Jennifer Maas

Jack est encore sous le coup de la disparition récente de son frère. Alors pourquoi ne pas accepter l'invitation d'Iris, sa meilleure amie, dans son chalet familial afin de passer une semaine seul à méditer sur sa vie ? Mais à son arrivée, Jack trouve la maison déjà occupée par Hannah, la sœur d'Iris, venue y soigner une blessure amoureuse. Après une soirée très arrosée suivie de l'arrivée inopinée d'Iris elle-même, le trio va aller de situations délicates en révélations inattendues...

A dropout comes to the aid of a chubby and suicidal high-school kid by recruiting him as the drummer for his upstart punk-rock band.

During the late 60s and early 70s, and decades before Nirvana, Microsoft and Starbucks put Seattle on the map, Seattle's African American neighborhood known as the Central District was buzzing. The soul sounds filled local airwaves and packed clubs seven nights a week. As many of the bands began breaking out nationally via major record deals, television appearances, and gigs with the likes of Curtis Mayfield and Stevie Wonder, the public demanded disco and the scene slipped into obscurity. Narrated by Seattle's own Sir Mix-A-Lot.

During the late 60s and early 70s, and decades before Nirvana, Microsoft and Starbucks put Seattle on the map, Seattle's African American neighborhood known as the Central District was buzzing. The soul sounds filled local airwaves and packed clubs seven nights a week. As many of the bands began breaking out nationally via major record deals, television appearances, and gigs with the likes of Curtis Mayfield and Stevie Wonder, the public demanded disco and the scene slipped into obscurity. Narrated by Seattle's own Sir Mix-A-Lot.

During the late 60s and early 70s, and decades before Nirvana, Microsoft and Starbucks put Seattle on the map, Seattle's African American neighborhood known as the Central District was buzzing. The soul sounds filled local airwaves and packed clubs seven nights a week. As many of the bands began breaking out nationally via major record deals, television appearances, and gigs with the likes of Curtis Mayfield and Stevie Wonder, the public demanded disco and the scene slipped into obscurity. Narrated by Seattle's own Sir Mix-A-Lot.

During the late 60s and early 70s, and decades before Nirvana, Microsoft and Starbucks put Seattle on the map, Seattle's African American neighborhood known as the Central District was buzzing. The soul sounds filled local airwaves and packed clubs seven nights a week. As many of the bands began breaking out nationally via major record deals, television appearances, and gigs with the likes of Curtis Mayfield and Stevie Wonder, the public demanded disco and the scene slipped into obscurity. Narrated by Seattle's own Sir Mix-A-Lot.

During the late 60s and early 70s, and decades before Nirvana, Microsoft and Starbucks put Seattle on the map, Seattle's African American neighborhood known as the Central District was buzzing. The soul sounds filled local airwaves and packed clubs seven nights a week. As many of the bands began breaking out nationally via major record deals, television appearances, and gigs with the likes of Curtis Mayfield and Stevie Wonder, the public demanded disco and the scene slipped into obscurity. Narrated by Seattle's own Sir Mix-A-Lot.

During the late 60s and early 70s, and decades before Nirvana, Microsoft and Starbucks put Seattle on the map, Seattle's African American neighborhood known as the Central District was buzzing. The soul sounds filled local airwaves and packed clubs seven nights a week. As many of the bands began breaking out nationally via major record deals, television appearances, and gigs with the likes of Curtis Mayfield and Stevie Wonder, the public demanded disco and the scene slipped into obscurity. Narrated by Seattle's own Sir Mix-A-Lot.

During the late 60s and early 70s, and decades before Nirvana, Microsoft and Starbucks put Seattle on the map, Seattle's African American neighborhood known as the Central District was buzzing. The soul sounds filled local airwaves and packed clubs seven nights a week. As many of the bands began breaking out nationally via major record deals, television appearances, and gigs with the likes of Curtis Mayfield and Stevie Wonder, the public demanded disco and the scene slipped into obscurity. Narrated by Seattle's own Sir Mix-A-Lot.