Christopher Ventris

A documentary about Nikolaus Lehnhoff's 2004 production of Wagner's last opera, Parsifal, at the Festspielhaus Baden-Baden. Interviews, behind-the-scenes footage and clips of the live performances provide a documentary analysis of the opera on the quest for the holy grail.

Shostakovich's Lady Macbeth of Mtsensk, a lurid tale of sex, murder, and corruption, premiered in 1934 and was a success until Stalin saw it two years later, resulting in a Pravda review that viciously condemned it. It was later replaced by an expurgated version, now called Katerina Ismailova after the work's principal character. The original version has now reclaimed its place on international stages. The heroine is the daughter-in-law of Boris, a greedy, lecherous merchant, and the frustrated wife of his impotent son. Katerina poisons Boris and when her husband returns she and her lover, Sergei, kill him too, burying him in the cellar. The body is discovered during their wedding party. Haunted by guilt, Katerina confesses and the newlyweds are consigned to Siberia. When Sergei takes up with another woman, Katerina pushes her into the river and then jumps in herself.

Requiring 38 soloists, chorus, and large orchestra, Hans Pfitzner's "Palestrina" is a challenging opera to stage. In Munich, the city in which it was premiered in 1917, director Christian Stückle, conductor Simone Young, and the Bavarian State Opera met those challenges with stunning success.

A stage performance of the Shostakovich opera, filmed at the Gran Teatre del Liceu in Barcelona.

Recorded live at the Festspielhaus, Baden-Baden, Germany, August 2004. Kent Nagano, conductor. Nikolaus Lehnhoff, stage director.

Berg’s 20th-century shocker stars baritone Peter Mattei in the title role, with Music Director Yannick Nézet-Séguin on the podium and soprano Elza van den Heever as the long-suffering Marie. Groundbreaking visual artist and director William Kentridge unveils a bold new staging set in an apocalyptic wasteland.

Berg’s 20th-century shocker stars baritone Peter Mattei in the title role, with Music Director Yannick Nézet-Séguin on the podium and soprano Elza van den Heever as the long-suffering Marie. Groundbreaking visual artist and director William Kentridge unveils a bold new staging set in an apocalyptic wasteland.

Frank Castorf’s staging of the Ring, premiered in 2013 and filmed in 2016, provoked controversy right from the beginning. For Castorf, the Rheingold of our days is oil; thus he places the first part of the tetralogy at a gas station on Route 66. Die Walküre is situated in Baku, Azerbaijan, which was seized by the Bolsheviks in 1920 for its oil, whereas Siegfried takes place in a socialist equivalent of Mount Rushmore and at Berlin’s Alexanderplatz. Götterdämmerung is set somewhere in the GDR, ending up at New York’s stock exchange. Whilst Castorf’s staging polarized, Marek Janowski’s musical reading was unanimously praised, as was the excellent cast including in this opera Iain Paterson (Wotan), Nadine Weissmann (Erda), Albert Dohmen (Alberich) and Roberto Saccà (Loge)

Iván Fischer makes his DNO debut. He conducts the Royal Concertgebouw Orchestra. Pierre Audi, artistic director of DNO and the Holland Festival, directs his first new DNO production since Saint François d'Assise (2008). For Parsifal Audi once again joins forces with the British sculptor Anish Kapoor (décor). Alejandro Marco-Buhrmester previously sang the role of Amfortas at the Opéra National de Paris and the Bayreuther Festspiele. Kurt Rydl (Titurel/Klingsor) made previous DNO appearances as Hagen/Hunding in Der Ring des Nibelungen and as Heinrich in Lohengrin. Kurt Rydl has been an honorary member of the Wiener Staatsoper since 1999. Falk Struckmann has frequently sung the role of Amfortas, but now makes his first DNO appearance in his role debut as Gurnemanz. The title role is sung by Christopher Ventris, who previously appeared at DNO as Steuermann in Der fliegende Holländer. Petra Lang (Kundry) previously sang Brangäne in Tristan und Isolde and Venus in Tannhäuser at DNO.

Recorded at Britain's Glyndebourne Opera Festival, Leos Janacek's opera follows the exploits of Emilia Marty (Anja Silja), a sexually irresistible prima donna who experiences everything imaginable in her long life, which lasts longer than 300 years. Directed by Nikolaus Lehnhoff and conducted by Andrew Davis, this psychological opera blends comedy and personal tragedy to examine the perplexing mystery of human existence.