Maryam Najafi

Akram and Azar two sister lie about the disappearance of their brother by telling everyone he has fled to Germany. In time this "lie" takes a life of its own and leads everyone to dark and mysterious places.

Set in the heart of the Middle-Eastern community in modern-day Vancouver, Kayan is a multifarious story of belonging, loyalty and love. Hanin, a Lebanese independent single mother of two, struggles to keep her restaurant, Kayan, afloat. Unexpected revelations in her private life coincide with complications in the lives of her employees and customers. Things take a twisted turn

Set in the heart of the Middle-Eastern community in modern-day Vancouver, Kayan is a multifarious story of belonging, loyalty and love. Hanin, a Lebanese independent single mother of two, struggles to keep her restaurant, Kayan, afloat. Unexpected revelations in her private life coincide with complications in the lives of her employees and customers. Things take a twisted turn

Set in the heart of the Middle-Eastern community in modern-day Vancouver, Kayan is a multifarious story of belonging, loyalty and love. Hanin, a Lebanese independent single mother of two, struggles to keep her restaurant, Kayan, afloat. Unexpected revelations in her private life coincide with complications in the lives of her employees and customers. Things take a twisted turn

A solar eclipse has brought people to the edge of madness. The Earth witnesses extreme brutality manifested by the need to make terrible sacrifices to an unknown evil. How could this have happened? Is this the wrath of God? Such is the view of a group of extremists who are quick to deal with those responsible. But who decides who is guilty and who is not? Vahid Vakilifar’s fourth film offers an intoxicating, visionary sci-fi which, in spite of the darkness consuming the world, believes in the power of light. Even the goriest images conceal at least a sliver of hope; they serve as a necessary ritual if we are to accept the demons that inhabit us all.

A solar eclipse has brought people to the edge of madness. The Earth witnesses extreme brutality manifested by the need to make terrible sacrifices to an unknown evil. How could this have happened? Is this the wrath of God? Such is the view of a group of extremists who are quick to deal with those responsible. But who decides who is guilty and who is not? Vahid Vakilifar’s fourth film offers an intoxicating, visionary sci-fi which, in spite of the darkness consuming the world, believes in the power of light. Even the goriest images conceal at least a sliver of hope; they serve as a necessary ritual if we are to accept the demons that inhabit us all.