Helena faces her sister in a tough battle for her mother's love. The enormous force of her blows make her "La Ruda", a promise of boxing that arouses admiration and envy.
Ana, une adolescente d’origine modeste, a grandi devant une machine à coudre, travaillant pour aider ses petits frères et supportant les abus d’un beau-père pervers et d’une mère indifférente. Ses problèmes d’audition la marginalisent d’un monde qui se refuse à l’écouter, la transformant en un objet utilisable au gré des caprices de ceux qui l’entourent. Voulant sauver ses frères d’un destin similaire, elle tentera un voyage vers la liberté
Mykel, a 6 years old boy who wants to help his mother to resolve her financial problems, even when he does not know how. In a very naive way, Maykel, misunderstand a pamphlet he finds on the street, and thinks he has got the solution. Maykel and his brother Juan, star a children's game and bring their mother into it, making her to forget her financial issues.
On April 11th of 2002 a coup d'état against the venezuelan president Hugo Chávez Frías kept the country in a state of total uncertainty regarding his whereabouts, two days later he returned to power. This is a chronicle of those days.
A young woman travels abroad trying to realize her dream of being a model, but there she is deceived and subjected to prostitution at the Cabaret Tango Bar, where she experiences the horrors as a victim of a sex trafficking network.
Le film dépeint le mandat du président vénézuélien Cipriano Castro, le titre est basé sur sa citation : "La plante insolente de l’étranger a profané le sol sacré de la patrie", sa réponse à la crise vénézuélienne de 1902-1903, lorsque les nations européennes ont bloqué les côtes vénézuéliennes après que Castro a refusé de payer les dettes et les dommages-intérêts étrangers.
Roberto is a middle class working professional trying to survive hyperinflation amid the Venezuelan crisis while maintaining his unemployed mother. An argument breaks out when she asks him to buy flour for her birthday cake. In an effort to make amends, he resorts to the black market to buy the scarce food, but gets caught in the violent looting of a market.
1, 2 y 3 Mujeres addresses the issue of women and their relationship with their social and geographical environment from different perspectives and aesthetic proposals through the stories of Eloína, Rosario and Gregoria. Eloína shows the greatness and value of assuming certain positions in the role of mother. Rosario exposes the experience of candor to the woman in the context of loneliness and Gregoria shows weakness versus strength and impetus in decision making to guarantee emotional stability.