Winter of 1944, the last days of the war. When the roads and houses ceased to exist and the bottom of the cellars become filled with life, when fortunes were lost and countries burned up, her used coat was only important to Mama, the cloak-room servant of a local dance-school. Her son stole it to sell it for twenty pengő. He did it because Aranka Fussbaum's love cost money. There is no honour left in such a destroyed world. Yet still they start looking for that coat... (Elemér Ragályi won Best camera with this movie in Montreal, 1979, and in Budapest, 1980.)
The film is set in Budapest, 1924. Laundryman Ede Minarik's only passion is football. His dream is to see his team, Csabagyöngye, qualify for the first division. For this goal he would be willing to sacrifice everything he has. But he has nothing, even footballers just barely. The team is just like the times. But still, "we need a team!"
"Ripacsok" is a great movie with great soundtrack, acting, cinematography, direction, etc. The world of "artists", hamming actors, good clowns and bad clowns... A unique movie in many ways. Pál Sándor is a very good hungarian director, watch his movies (especially the slightly better "Régi idõk focija") if you have the chance.
In December 1956 there is a chaotic situation in Hungary. The revolution is put down by the Soviet army. People leave the country in large numbers for fear of revenge. A young soldier (György Angeli) who also took a part in the revolution, takes a train to Vienna together with his friend (Dániel Szerencsés). Written by Tamas Patrovics
PFC Molnár decides his WWII services are over, and with serious money hidden in his hand grenades, he heads to an abandoned mansion where he encounters not only the sour butler but a bunch of others who also try to wimp out of their duties.
Returning from his imprisonment in Russia during the First World War, Franz Ferdinand Trotta, a young KuK officer, discovers how much the defeat has transformed Vienna and his people. He is stunned by the new order of things. Having lost his entire fortune and his wife, who is having a sapphic relationship with a Hungarian artist, he tries to regain his place in a world that appears devastated.
The film is a historic parable about the topicality of revolution. 1514. The peasants' uprising is over, Dózsa has been arrested. Werbőczy tries to get the imprisoned peasant leader deny the revolution and offers him the lives of his people in exchange.
This absurd story, bordering on the drawing-room comedy, portrays the practices of abusing power and the insolence of bureaucracy through the revolting of a young designer-engineer of the Railway Tilting Examination Board. The ambitious Pócsik works persevearingly on how to compensate for the tilting of railway carriages in bends. His jealous bosses, however, use their best efforts to block the development of an innovation.
Kicsi Dániel, the young virtuoso pianist gets a separate apartment in the ten-storey block of flats. He rehearses all the time, irregularly, day and night, disturbing thus the peace of the dwellers in the thin-walled house. Inquisition begins in the name of equal rights for inhabitants.
"Are you looking to buy a car? Not sure which one to buy? Clueless? We can solve all your problems. Watch our latest film! All your problems will be solved because we'll talk you out of them for the price of a single ticket." - says the comedy's obliging narrator (Ervin Kibédi), who tries to talk the viewer out of buying a car. To do this, he tells the audience some instructive and humorous car-related stories...
Dans les années 20 en Allemagne. Hendrik Höfgen est un comédien ambitieux, prêt à tout pour réussir, y compris fermer les yeux sur l'ascension des Nazis dans son pays.
A murder has been committed in a block of flats in Pest. Almost all the dwellers of the building behave in a suspicious way at the beginning of the investigation, although it is their everyday lapses they try to hide. In spite of the janitor's unpleasant comments, light is gradually thrown upon the case.
Az Életbe táncoltatott leány is a 1964 Hungarian film directed by Tamás Banovich. It was entered into the 1965 Cannes Film Festival where it won a Technical Prize
The young Valkó wants to plan a block of apartments that will still be modern fifty years from now. His ambitious plans are continuously rejected by his manipulative and careless superiors. So instead of the modern block of flats he only plans a bachelor apartment.
Divided into two different halves separated by mood and subject matter, this is an uneven drama about the experience of one Hungarian Jew before and during the fascist takeover of Budapest. The hero Pali (Zoltan Bezeredi) arrives back in Budapest from the U.S. and meanders among the intellectual and social elite before he leaves for a brief stay in England. There he has an even briefer affair with a happy-go-lucky aspiring actress (Anna Kubik), and after a few other encounters with movie mavens, he heads back to Budapest -- quite inexplicably. The rest of the film deteriorates into a dark realm of hatred and violence.
Andras Kovacs' film, considered one of the most important Hungarian films of the 1960s, centers around four men who await trial for their involvement in the massacre of several thousand Jewish and Serbian people of Novi Sad in 1942. Each denies any responsibility, claiming that they were only following orders. The film is significant for its willingness to address the subject of Hungary's role in WWII, which was taboo at the time of the its release.
Fils de cheminot admis à l’Académie Militaire de l’Empire austro-hongrois. Alfred Redl se lie d’amitié avec un jeune aristocrate. Dissimulant ses origines comme son homosexualité, il gravit rapidement la hiérarchie. À la veille de la Première Guerre mondiale, l’archiduc François-Ferdinand lui confie la responsabilité des services secrets…
SS doctor during the war worked on the serum of cancer, but discovered a terrible poison, one vial is enough to kill 100 000 people. 20 years after the war, the old Nazi gets out of prison, and the hunt for him and his discovery begins.
Bátky János a 20th century intellectual studies the secret of the Rosicrucians in London libraries during the day and in the evening takes pleasure in the "decent" everyday joys offered by the fair sex. He gets involved in the wildest ghost-story in the mysterious Wales castle of the Pendragons, where Earl of Gwynnedd from the 18th century is making experiments to prove his ancestors' slogan, "the resurrection of the body". In the meantime St. Claire, a beautiful, demonic woman and her companions try to kill him for the huge legacy.
This film describes the narrator's childhood, the years before and after the Hungarian Soviet Republic, in a burlesque and fabulous style and with the humour of a child's fantasy.
Péter tries to make a film on "Swan-Lake". At the weekend, shooting stops and the staff goes home. Péter leaves for home with his wife, Judit, but as he catches sight of a girl at the station, he cannot resist the temptation and gets off the train.
Dery is a grande dame actress of the Sarah Bernhardt school of big-gesture theater. Her beauty and popularity is fading, and a new school of acting which involves the use of one's own emotions (a-la Eleanora Duse) is emerging in the person of her younger Viennese rival. She thinks of retiring from the stage, and reunites briefly with her estranged husband in a newly-built manor in the country. Finding that life there is boring, she returns to town, the theater, and her old friends.
In this caricature-like film an old film director offers his memories of his career to his former student, now a studio manager, as an idea for a new film. We can see the director in Berlin in the twenties, where his task is to make a film star of Hungarian origin cry out of homesickness.
This is a romantic biographical film about Franz Liszt. In a distinguished saloon of Paris, the unknown composer, Liszt, defeats the renown Thalberg at a piano competition. Through his playing, he wins the favours and later the hand of the countess D'Agoult. A daughter is born in their marriage, Cosima. Liszt is better and better known, Marie introduces him to the circle of artists.
Private inspector Hável happens to travel on the train which is attacked at Biatorbágy. His attention is drawn to a suspicious man, and in the next few days he confirms that it was indeed him who committed the crime. Yet the police accuses not the lunatic Marschalkó but the communists. Summary justice is declared.
During World War II Carlotta, the circus owner maintains herself, her lover and her rather run-down circus-team by illegal man-smuggling. In the year of 1944, besides the usual refugees, she even has to take Professor Máté, the renown mathematician to the Yugoslavian partisans. The team is joined by Carlotta's psychotic son who has escaped from an asylum.