Hans Richter

Recently added

Free Radicals
6.7

Free Radicals

Jul 24, 2011
Qu'est-ce que le cinéma "expérimental"? Avec malice, humour et poésie, Pip Chodorov invite ses amis cinéastes - Hans Richter, Peter Kubelka, Ken Jacobs, Jonas Mekas, Maurice Lemaître, Stan Brakhage et bien d'autres - à évoquer leur travail, et retrace cent ans d'histoire de l'avant-garde tout en évoquant son rapport personnel à cet art, à ces films et images ayant forgé son existence.
Documentary
Dada
1

Dada

Oct 01, 1969
1967 film directed by Greta Deseson about the Dada art movement. Featuring Marcel Duchamp, Man Ray, Max Ernst, Hans Richter and Gabrièle Buffet-Picabia
Documentary
The Challenge... A Tribute to Modern Art
5.8
The Challenge... A Tribute to Modern Art is a 1974 American documentary film directed by Herbert Kline. The film shows footage of great modern artists in their studios creating and commenting on their work, with narration and commentary by Orson Welles. It was nominated for an Academy Award for Best Documentary Feature.
Documentary
Escale à Orly
4

Escale à Orly

Mar 16, 1955
Michèle, an employee at the airport, is in love with American pilot Eddie Miller who regularly flies the route from New York to Paris, but problems arise when he is transferred to the Tokyo route. Meanwhile Michèle's uncle Albert who works in the freight department sets out to tackle a drug trafficking outfit.
Comedy
Vormittagsspuk
6.8

Vormittagsspuk

Jul 14, 1928
Hans Richter, noted for his abstract shorts, has everyday objects rebelling against their daily routine.
Animation
Deutschland Dada
1

Deutschland Dada

Mar 01, 1969
This documentary concerns the contributions of German artists to the Dadaist movement. Created in 1916, the organizers rejected previous convention and delighted in nihilistic satire in painting, sculpture and literature. Comparisons are made between the movement and the political and social upheaval at the time of the release of this feature (1969).
Documentary
A Visit To Hans Richter
1
This piece had its world premiere as the opening film of the Hans Richter Tribute at Cinema Arsenal in the summer of 2003. The nine minutes of film are a compilation of all appearances of Hans Richter in Jonas’s films. The result is a new work, a singular contemporary document, which does not only capture Hans Richter, but shows him embedded in his environment.
Documentary
Dreams That Money Can Buy
6.4
An attempt to bring the work of surrealist artists to a wider public. The plot is that of an average Joe who can conjure up dreams that will improve his customer's lives. This frame story serves as a link between several avant-garde sequences created by leading visual artists of their day, most of whom were emigres to the US during WWII.
Drama
Rhythmus 23
5.4

Rhythmus 23

Jun 09, 1923
We watch white shapes dancing on black background, which changes when the white shape fills up the screen completely, and black lines and figures bounce around on the now white background.
Animation
Rhythmus 21
5.534

Rhythmus 21

Jul 06, 1921
Abstract animated short film. Grey and white squares change size and shape on a black background.
Animation
8 x 8: A Chess-Sonata in 8 Movements
5.9
8 x 8: A Chess-Sonata in 8 Movements is an American experimental film directed by Hans Richter, Marcel Duchamp, and Jean Cocteau. Described by Richter as "part Freud, part Lewis Carroll" and filmed partially on the lawn of Duchamp's summer house in Southbury, Connecticut.
Fantasy
Passionate Pastime
1

Passionate Pastime

Jan 01, 1954
Hans Richter's documentary on the game of chess. Narrated by Vincent Price. Outlines the history of chess from ancient times to the present and traces its origins in India, China, and Persia. Prints, painting, illuminated manuscripts, live photography and rare chess pieces are shown as well as chess figures designed after Picasso and Braque.
Documentary
8 x 8: A Chess-Sonata in 8 Movements
5.9
8 x 8: A Chess-Sonata in 8 Movements is an American experimental film directed by Hans Richter, Marcel Duchamp, and Jean Cocteau. Described by Richter as "part Freud, part Lewis Carroll" and filmed partially on the lawn of Duchamp's summer house in Southbury, Connecticut.
Fantasy
Vormittagsspuk
6.8

Vormittagsspuk

Jul 14, 1928
Hans Richter, noted for his abstract shorts, has everyday objects rebelling against their daily routine.
Animation
Every Day
6.8

Every Day

Apr 30, 1929
Experimental documentary focusing on a day in the life of city workers, featuring montage sequences and repetition to emphasise the monotony of routine office work.
Zweigroschenzauber
5.6

Zweigroschenzauber

Oct 11, 1929
Two Penny Magic (Zweigroschenzauber) starting off with a little magic trick. It then presents an array of images from swimmers, bicyclers, murderers, airplanes in flight, boxers, lovers, runners, becoming in the end a collection of images in a magazine.
Documentary
Every Day
6.8

Every Day

Apr 30, 1929
Experimental documentary focusing on a day in the life of city workers, featuring montage sequences and repetition to emphasise the monotony of routine office work.
Alles dreht sich, alles bewegt sich
5.6
A day at the carnival — sensational tent shows where miracles can be seen for the price of admission, boisterous noise of crowds and barkers, shrill and gaudy circus music, the violence of the street ten-fold. This is the substance of Everything Turns, Richter’s first sound film. At its premier at Baden-Baden Richter got into a fight with two Nazi officials who disliked the film's ‘modernism.’ Yet in 1936 it was awarded first prize for artistic merit by the Nazis, with Richter’s name suppressed from the credits. He had long since left Germany.
Inflation
6.2

Inflation

May 24, 1928
Inflation (1928) is an experimental silent film at eight minutes which is sometimes categorized as a documentary. By now Richter is well beyond playing with light & shadow. Inflation explores the subject of money through photographs & with with stop motion animation techniques, adding faces of people impoverished & enriched by the unpredictability of finance. It functions almost as a political cartoon in motion, building to a chaotic & catastrophic climax.
Documentary
Rennsymphonie
5.9

Rennsymphonie

Oct 18, 1928
In Race Symphony (1928), Richter documents and celebrates a typical day at the German races, where a sophisticated people turn up in droves to gape, gasp, place a bet, and celebrate a well-deserved win.
Filmstudie
5.8

Filmstudie

May 21, 1926
Entertaining Dadaist experimental short, similar to Man Ray's work, full of shifting geometric shapes, stock footage of seagulls, flying eyeballs, and glaring floating heads.
Animation
Filmstudie
5.8

Filmstudie

May 21, 1926
Entertaining Dadaist experimental short, similar to Man Ray's work, full of shifting geometric shapes, stock footage of seagulls, flying eyeballs, and glaring floating heads.
Animation
Dadascope
7.4

Dadascope

Jan 01, 1961
Free-associative images are juxtaposed with disorienting poetry in Richter's late work. The film is visual dynamite: Upside-down and reversed footage, play with shadows and light, billiards and dice and balloons-- suggestive and surreal images. Tenets of Dada writing, such as games of chance, punnery, wordplay and loud nonsense noise are foist upon the viewer as Dada poems are read / performed by their orignal authors.
Europa Radio
1

Europa Radio

Dec 31, 1931
Commissioned by Philips, Europa Radio celebrates the company’s experimental PCJJ shortwave radio station in Eindhoven that went on air in 1927 and broadcasted to Europe as well as the rest of the world in various languages. Hans Richter’s film covers one day from morning to night, showing the range and scope of the daily radio programs – from stock market news and sports events to live concerts and a speech by Albert Einstein. (via: impakt.nl)
Documentary
Die neue Wohnung
6.5

Die neue Wohnung

Dec 31, 1930
A commissioned film for Schweizerischer Werkbund (SWB), Die neue Wohnung was produced for the Basel architectural and interior design exhibition, WOBA, to demonstrate innovative aspects of modern architecture and highlight their differences from the event’s highly conservative approach. Despite its ad campaign roots, Richter's touch is not absent; The surviving version, aimed at a "bourgeois" Swiss public, presents decluttered, functional architecture and decor as superior to the traditional and luxurious "ancient" ways of living.
Documentary
Metall
1

Metall

Jan 02, 1933
Directed by Hans Richter.
Documentary
Dreams That Money Can Buy
6.4
An attempt to bring the work of surrealist artists to a wider public. The plot is that of an average Joe who can conjure up dreams that will improve his customer's lives. This frame story serves as a link between several avant-garde sequences created by leading visual artists of their day, most of whom were emigres to the US during WWII.
Drama
Dreams That Money Can Buy
6.4
An attempt to bring the work of surrealist artists to a wider public. The plot is that of an average Joe who can conjure up dreams that will improve his customer's lives. This frame story serves as a link between several avant-garde sequences created by leading visual artists of their day, most of whom were emigres to the US during WWII.
Drama
Die neue Wohnung
6.5

Die neue Wohnung

Dec 31, 1930
A commissioned film for Schweizerischer Werkbund (SWB), Die neue Wohnung was produced for the Basel architectural and interior design exhibition, WOBA, to demonstrate innovative aspects of modern architecture and highlight their differences from the event’s highly conservative approach. Despite its ad campaign roots, Richter's touch is not absent; The surviving version, aimed at a "bourgeois" Swiss public, presents decluttered, functional architecture and decor as superior to the traditional and luxurious "ancient" ways of living.
Documentary
Dadascope
7.4

Dadascope

Jan 01, 1961
Free-associative images are juxtaposed with disorienting poetry in Richter's late work. The film is visual dynamite: Upside-down and reversed footage, play with shadows and light, billiards and dice and balloons-- suggestive and surreal images. Tenets of Dada writing, such as games of chance, punnery, wordplay and loud nonsense noise are foist upon the viewer as Dada poems are read / performed by their orignal authors.
Dadascope
7.4

Dadascope

Jan 01, 1961
Free-associative images are juxtaposed with disorienting poetry in Richter's late work. The film is visual dynamite: Upside-down and reversed footage, play with shadows and light, billiards and dice and balloons-- suggestive and surreal images. Tenets of Dada writing, such as games of chance, punnery, wordplay and loud nonsense noise are foist upon the viewer as Dada poems are read / performed by their orignal authors.
Dreams That Money Can Buy
6.4
An attempt to bring the work of surrealist artists to a wider public. The plot is that of an average Joe who can conjure up dreams that will improve his customer's lives. This frame story serves as a link between several avant-garde sequences created by leading visual artists of their day, most of whom were emigres to the US during WWII.
Drama
Dreams That Money Can Buy
6.4
An attempt to bring the work of surrealist artists to a wider public. The plot is that of an average Joe who can conjure up dreams that will improve his customer's lives. This frame story serves as a link between several avant-garde sequences created by leading visual artists of their day, most of whom were emigres to the US during WWII.
Drama
Every Day
6.8

Every Day

Apr 30, 1929
Experimental documentary focusing on a day in the life of city workers, featuring montage sequences and repetition to emphasise the monotony of routine office work.
From the Circus to the Moon
1
American sculptor, Alexander Calder, creates around the workshop. The film features several of his kinetic sculptures-- Wild moving figurines that spin, undulate and perform circus acts. The film ends on a hanging moon mobile, completing our wacky trip.
Documentary
Rennsymphonie
5.9

Rennsymphonie

Oct 18, 1928
In Race Symphony (1928), Richter documents and celebrates a typical day at the German races, where a sophisticated people turn up in droves to gape, gasp, place a bet, and celebrate a well-deserved win.
Rennsymphonie
5.9

Rennsymphonie

Oct 18, 1928
In Race Symphony (1928), Richter documents and celebrates a typical day at the German races, where a sophisticated people turn up in droves to gape, gasp, place a bet, and celebrate a well-deserved win.
Vormittagsspuk
6.8

Vormittagsspuk

Jul 14, 1928
Hans Richter, noted for his abstract shorts, has everyday objects rebelling against their daily routine.
Animation
Rennsymphonie
5.9

Rennsymphonie

Oct 18, 1928
In Race Symphony (1928), Richter documents and celebrates a typical day at the German races, where a sophisticated people turn up in droves to gape, gasp, place a bet, and celebrate a well-deserved win.
Vormittagsspuk
6.8

Vormittagsspuk

Jul 14, 1928
Hans Richter, noted for his abstract shorts, has everyday objects rebelling against their daily routine.
Animation
Vormittagsspuk
6.8

Vormittagsspuk

Jul 14, 1928
Hans Richter, noted for his abstract shorts, has everyday objects rebelling against their daily routine.
Animation
Inflation
6.2

Inflation

May 24, 1928
Inflation (1928) is an experimental silent film at eight minutes which is sometimes categorized as a documentary. By now Richter is well beyond playing with light & shadow. Inflation explores the subject of money through photographs & with with stop motion animation techniques, adding faces of people impoverished & enriched by the unpredictability of finance. It functions almost as a political cartoon in motion, building to a chaotic & catastrophic climax.
Documentary
Alles dreht sich, alles bewegt sich
5.6
A day at the carnival — sensational tent shows where miracles can be seen for the price of admission, boisterous noise of crowds and barkers, shrill and gaudy circus music, the violence of the street ten-fold. This is the substance of Everything Turns, Richter’s first sound film. At its premier at Baden-Baden Richter got into a fight with two Nazi officials who disliked the film's ‘modernism.’ Yet in 1936 it was awarded first prize for artistic merit by the Nazis, with Richter’s name suppressed from the credits. He had long since left Germany.
Inflation
6.2

Inflation

May 24, 1928
Inflation (1928) is an experimental silent film at eight minutes which is sometimes categorized as a documentary. By now Richter is well beyond playing with light & shadow. Inflation explores the subject of money through photographs & with with stop motion animation techniques, adding faces of people impoverished & enriched by the unpredictability of finance. It functions almost as a political cartoon in motion, building to a chaotic & catastrophic climax.
Documentary
Alles dreht sich, alles bewegt sich
5.6
A day at the carnival — sensational tent shows where miracles can be seen for the price of admission, boisterous noise of crowds and barkers, shrill and gaudy circus music, the violence of the street ten-fold. This is the substance of Everything Turns, Richter’s first sound film. At its premier at Baden-Baden Richter got into a fight with two Nazi officials who disliked the film's ‘modernism.’ Yet in 1936 it was awarded first prize for artistic merit by the Nazis, with Richter’s name suppressed from the credits. He had long since left Germany.
Inflation
6.2

Inflation

May 24, 1928
Inflation (1928) is an experimental silent film at eight minutes which is sometimes categorized as a documentary. By now Richter is well beyond playing with light & shadow. Inflation explores the subject of money through photographs & with with stop motion animation techniques, adding faces of people impoverished & enriched by the unpredictability of finance. It functions almost as a political cartoon in motion, building to a chaotic & catastrophic climax.
Documentary
Inflation
6.2

Inflation

May 24, 1928
Inflation (1928) is an experimental silent film at eight minutes which is sometimes categorized as a documentary. By now Richter is well beyond playing with light & shadow. Inflation explores the subject of money through photographs & with with stop motion animation techniques, adding faces of people impoverished & enriched by the unpredictability of finance. It functions almost as a political cartoon in motion, building to a chaotic & catastrophic climax.
Documentary
Zweigroschenzauber
5.6

Zweigroschenzauber

Oct 11, 1929
Two Penny Magic (Zweigroschenzauber) starting off with a little magic trick. It then presents an array of images from swimmers, bicyclers, murderers, airplanes in flight, boxers, lovers, runners, becoming in the end a collection of images in a magazine.
Documentary
Metall
1

Metall

Jan 02, 1933
Directed by Hans Richter.
Documentary