Erik Bruhn

Le savetier Andersen fascine les enfants de son village en leur racontant des contes magnifiques. A son écoute, les petits en oublient presque de se rendre à l'école. Semoncé par le maire, Andersen part pour Copenhague avec son commis, Peter. Il y devient le fournisseur en chaussons de Dora, une danseuse étoile. Il tombe amoureux de l'artiste, qui est mariée au maître de ballet, et lui écrit un conte de fées, «La Petite Sirène». Le conte deviendra un magnifique ballet. Mais, comprenant qu'il rêve d'un amour impossible, le savetier reprend le chemin de son village, où l'attendent les enfants.

Bruhn’s Swan Lake was a fascinating psychological drama that departed from traditional versions, which proved controversial and ground-breaking. He enhanced the role of Prince Siegfried, whom he occasionally performed, with more dancing and depth, saying he wished to tell the story of the Prince rather than the Swan Queen. He also changed the role of Von Rothbart, the evil sorcerer, to the Black Queen (initially played by Franca). His telling changed the story from a struggle between good and evil to focus on the Prince’s relationships with the women in his life – his mother, the Black Queen, the Swan Queen and the Black Swan – each representing a different form of control or influence. To emphasize the powerful emotion of the story, Bruhn reinstated the tragic ending, with the Prince driven to his death by the swans.

A film version of the ballet Giselle. Filmed in a studio, using innovative editing and cinematography to go along with the choreography, this film stands out from filmed stage-performances.

A documentary film about dancing on the screen, from it's orgins after the invention of the movie camera, over the movie musical from the late 20s, 30s, 40s 50s and 60s up to the break dance and the music videos from the 80s.

“The Bell Telephone Hour” was a musical variety show that aired on “NBC” TV from 12 January 1959 to 14 June 1968 that showcased the best in Broadway, Classical, Concert, Jazz and Popular music each week. The series had its’ own house band appropriately named the “Bell Telephone Orchestra”. The show also had its’ own theme song being the “Bell Waltz” composed by “Donald Voorhees” who was also the show's Orchestra conductor. Some of the greatest violinists of the 1960’s performed on this show that aired in the old “Black & White” format. Some of these great violinists included “Erica Mornin”, “Isaac Stern", "Michael Rabin", "Ruggiero Ricci", "Yehudi Menuhin" and "Zino Francesacatti". From time to time some of the great singers and bandleaders of the 1960’s would perform on the show as well. Some of these were “Bing Crosby”, “Gordon MacRae”, “John Gary”, “Leslie Uggams”, “Mary Martin”, “Nelson Eddy”, “Patti Page” and “Roy Rogers”. The TV show followed on the heels of its’ predecessor with the same name on “NBC” radio that aired from 29 April 1940 to 1958 on Monday nights at 8 PM. The name of the show was derived from its’ Major sponsor “Bell Telephone Laboratories”. The TV version began airing on Friday nights at 8:30 PM once a month. It later was given it’s same time slot now airing every other week alternating with another show on the other weeks such as News shows and specials. The show time slot changed quite often over the years. In September 1960 it aired at 9 PM and in September 1961 it moved to 9:30 PM. In October 1963 it moved to Tuesday nights at 10 PM, September 1965 it moved to Sunday night at 6:30 PM and in September 1967 it made its' final move back to Friday night at 10 PM.