Beatrice Gibson

1

I Hope I'm Loud When I'm Dead

Sep 09, 2018

I Hope I'm Loud When I'm Dead

2018 20 min 1 vues

Reframing our current political moment in intimate terms, Gibson’s urgent snapshot of worldwide social calamities doubles as a document of practical resistance. In Gibson’s hands, the music of Pauline Oliveros and the words of poets CA Conrad and Eileen Myles imbue images of street riots, the Grenfell Fire, and the mass refugee migration with complexity and grace.

1

Beatrice Gibson to Barbara Loden, Nina Menkes and Bette Gordon

Jan 01, 1970

Beatrice Gibson to Barbara Loden, Nina Menkes and Bette Gordon

1970 4 min 1 vues

Garbiñe Ortega, Artistic Director of Punto de Vista, came up with the idea of creating a collective audiovisual project in which several filmmakers would make a filmed letter addressed to another filmmaker they did not know personally and who was as far as possible from their own cinema. This is how THE LETTERS THAT WEREN'T AND ALSO ARE was born. The result is an exciting journey through their affinities, their admiration and their creative processes.

Documentary

1

A Necessary Music

Sep 18, 2009

A Necessary Music

2009 30 min 1 vues

A collaboration between artist Beatrice Gibson and composer Alex Waterman, A Necessary Music is a science fiction film about modernist social housing. A musically conceived piece, referencing the video operas of Robert Ashley, the film explores the social imaginary of a utopian landscape through directed attention to the voices that inhabit it.Treating the medium of film as both a musical proposition and a proposal for collective production, A Necessary Music employs the resident of New York’s Roosevelt Island as its authors and actors, gathering together texts written by them and using them to construct a script for the film. Framed by a fictional narration taken from Adolfo Bioy Casares’ 1941 science fiction novel ‘The invention of Morel’, the film self-consciously dissolves from attempted realism to imagined narrative; what begins as a enthnographic study becomes instead an imagined fiction and an investigation into the mechanics of representation itself.

1

Agatha

Jan 01, 2012

Agatha

2012 15 min 1 vues

A psychosexual sci-fi about a planet without speech. Its narrator, ambiguous in gender and function, weaves us slowly through a mental and physical landscape, observing and chronicling a space beyond words. Based on a dream had by the radical British composer Cornelius Cardew.

1

Agatha

Jan 01, 2012

Agatha

2012 15 min 1 vues

A psychosexual sci-fi about a planet without speech. Its narrator, ambiguous in gender and function, weaves us slowly through a mental and physical landscape, observing and chronicling a space beyond words. Based on a dream had by the radical British composer Cornelius Cardew.

1

Agatha

Jan 01, 2012

Agatha

2012 15 min 1 vues

A psychosexual sci-fi about a planet without speech. Its narrator, ambiguous in gender and function, weaves us slowly through a mental and physical landscape, observing and chronicling a space beyond words. Based on a dream had by the radical British composer Cornelius Cardew.

1

The Tiger's Mind

Jan 01, 2012

The Tiger's Mind

2012 24 min 1 vues

An abstract crime thriller set against the backdrop of a brutalist villa. Six characters, the set, the music, the foley, the special effects, the narrator and the author battle one another for control of the film as it unfolds on screen. The film explores the relationships between these characters as they emerge and unfold: grappling, wrestling, and dreaming with one another. The film's production elements were produced - employing the character-driven improvisational score The Tiger's Mind, by Cornelius Cardew - by Alex Waterman as Tree (foley), Jesse Ash as Wind (special effects), John Tilbury as Mind (soundtrack), Celine Condorelli as Tiger (props), Will Holder as Amy (narrator) and Beatrice Gibson as the Circle (author).

Drama

1

The Tiger's Mind

Jan 01, 2012

The Tiger's Mind

2012 24 min 1 vues

An abstract crime thriller set against the backdrop of a brutalist villa. Six characters, the set, the music, the foley, the special effects, the narrator and the author battle one another for control of the film as it unfolds on screen. The film explores the relationships between these characters as they emerge and unfold: grappling, wrestling, and dreaming with one another. The film's production elements were produced - employing the character-driven improvisational score The Tiger's Mind, by Cornelius Cardew - by Alex Waterman as Tree (foley), Jesse Ash as Wind (special effects), John Tilbury as Mind (soundtrack), Celine Condorelli as Tiger (props), Will Holder as Amy (narrator) and Beatrice Gibson as the Circle (author).

Drama

1

The Tiger's Mind

Jan 01, 2012

The Tiger's Mind

2012 24 min 1 vues

An abstract crime thriller set against the backdrop of a brutalist villa. Six characters, the set, the music, the foley, the special effects, the narrator and the author battle one another for control of the film as it unfolds on screen. The film explores the relationships between these characters as they emerge and unfold: grappling, wrestling, and dreaming with one another. The film's production elements were produced - employing the character-driven improvisational score The Tiger's Mind, by Cornelius Cardew - by Alex Waterman as Tree (foley), Jesse Ash as Wind (special effects), John Tilbury as Mind (soundtrack), Celine Condorelli as Tiger (props), Will Holder as Amy (narrator) and Beatrice Gibson as the Circle (author).

Drama

1

F for Fibonacci

Oct 16, 2014

F for Fibonacci

2014 17 min 1 vues

F for Fibonacci is a new film that takes as its departure point American author William Gaddis’ epic modernist novel JR (1975). An eerily prescient, biting social satire, JR tells the story of a precocious 11 year-old capitalist who, with the unwitting help of his school’s resident composer, inadvertently creates the single greatest virtual empire the world has seen, spun largely from the anonymity of the school’s pay phone. F for Fibonacci develops a particular episode from JR, in which a televised music lesson is scrambled with a maths class on derivatives inside the mind of its child protagonist. Musings on aleatory music become muddled with virtual stock pickings and a theory of ‘market noise’. Unfolding through the modular machine aesthetics of the video game Minecraft, text book geometries, graphic scores, images from physics experiments, and cartoon dreams, blend with images from wall street: stock market crashes, trading pits, algorithms and transparent glass.

1

F for Fibonacci

Oct 16, 2014

F for Fibonacci

2014 17 min 1 vues

F for Fibonacci is a new film that takes as its departure point American author William Gaddis’ epic modernist novel JR (1975). An eerily prescient, biting social satire, JR tells the story of a precocious 11 year-old capitalist who, with the unwitting help of his school’s resident composer, inadvertently creates the single greatest virtual empire the world has seen, spun largely from the anonymity of the school’s pay phone. F for Fibonacci develops a particular episode from JR, in which a televised music lesson is scrambled with a maths class on derivatives inside the mind of its child protagonist. Musings on aleatory music become muddled with virtual stock pickings and a theory of ‘market noise’. Unfolding through the modular machine aesthetics of the video game Minecraft, text book geometries, graphic scores, images from physics experiments, and cartoon dreams, blend with images from wall street: stock market crashes, trading pits, algorithms and transparent glass.

1

F for Fibonacci

Oct 16, 2014

F for Fibonacci

2014 17 min 1 vues

F for Fibonacci is a new film that takes as its departure point American author William Gaddis’ epic modernist novel JR (1975). An eerily prescient, biting social satire, JR tells the story of a precocious 11 year-old capitalist who, with the unwitting help of his school’s resident composer, inadvertently creates the single greatest virtual empire the world has seen, spun largely from the anonymity of the school’s pay phone. F for Fibonacci develops a particular episode from JR, in which a televised music lesson is scrambled with a maths class on derivatives inside the mind of its child protagonist. Musings on aleatory music become muddled with virtual stock pickings and a theory of ‘market noise’. Unfolding through the modular machine aesthetics of the video game Minecraft, text book geometries, graphic scores, images from physics experiments, and cartoon dreams, blend with images from wall street: stock market crashes, trading pits, algorithms and transparent glass.

1

La Nuit

Jun 28, 2024

La Nuit

2024 90 min 1 vues

After an abortion, a woman roams the streets, engaging in a sequence of understated encounters bathed in the glow of neon lights.

Drama

1

Crippled Symmetries

Jan 10, 2016

Crippled Symmetries

2016 26 min 1 vues

A ruthless 11 year capitalist and his side-kick, an ailing composer, form the two unlikely protagonists of this experimental mediation on money, music and abstraction in post crisis Britain.

1

Leisure, Utopic

May 26, 2024

Leisure, Utopic

2024 3 min 1 vues

The first episode in a series of “adaptations” of poet Bernadette Mayer’s book Utopia that artist Beatrice Gibson envisions to undertake over the next decade, producing a series of small, quotidian films that together, and over time, will constitute an epic. This first film is drawn from Chapter 4, entitled “The Arrangement: of Houses & Buildings, Birth, Death, Money, Schools, Dentists, Birth Control, Work, Air, Remedies, and So on” and was shot at home during the pandemic.

Documentary

1

The Future's Getting Old Like the Rest of Us

Jan 01, 2010

The Future's Getting Old Like the Rest of Us

2010 48 min 1 vues

A 16mm film conceived in the format of a TV Play and set in an older peoples care home. Part documentary, part fiction, the script for the film was a collaboration with writer and critic George Clark and was constructed from verbatim transcripts of a discussion group held over a period of five months with the residents of four of Camden’s Care Homes. Taking B.S. Johnson’s 1971 experimental novel “House Mother Normal” as its formal departure point and employing the structural logic of a score, the script is edited into a vertical structure, in which eight voices or eight monologues occur simultaneously. — Anthology Film Archives

1

I Hope I'm Loud When I'm Dead

Sep 09, 2018

I Hope I'm Loud When I'm Dead

2018 20 min 1 vues

Reframing our current political moment in intimate terms, Gibson’s urgent snapshot of worldwide social calamities doubles as a document of practical resistance. In Gibson’s hands, the music of Pauline Oliveros and the words of poets CA Conrad and Eileen Myles imbue images of street riots, the Grenfell Fire, and the mass refugee migration with complexity and grace.

1

I Hope I'm Loud When I'm Dead

Sep 09, 2018

I Hope I'm Loud When I'm Dead

2018 20 min 1 vues

Reframing our current political moment in intimate terms, Gibson’s urgent snapshot of worldwide social calamities doubles as a document of practical resistance. In Gibson’s hands, the music of Pauline Oliveros and the words of poets CA Conrad and Eileen Myles imbue images of street riots, the Grenfell Fire, and the mass refugee migration with complexity and grace.

1

I Hope I'm Loud When I'm Dead

Sep 09, 2018

I Hope I'm Loud When I'm Dead

2018 20 min 1 vues

Reframing our current political moment in intimate terms, Gibson’s urgent snapshot of worldwide social calamities doubles as a document of practical resistance. In Gibson’s hands, the music of Pauline Oliveros and the words of poets CA Conrad and Eileen Myles imbue images of street riots, the Grenfell Fire, and the mass refugee migration with complexity and grace.

1

Someplace In Your Mouth

Sep 05, 2024

Someplace In Your Mouth

2024 5 min 1 vues

‘Some Place in Your Mouth’ is shot in the Forum car park on the edge of Palermo. Young men sit on bouncing mopeds; cars overloaded with sub-woofers pound with base. The camera registers male posture. But it also captures moments of being together, of unspoken courtship, of physical, sonic encounters. A voiceover reads a poem by American writer Magdalena Zurawski, from which the film takes its title. The tight 5 stanzas, here translated into Italian, pull the listener in. Their fleshy tones and disarming syntax feeling their way through the sublime, the bodily and the ecstatic. The meeting of Zurawski’s poem, images of Sicilian sub-culture and found footage of wheelies and races is both unlikely and tender; their different worlds, and forms, becoming strange and close. (Nick Aikens)

1

I Hope I'm Loud When I'm Dead

Sep 09, 2018

I Hope I'm Loud When I'm Dead

2018 20 min 1 vues

Reframing our current political moment in intimate terms, Gibson’s urgent snapshot of worldwide social calamities doubles as a document of practical resistance. In Gibson’s hands, the music of Pauline Oliveros and the words of poets CA Conrad and Eileen Myles imbue images of street riots, the Grenfell Fire, and the mass refugee migration with complexity and grace.

1

Deux Soeurs Qui Ne Sont Pas Soeurs

Jan 18, 2019

Deux Soeurs Qui Ne Sont Pas Soeurs

2019 20 min 1 vues

Based on Gertrude Stein’s eponymously named screenplay, written in 1929 as European fascism was building momentum. Beatrice Gibson’s adaptation, set almost a century later in contemporary Paris, deploys Stein’s script as a talismanic guide through a contemporary moment of comparable social and political unrest. An original soundtrack, written especially for the film by British composer Laurence Crane, responds to the repetition, duplication and duality at play in Stein’s script. Both a fictional thriller and an act of collective representation, Deux Soeurs proposes empathy and friendship as means to reckon with an increasingly turbulent present.

Crime

1

Deux Soeurs Qui Ne Sont Pas Soeurs

Jan 18, 2019

Deux Soeurs Qui Ne Sont Pas Soeurs

2019 20 min 1 vues

Based on Gertrude Stein’s eponymously named screenplay, written in 1929 as European fascism was building momentum. Beatrice Gibson’s adaptation, set almost a century later in contemporary Paris, deploys Stein’s script as a talismanic guide through a contemporary moment of comparable social and political unrest. An original soundtrack, written especially for the film by British composer Laurence Crane, responds to the repetition, duplication and duality at play in Stein’s script. Both a fictional thriller and an act of collective representation, Deux Soeurs proposes empathy and friendship as means to reckon with an increasingly turbulent present.

Crime

1

Deux Soeurs Qui Ne Sont Pas Soeurs

Jan 18, 2019

Deux Soeurs Qui Ne Sont Pas Soeurs

2019 20 min 1 vues

Based on Gertrude Stein’s eponymously named screenplay, written in 1929 as European fascism was building momentum. Beatrice Gibson’s adaptation, set almost a century later in contemporary Paris, deploys Stein’s script as a talismanic guide through a contemporary moment of comparable social and political unrest. An original soundtrack, written especially for the film by British composer Laurence Crane, responds to the repetition, duplication and duality at play in Stein’s script. Both a fictional thriller and an act of collective representation, Deux Soeurs proposes empathy and friendship as means to reckon with an increasingly turbulent present.

Crime