Barry Feinstein

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You Are What You Eat
3.7

You Are What You Eat

Sep 24, 1968
A montage of the weird, a freak-out film that appeared when the expression was in fashion and in flower, along with the flower people. The film was one of the first exponents of the mobile camera-rock track-optical effect school of filmmaking, and it is much a document as it is a documentary. A repellent and fascinating depiction of the Sunset Strip in Hollywood, along with Haight-Ashbury in San Francisco and the East Village in New York. Tiny Tim amounts to something resembling a recurring motif and narrator.
Music
Cheepnis
1

Cheepnis

Aug 17, 2014
Featuring the only footage Zappa cut together from his legendary 1973 Roxy concerts, "Cheepnis" sings the praises of low-budget monster movies. This short documents the director, bandleader, songwriter and musician at work. (American Cinematheque program notes)
Music
Roxy: The Movie
6.6

Roxy: The Movie

Sep 10, 2015
Featuring the only footage Zappa cut together from his legendary 1973 Roxy concerts, "Cheepnis" sings the praises of low-budget monster movies. This short documents the director, bandleader, songwriter and musician at work. (American Cinematheque program notes)
Music
You Are What You Eat
3.7

You Are What You Eat

Sep 24, 1968
A montage of the weird, a freak-out film that appeared when the expression was in fashion and in flower, along with the flower people. The film was one of the first exponents of the mobile camera-rock track-optical effect school of filmmaking, and it is much a document as it is a documentary. A repellent and fascinating depiction of the Sunset Strip in Hollywood, along with Haight-Ashbury in San Francisco and the East Village in New York. Tiny Tim amounts to something resembling a recurring motif and narrator.
Music
Jimi Plays Monterey
7.3

Jimi Plays Monterey

Oct 16, 1987
A montage of the weird, a freak-out film that appeared when the expression was in fashion and in flower, along with the flower people. The film was one of the first exponents of the mobile camera-rock track-optical effect school of filmmaking, and it is much a document as it is a documentary. A repellent and fascinating depiction of the Sunset Strip in Hollywood, along with Haight-Ashbury in San Francisco and the East Village in New York. Tiny Tim amounts to something resembling a recurring motif and narrator.
Documentary
You Are What You Eat
3.7

You Are What You Eat

Sep 24, 1968
A montage of the weird, a freak-out film that appeared when the expression was in fashion and in flower, along with the flower people. The film was one of the first exponents of the mobile camera-rock track-optical effect school of filmmaking, and it is much a document as it is a documentary. A repellent and fascinating depiction of the Sunset Strip in Hollywood, along with Haight-Ashbury in San Francisco and the East Village in New York. Tiny Tim amounts to something resembling a recurring motif and narrator.
Music
Shake! Otis at Monterey
7.2
A montage of the weird, a freak-out film that appeared when the expression was in fashion and in flower, along with the flower people. The film was one of the first exponents of the mobile camera-rock track-optical effect school of filmmaking, and it is much a document as it is a documentary. A repellent and fascinating depiction of the Sunset Strip in Hollywood, along with Haight-Ashbury in San Francisco and the East Village in New York. Tiny Tim amounts to something resembling a recurring motif and narrator.
Documentary
Monterey Pop Festival 1967
7.3
A montage of the weird, a freak-out film that appeared when the expression was in fashion and in flower, along with the flower people. The film was one of the first exponents of the mobile camera-rock track-optical effect school of filmmaking, and it is much a document as it is a documentary. A repellent and fascinating depiction of the Sunset Strip in Hollywood, along with Haight-Ashbury in San Francisco and the East Village in New York. Tiny Tim amounts to something resembling a recurring motif and narrator.
Music