Colé Santana

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As Sete Vampiras
5

As Sete Vampiras

Sep 09, 1986
A clumsy detective and his secretary are hired to solve the mysterious, vampiresque deaths happening at a nightclub show.
Comedy
O Escorpião Escarlate
5.5
Anjo, a millionaire playboy who moonlights as a crime fighter, leaps into action when his arch-nemesis, the Scarlet Scorpion, kidnaps a beautiful fashion designer.
Crime
Jesus Cristo, Eu Estou Aqui
1
Low-budget comedy of errors about false miracles, Catholic priests, greedy politicians and a prostitute in a small Brazilian town, with popular Brazilian comedy stars of the time.
Comedy
Tabú
6.1

Tabú

Mar 10, 1983
The fictional encounter in Rio de Janeiro, Brazil (in the 30s) between popular songwriter Lamartine Babo and inconoclast poet and playwright Oswald de Andrade.
Comedy
Brás Cubas
5

Brás Cubas

Oct 15, 1985
Irreverent adaptation of great writer Machado de Assis's masterpiece "Memórias Póstumas de Brás Cubas" ("Brás Cubas's Posthumous Memories"). A dead man tells about his love life and adventures, specially his affair with Virgília, a dubious married woman.
Comedy
Dona Xêpa
1

Dona Xêpa

Oct 13, 1959
Dona Xepa is a vegetable stand owner. She dreams about the success of her scientist son. The film is based on the play by Pedro Bloch.
Comedy
Carnaval Atlântida
7.3

Carnaval Atlântida

Feb 05, 1952
Movie producer Cecílio B. de Milho is intent on filming an epic about Helen of Troy, while some of the crew would rather turn it into a musical comedy.
Comedy
Mulher de Verdade
5

Mulher de Verdade

Jul 06, 1955
A nurse falls in love with her patient and secretly marries him. When treating another patient, he falls in love with her and, pretending to be in agony, asks for one last wish: to marry him, and she accepts.
Comedy
O Gigante da América
5.2

O Gigante da América

Nov 23, 1980
A caboclo's soul wanders through purgatory (or hell), visiting many places until he boards a ship whose destination is unknown.
Adventure
A Longa Viagem do Ônibus Amarelo
9
For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!
Documentary