Langston Hughes

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Looking for Langston
5.2

Looking for Langston

Oct 31, 1989
A black and white, fantasy-like recreation of high-society gay men during the Harlem Renaissance, with archival footage and photographs intercut with a story. A wake is going on, with mourners gathered around a coffin. Downstairs is an elegant bar where tuxedoed men dance and talk. One of them has a dream in which he comes upon Beauty, who seems to reject him, although when he awakes, Beauty is sleeping beside him. His story and his visits to the jazz and dance club are framed by voices reading from the poetry and essays of Hughes and others. The text is rarely explicit, but the freedom of gay Black men in the 1920s in Harlem is suggested and celebrated visually.
Drama
After Midnight
1

After Midnight

Jun 10, 2021
With music by Duke Ellington, Harold Arlen, Dorothy Fields and more framed by the poems of Langston Hughes, this exhilarating song and dance extravaganza features 28 of the big band era’s most memorable songs and showcases the gorgeous glamour and sophisticated syncopation of the Harlem heartbeat after midnight.
Way Down South
5.4

Way Down South

Jul 21, 1939
In the pre-Civil War South, a plantation owner dies and leaves all his possessions, including his slaves, to his young son. While the deceased treated his slaves decently, his corrupt executor abuses them unmercifully, beating them without provocation, and he is planning to sell off the father'e estate--including the slaves--at the earliest opportunity so he and his mistress can steal the money and move to France. The young boy doesn't want to sell his father's estate or break up an of the slave families, and he has to find someone to help him thwart the crooked executor's plans.
Crime
Thank You, M'am
1

Thank You, M'am

Mar 25, 1977
When a nurse leaves her job to walk home, a young boy tries to grab her pocketbook, but she wrestles him to the ground, gets her pocketbook back, and drags him to her apartment in a headlock. There she feeds him and teaches him some valuable lessons before sending him home.
Drama
Rhythm of Africa
1

Rhythm of Africa

Jan 01, 1947
Produced and conceived by French filmmakers Jean Cocteau and François Villiers, with a screenplay by Langston Hughes, Rhythm of Africa takes a look at the special ceremonial dance of atonement in Chad. The heartbeat of the jungle, the day-to-day life in the modernizing village, and the bustling marketplace take on a hypnotizing rhythm of their own. A changing Africa asserts itself in a changing world.
The Blood of Jesus
4.8

The Blood of Jesus

Apr 26, 1941
Razz accidentally shoots his wife Martha when his hunting rifle drops on the floor and discharges. The church congregation gathers at Martha’s bedside to pray for her recovery, and during this period an angel arrives to take Martha’s spirit from her body, but she is tempted by the slick Judas Green, who is an agent for Satan.
Music
Black Nativity
5.116

Black Nativity

Nov 27, 2013
Teleplay based on the works of Langston Hughes about the life of the African-American population of the United States.
Music
The Strolling '20s
1

The Strolling '20s

Feb 04, 1966
Harry Belafonte and Sidney Poitier travel down memory lane to see what life was like back in the 1920s. Harry Belafonte introduces this musical, written by poet and playwright Langston Hughes, which pays tribute to Harlem in the 1920's. Sidney Poitier provides commentary on the era throughout the program, and George Kirby and Nipsey Russell portray various Harlem characters. Program highlights include: Gloria Lynne singing "Good Ol' Wagon"; Brownie McGhee singing "Let the Deal Go Down"; Diahann Carroll singing "Nobody Knows You When You're Down and Out"; Sammy Davis, Jr., singing and tap dancing to "Doin' the New Low Down"; Joe Williams singing "Nobody Knows the Way I Feel This Morning"; and Duke Ellington performing "Sophisticated Lady" with a sextet.
Music
Nationtime
1

Nationtime

Nov 01, 1972
A report on the National Black Political Convention held in Gary, Indiana, in 1972, a historic event that gathered Black voices from across the political spectrum, among them Jesse Jackson, Dick Gregory, Coretta Scott King, Richard Hatcher, Amiri Baraka, Charles Diggs, and H. Carl McCall.
Documentary
I'm a Stranger Here Myself: Kurt Weill in America
1
The story of Kurt Weill 's relationship with the American popular theatre. During his years in exile on Broadway, the composer of Mack the Knife and The Alabama Song, who personified decadent Berlin, found a new life in New York, creating such standards as September Song and Speak Low. Director Barrie Gavin describes the film as "the history of an artist ... struggling to write music which could have real meaning for the society he had just joined." Weill is remembered by the conductor Maurice Abravanel and the actor Burgess Meredith and there are extracts from several of his works.
Documentary
Kurt Weill: Street Scene
1
The opera takes place on the doorstep of a tenement on the East Side of Manhattan on two brutally hot days in 1946. The story focuses on two plotlines: the romance between Rose Maurrant and her neighbor Sam Kaplan; and on the extramarital affair of Rose's mother, Anna, which is eventually discovered by Rose's irritable father, Frank. The show portrays the ordinary romances, squabbles and gossips of the neighbors, as the mounting tensions involving the Maurrant family eventually build into a tragedy of epic proportions. Broadcast on BBC Two on New Years Day, 1993, this production was performed by the English National Opera and conducted by James Holmes.
Music
Kurt Weill: Street Scene
1
The main plot of this rampant collection of scenes from the streets of the lower East Side of New York revolves around Frank and Anna Maurrant and their daughter Rose. A violent and tough character, Frank fails to see his wife’s growing despair due to his lack of affection. When he discovers her with her lover, he shots them both and goes to jail, leaving behind a heartbroken Rose who, after having experienced relentless harassment by two aggressive suitors, misses her one true chance at love. The opera ends by showing the streets of New York City moving on from these mundane events in total indifference.
The Pocketbook
5.5

The Pocketbook

Jan 01, 1980
In the course of a botched purse-snatching, a boy comes to question the path of his life. Billy Woodberry’s second film, and first completed in 16mm, adapts Langston Hughes’ short story, Thank You, Ma’am, and features music by Leadbelly, Thelonious Monk and Miles Davis. (Ross Lipman)
Drama