
4.4

Anthem

Jul 21, 1993
A collage of erotic images and a call to arms, with a feverish hip-hop energy that celebrates the lives of African American men.
Music
Long Train Running: A History of the Oakland Blues
6
Marlon Riggs and Peter Webster’s thesis project reflects on the heyday of Oakland blues in the late 1940s and ’50s, when an influx of African American shipyard workers mostly hailing from Louisiana and Texas arrived in the Bay Area. Combining vintage photographs, archival footage, interviews, and performances at venues like Eli’s Mile High Club, Riggs and Webster chronicle Oakland’s vibrant past while revealing an uncertain present.
Documentary
Long Train Running: A History of the Oakland Blues
6
Marlon Riggs and Peter Webster’s thesis project reflects on the heyday of Oakland blues in the late 1940s and ’50s, when an influx of African American shipyard workers mostly hailing from Louisiana and Texas arrived in the Bay Area. Combining vintage photographs, archival footage, interviews, and performances at venues like Eli’s Mile High Club, Riggs and Webster chronicle Oakland’s vibrant past while revealing an uncertain present.
Documentary
Long Train Running: A History of the Oakland Blues
6
Marlon Riggs and Peter Webster’s thesis project reflects on the heyday of Oakland blues in the late 1940s and ’50s, when an influx of African American shipyard workers mostly hailing from Louisiana and Texas arrived in the Bay Area. Combining vintage photographs, archival footage, interviews, and performances at venues like Eli’s Mile High Club, Riggs and Webster chronicle Oakland’s vibrant past while revealing an uncertain present.
Documentary
Tongues Untied
6.7

Tongues Untied

Mar 16, 1990
Marlon Riggs, with assistance from other gay Black men, especially poet Essex Hemphill, celebrates Black men loving Black men as a revolutionary act. The film intercuts footage of Hemphill reciting his poetry, Riggs telling the story of his growing up, scenes of men in social intercourse and dance, and various comic riffs, including a visit to the "Institute of Snap!thology," where men take lessons in how to snap their fingers: the sling snap, the point snap, the diva snap.
Documentary
Long Train Running: A History of the Oakland Blues
6
Marlon Riggs and Peter Webster’s thesis project reflects on the heyday of Oakland blues in the late 1940s and ’50s, when an influx of African American shipyard workers mostly hailing from Louisiana and Texas arrived in the Bay Area. Combining vintage photographs, archival footage, interviews, and performances at venues like Eli’s Mile High Club, Riggs and Webster chronicle Oakland’s vibrant past while revealing an uncertain present.
Documentary
Long Train Running: A History of the Oakland Blues
6
Marlon Riggs and Peter Webster’s thesis project reflects on the heyday of Oakland blues in the late 1940s and ’50s, when an influx of African American shipyard workers mostly hailing from Louisiana and Texas arrived in the Bay Area. Combining vintage photographs, archival footage, interviews, and performances at venues like Eli’s Mile High Club, Riggs and Webster chronicle Oakland’s vibrant past while revealing an uncertain present.
Documentary
Ethnic Notions
7.1

Ethnic Notions

Dec 05, 1986
This documentary traces the deep-rooted stereotypes which have fueled anti-black prejudice.
Documentary