Pavel Bošek

Les amis profitent des charmes de la nature – et de leurs invités.

Lemuel Gulliver trouve sur son chemin la dépouille d'un lapin tout habillé portant une montre à gousset et sur l'objet, une inscription dédiée au prince Mounodi. Lemuel se retrouve dans un pays mystérieux, Balnibarbi, où la logique des événements et des gens lui sont incompréhensibles. A l’Académie des Inventeurs, il devient un sujet d’étude... controversé...

Un petit groupe d'amis bourgeois est en sortie d'une journée à la campagne, sortie qui comprend un pique-nique. Alors qu'ils se promènent après le pique-nique, ils rencontrent un groupe d'hommes à l'air officieux qui les réquisitionnent dans une petite clairière. Bien qu'il n'y ait pas de menace directe et que les pique-niqueurs n'aient pas peur, ils ressentent néanmoins le besoin de faire ce que les hommes disent.

This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.

Mr. Benda, a married father of two children, works for a company that liquidates old banknotes. After one drunken party, he is visited by a painter who tattooed his back in drunkenness the previous night. The image tattooed on Benda’s back is considered the painter’s best work by the professionals.

Five Girls Around the Neck, in 1967, set out to explore that critical age of adolescence when a person's character is formed for good or evil. Schorm examined a girl's problems of being giving too much. She tries to buy the goodwill of her less fortunate friends; her intentions are pure, but in the difficulty of communicating she learns envy and deceit, and must decide if she will submit to double dealing or steel her life against self-deception and mediocrity. In addition to the relationship between the girl and her friends, Schorm introduces a teenage romance and the broader relationship between the girl's parents - neatly tied together with segments of Weber's opera "Der Freischütz". He reveals himself as a skilled psychological director with a wide range of knowledge about people.

A verger, who likes to dress as a priest, is invited, by one of the villagers, to be the pastor at a vacant church. The atheist teacher resents the pastor, and tries to embarrass him in various ways, including being caught with the local girl, Majka.

A black comedy set in a Prague cabaret.