Bai Chen

Gao Zhijian is the good friend of married couple Li Xiangmei and Hou Xinming. They live in the foreign settlement quarter of Shanghai. zhijian is a teacher,Xinming is involved in underground work against the Jpanese, while Xiangmei is a musician. The Pacific War erupts; the Japanese occupy the foreign settlements. Xinming is called off to work for the war effort, leaving behind his wife and blind mother. Zhijian aids Xiangmei and her mother-in-law with financial assistance. To earn money, Xiangmei becomes a song girl in a dance hall through the recommendation of her friend Liu Qing, arousing anger in Zhijian. Zhijian is soon arrested for teaching anti-Jpanese propaganda to his students and it is due to Xiangmei and Liu qing's efforts that he is released. From this,Zhijian learns of Xiangmei's difficulties and feelings of love grow between the two friends. The war ends. Xinming, minus an arm, returns to his wife and mother. Seeing his friend reunited with his family, Zhijian leaves.

The film focused on a conflict between Empress Dowager Cixi, her son Guangxi (the nominal emperor) and his wife, Zhenfei.

Wenxiang is sent away to the mountains to focus on his studies. He stays in a nunnery, with which his family has a long history, and encounters a strange girl.

This simple romance story does not mean much to westerners, and in fact, does not even mean anything to Chinese today, but it was a big thing when it was made, not long after the end of Cultural Revolution in which even the personal romance was restricted. This movie is one of the pioneers of personal liberalization in advocating people seeking out their love following their own hearts, not from other people.

A 50's Chinese film that reflects the post-war society, expresses idealism and pleads to return to the homeland.

Zhou's husband died in the Cultural Revolution. She lived arduously with her only son. Lo, a kind postman, helped her during her hardest time.

Soldiers stay in Hainan Island and fight Japanese invaders in harsh conditions.