Louis-Charles Sirjacq

Au lendemain de la Première Guerre mondiale, dans une petite ville allemande, Anna se rend tous les jours sur la tombe de son fiancé, mort sur le front en France. Mais ce jour-là, un français est venu, lui aussi, fleurir la tombe de son ami allemand.

« Regarde les hommes tomber », « Sur mes lèvres », « Un prophète »… : en huit films, Jacques Audiard a renouvelé le cinéma français. Une exploration subtile de l’œuvre et de la personnalité d’un cinéaste majeur et tourmenté, resté jusqu’alors « très discret ».

A Swiss-German-Yugoslavian production.

Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.

Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.

Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.

Lili is twenty years old, has an English mother, a magician father, a voice from elsewhere and a gift that only children know: the power of her own desire. It all starts with a summer night: that summer, Lili and Bruno will find love.

In Brazzaville, in 1944, Alex Emmerich was sentenced to wander the seas by Hélène Latray, the wife of Félix Beauvois, the man Alex loved. In 1962, exiled on Hatray cruises and feeling the coming death, Alex decides to compose for his love a testament: the photographic report of his agony.

Chamonix dans les années 1930 est une station où se presse une société cosmopolite, mondaine et sportive, en quête de nouveautés et de sensations fortes trouvées dans l'alpinisme. Ces gens côtoient les Chamoniards mais ne se rencontrent pas sauf sur les sentiers du Mont-Blanc. L'accident de Joseph, le patriarche des Servettaz, guides de génération en génération, a marqué les esprits. C'est son fils Zian qui décide de reprendre le flambeau. Marié à Bianca, la fille du riche industriel milanais responsable en partie de la mort de son père, Zian vie sa grande histoire d'amour - à trois - la montagne restant toujours la maîtresse la plus exigeante. Lassée des angoissantes attentes et de la solitude pendant les ascensions de son mari, Bianca rentre en Italie, Zian la rejoint, mais les mondanités ne sont pas son monde, il retourne à Chamonix. Lors d'une sortie en montagne, Zian chute dans une crevasse. Bianca, alertée par un pressentiment, revient vers celui qu'elle aime par-dessus tout...