Vlado Kristl

Recently added

Der Damm
1

Der Damm

Jan 01, 1964
In The Dam, although it is an experimental film, Kristl eschews the necessary earnestness in addressing his subject. The manufactured, unambiguously humorless profundity proffered up by other German contemporaries is absent here. Laughter is allowed. Kristl takes the dreadful liberty of tomfoolery, sending up himself, the characters, the action, "tragedy," and everything else, including the audience, that might be held sacred. Within the framework of the action, we recognize a love triangle, one of the simplest of dramatic configurations. Not only the basic idea, but also numerous particulars, both in subject and style, are reminiscent of the films of Roman Polanski, which Kristl doubtless saw and holds in esteem. We meet two men: one is meant to embody the outsider, the artistic, intellectual, individualist. The other looks like the embodiment of the well-to-do man, the burgher, the functionary, the capitalist. The two battle for the favor of an indecisive and domineering girl.
Drama
Arme Leute
9

Arme Leute

Feb 21, 1963
Kristl was a member of the prestigious Zagreb Studio of Animation and his early works as painter and filmmaker had brought him instant acclaim and instant censorship. He fled Croatia and lived in Germany; he died there in 2004. Poor People, a “collective scream” of Cold War fear, was produced just after he left his country.
Drama
Der Brief
1

Der Brief

Nov 25, 1966
T. finds a letter. Instead of just dropping it in a mailbox, he decides, conscientious as he is, to deliver it personally. He wanders the entire world, discovers astounding forms of existence, but cannot be hindered from his duty and keeps looking until he finally finds the address. There, he finds out that he has delivered his own judgment.
Comedy
Der Topf
1

Der Topf

May 07, 1964
Allegory of a man who leads the people to destruction and then is reborn to recommence the cycle.
Drama
Don Kihot
4.8

Don Kihot

Jan 01, 1961
"Don Kihot" is a satirical, Klee-esque meditation about Don Quijote in the contemporary militaristic and regimentistic world.
Animation
Der Damm
1

Der Damm

Jan 01, 1964
In The Dam, although it is an experimental film, Kristl eschews the necessary earnestness in addressing his subject. The manufactured, unambiguously humorless profundity proffered up by other German contemporaries is absent here. Laughter is allowed. Kristl takes the dreadful liberty of tomfoolery, sending up himself, the characters, the action, "tragedy," and everything else, including the audience, that might be held sacred. Within the framework of the action, we recognize a love triangle, one of the simplest of dramatic configurations. Not only the basic idea, but also numerous particulars, both in subject and style, are reminiscent of the films of Roman Polanski, which Kristl doubtless saw and holds in esteem. We meet two men: one is meant to embody the outsider, the artistic, intellectual, individualist. The other looks like the embodiment of the well-to-do man, the burgher, the functionary, the capitalist. The two battle for the favor of an indecisive and domineering girl.
Drama
Der Damm
1

Der Damm

Jan 01, 1964
In The Dam, although it is an experimental film, Kristl eschews the necessary earnestness in addressing his subject. The manufactured, unambiguously humorless profundity proffered up by other German contemporaries is absent here. Laughter is allowed. Kristl takes the dreadful liberty of tomfoolery, sending up himself, the characters, the action, "tragedy," and everything else, including the audience, that might be held sacred. Within the framework of the action, we recognize a love triangle, one of the simplest of dramatic configurations. Not only the basic idea, but also numerous particulars, both in subject and style, are reminiscent of the films of Roman Polanski, which Kristl doubtless saw and holds in esteem. We meet two men: one is meant to embody the outsider, the artistic, intellectual, individualist. The other looks like the embodiment of the well-to-do man, the burgher, the functionary, the capitalist. The two battle for the favor of an indecisive and domineering girl.
Drama
Die Schule der Postmoderne
1
Postmodernism also has to be seen as a system, one that is acknowledged, one with which one can create houses, locomotives, films, everything... That has nothing to do with art. That is just a parlour game. - Vlado Kristl
Documentary
Kunst ist nur ausserhalb der Menschengesellschaft
1
Vlado Kristl rejected the word anarchy. Nor did he like the word utopia, nor the term experimental film. As a matter of fact, he didn't like any words if they weren't freed from the conventional ways of thinking. Following the shooting of "Kunst ist nur ausserhalb der Menschengesellschaft" he was only pleased when hardly anything he expressed in his poems performed, thrown and hurled against any hostile and alien environment by Carola Regnier was understood. - Markus Nechleba
Documentary
Der letzte Klon
9.5

Der letzte Klon

Jan 01, 1988
The Academy of Arts in Hamburg destroys all art and all artists. It seems as if a military unit has lined up for the final solution, it looks as if the whole of mankind has been assigned to carry out the liquidation of art. Is art dead? Yes. Art is definitely dead. All that is left to a human being is his 'I'.... - Vlado Kristl
Drama
Die hälfte des reichtums für die hälfte der schönheit
1
Anything that complies with standards is a wasted effort to Vlado Kristl: 'I believe in only doing those things that decompose and tear conventional systems apart.' Kristl's métier are borderlines. His paintings and animated films are interspersed with clear dividing lines, only for him to blur and mess them up. His graphics are scribbled over and over again until the whole surface becomes black. His oil paintings, unless someone buys them in time, are painted over and over again. He destroys any form that begins to grow. -Thomas Brandlmeier
Documentary
Arme Leute
9

Arme Leute

Feb 21, 1963
Kristl was a member of the prestigious Zagreb Studio of Animation and his early works as painter and filmmaker had brought him instant acclaim and instant censorship. He fled Croatia and lived in Germany; he died there in 2004. Poor People, a “collective scream” of Cold War fear, was produced just after he left his country.
Drama
Italienisches Capriccio
1
"I shot this film, Italian Capriccio, as if it were my last. Now I see I had nothing to offer to anybody. No thought, no suggestion, nounderstanding. It is my conviction that this is a way to make this film uninteresting. I hope that Power will get people riled enough some day."
Documentary
Der Brief
1

Der Brief

Nov 25, 1966
T. finds a letter. Instead of just dropping it in a mailbox, he decides, conscientious as he is, to deliver it personally. He wanders the entire world, discovers astounding forms of existence, but cannot be hindered from his duty and keeps looking until he finally finds the address. There, he finds out that he has delivered his own judgment.
Comedy
Der Brief
1

Der Brief

Nov 25, 1966
T. finds a letter. Instead of just dropping it in a mailbox, he decides, conscientious as he is, to deliver it personally. He wanders the entire world, discovers astounding forms of existence, but cannot be hindered from his duty and keeps looking until he finally finds the address. There, he finds out that he has delivered his own judgment.
Comedy
Don Kihot
4.8

Don Kihot

Jan 01, 1961
"Don Kihot" is a satirical, Klee-esque meditation about Don Quijote in the contemporary militaristic and regimentistic world.
Animation
Arme Leute
9

Arme Leute

Feb 21, 1963
Kristl was a member of the prestigious Zagreb Studio of Animation and his early works as painter and filmmaker had brought him instant acclaim and instant censorship. He fled Croatia and lived in Germany; he died there in 2004. Poor People, a “collective scream” of Cold War fear, was produced just after he left his country.
Drama
Die Schule der Postmoderne
1
Postmodernism also has to be seen as a system, one that is acknowledged, one with which one can create houses, locomotives, films, everything... That has nothing to do with art. That is just a parlour game. - Vlado Kristl
Documentary
Kunst ist nur ausserhalb der Menschengesellschaft
1
Vlado Kristl rejected the word anarchy. Nor did he like the word utopia, nor the term experimental film. As a matter of fact, he didn't like any words if they weren't freed from the conventional ways of thinking. Following the shooting of "Kunst ist nur ausserhalb der Menschengesellschaft" he was only pleased when hardly anything he expressed in his poems performed, thrown and hurled against any hostile and alien environment by Carola Regnier was understood. - Markus Nechleba
Documentary
Die hälfte des reichtums für die hälfte der schönheit
1
Anything that complies with standards is a wasted effort to Vlado Kristl: 'I believe in only doing those things that decompose and tear conventional systems apart.' Kristl's métier are borderlines. His paintings and animated films are interspersed with clear dividing lines, only for him to blur and mess them up. His graphics are scribbled over and over again until the whole surface becomes black. His oil paintings, unless someone buys them in time, are painted over and over again. He destroys any form that begins to grow. -Thomas Brandlmeier
Documentary
Der letzte Klon
9.5

Der letzte Klon

Jan 01, 1988
The Academy of Arts in Hamburg destroys all art and all artists. It seems as if a military unit has lined up for the final solution, it looks as if the whole of mankind has been assigned to carry out the liquidation of art. Is art dead? Yes. Art is definitely dead. All that is left to a human being is his 'I'.... - Vlado Kristl
Drama
Film oder Macht
1

Film oder Macht

Jan 01, 1970
Zagreb-born artist Vlado Kristl (1923-2004) was the most radical of the German auteur filmmakers. This is an anakofilm.
Drama
Film oder Macht
1

Film oder Macht

Jan 01, 1970
Zagreb-born artist Vlado Kristl (1923-2004) was the most radical of the German auteur filmmakers. This is an anakofilm.
Drama
Prometheus
1

Prometheus

Jun 06, 1966
Allegory of men's use of fire to kill, when it was given by Prometheus to help them.
Animation
Die Utopen
1

Die Utopen

Apr 04, 1967
Cartoon showing the "Utopes" - talented, unconventional, double-faced creatures. They are split by a uniformed man with a sabre - individually forced into submission by totalitarian ideology.
Animation
Die Utopen
1

Die Utopen

Apr 04, 1967
Cartoon showing the "Utopes" - talented, unconventional, double-faced creatures. They are split by a uniformed man with a sabre - individually forced into submission by totalitarian ideology.
Animation
Obrigkeitsfilm
1

Obrigkeitsfilm

Jun 04, 1971
A group of men, women and Kristl with his camera debate how to resist authority in all its forms. All cinematic professionalism is avoided as Kristl explores how to live and make films politically.
Obrigkeitsfilm
1

Obrigkeitsfilm

Jun 04, 1971
A group of men, women and Kristl with his camera debate how to resist authority in all its forms. All cinematic professionalism is avoided as Kristl explores how to live and make films politically.
Obrigkeitsfilm
1

Obrigkeitsfilm

Jun 04, 1971
A group of men, women and Kristl with his camera debate how to resist authority in all its forms. All cinematic professionalism is avoided as Kristl explores how to live and make films politically.
Obrigkeitsfilm
1

Obrigkeitsfilm

Jun 04, 1971
A group of men, women and Kristl with his camera debate how to resist authority in all its forms. All cinematic professionalism is avoided as Kristl explores how to live and make films politically.
Svi crteži grada
1

Svi crteži grada

Jan 01, 1959
The boy and the girl are suddenly separated from the picture book by a hand, which tears off a page from the book and makes a paper airplane in which the boy remains trapped. In her attempt to help the friend, she couldn’t achieve anything if all the children’s drawings in the city did not help her.
Animation
Šagrenska koža
6

Šagrenska koža

Mar 09, 1960
Poor and unhappy, Rafael leaves Pauline and tries his luck at the roulette, but loses his last coin. Fate gifts him with the miraculous "Shagreen leather" that fulfills all wishes. In his new, luxurious life he wins the heart of wonderful Foedora. But with the power of the leather comes a rule: for every fulfilled wish it becomes shorter, and so does the life of its owner. Using the leather abundantly, Rafael soon spends his time.
Animation
Prometheus
1

Prometheus

Jun 06, 1966
Allegory of men's use of fire to kill, when it was given by Prometheus to help them.
Animation
Der Topf
1

Der Topf

May 07, 1964
Allegory of a man who leads the people to destruction and then is reborn to recommence the cycle.
Drama
Der Topf
1

Der Topf

May 07, 1964
Allegory of a man who leads the people to destruction and then is reborn to recommence the cycle.
Drama