Lorsque son animal de compagnie est tué par une sonde terrestre, Mercano, un martien, se rend sur terre en colère. Débarqué à Buenos Aires, personne ne le remarque d'abord.
The differences of origin and poetics between José Martínez Suárez and Manuel Antin, representatives of the cinema of the ‘60s’ Generation, are proof of the heterogeneity of the period and, at the same time, share the creation of a renovating and personal aesthetic that observes reality with a critical eye.
In the 60s and thanks to the epistolary exchange, the young filmmaker Manuel Antín and the famous writer Julio Cortázar devised four films. An ocean away, a fruitful collaboration and genuine friendship are born.
The story takes place in San Antonio de Areco, in the Argentine pampas. Fabio Cáceres remembers his childhood as an orphan and his youth working in the fields, alongside his godfather, Don Segundo Sombra, a lonely gaucho whom he admires and from whom he will learn to be a gaucho, following him in all his adventures. Don Segundo will be Fabio's role model.
Ismael, the weakest and most unstable member of a supposed group of conspirators with power aspirations, constantly suffers ridicule and contempt for his leader, Lucas, and his other companions. Everything changes when a woman with whom Ismael is in love begins to delve into the macabre logic of the group.
Delia Mañara is notorious in her quarter of Buenos Aires for the mysterious deaths of two of her fiancés. She lives in a twilight world and gains most satisfaction through the exercise of power over others.
Two brothers quarrel for the love of a woman. One of them falls ill and dies; the other one marries her. The couple’s relationship falters in Paris due to the involvement of a reproaching mother, who still acts as if the dead brother were alive and living with her.
Delia Mañara is notorious in her quarter of Buenos Aires for the mysterious deaths of two of her fiancés. She lives in a twilight world and gains most satisfaction through the exercise of power over others.
Delia Mañara is notorious in her quarter of Buenos Aires for the mysterious deaths of two of her fiancés. She lives in a twilight world and gains most satisfaction through the exercise of power over others.
Twenty-something Ana, now living in Buenos Aires, returns to her native city of Paraná. She meets old school mates, old friends, makes new ones, and starts to rethink her life, and perhaps change her future.
Carlos Iraldi is a doctor, but his knowledge and above all his enormous curiosity have led him to stand out in different branches of art such as writing, painting and photography. His fame, however, is due to the ingenious instruments he invented and which have served as support for several shows by the Les Luthiers ensemble.
The political career of Juan Manuel de Rosas, twice Governor of the Province of Buenos Aires (1829-1832 and 1835-1852), who also ruled the Argentine Confederation during his second term in office.
The political career of Juan Manuel de Rosas, twice Governor of the Province of Buenos Aires (1829-1832 and 1835-1852), who also ruled the Argentine Confederation during his second term in office.
Ismael, the weakest and most unstable member of a supposed group of conspirators with power aspirations, constantly suffers ridicule and contempt for his leader, Lucas, and his other companions. Everything changes when a woman with whom Ismael is in love begins to delve into the macabre logic of the group.
Two brothers quarrel for the love of a woman. One of them falls ill and dies; the other one marries her. The couple’s relationship falters in Paris due to the involvement of a reproaching mother, who still acts as if the dead brother were alive and living with her.
A movie in four parts. A frustrated woman finds love with a painter ("La estrella del destino"). A woman tries to seduce her subordinate when she takes him to her apartment ("La buscona"). A woman who killed her husband falls in love with the gravedigger ("La necrófila"). The sexual awakening of two teenagers and the reaction of their parents ("Chicos jugando al deseo") .
The story takes place in San Antonio de Areco, in the Argentine pampas. Fabio Cáceres remembers his childhood as an orphan and his youth working in the fields, alongside his godfather, Don Segundo Sombra, a lonely gaucho whom he admires and from whom he will learn to be a gaucho, following him in all his adventures. Don Segundo will be Fabio's role model.
The story takes place in San Antonio de Areco, in the Argentine pampas. Fabio Cáceres remembers his childhood as an orphan and his youth working in the fields, alongside his godfather, Don Segundo Sombra, a lonely gaucho whom he admires and from whom he will learn to be a gaucho, following him in all his adventures. Don Segundo will be Fabio's role model.
Rodrigo lives in Córdoba. He runs and manages his dad's cabins for tourists. Summer is around the corner. One day he meets seventeen year old Juan, who has just arrived into town all the way from Buenos Aires.
It is an approach to the figure of Fernando Martín Peña, but it is also a film about cinema, about a transcendental movement in its history, its spaces and rituals.