Pascale Tison

« Serai au théâtre dimanche soir. Pardon possible ». Voilà ce que Manon, 18 ans, écrit a son père Pierre après un an d'absence. Ariane lui joue les différentes arrivées possibles de sa fille, mais rien ne calme l'angoisse de Pierre, venu en compagnie de son amie Ariane. Il demande alors à sa troupe de jeunes comédiennes de jouer le personnage de Manon…

John, a television director, is preparing a show on speed. A phone call from his girlfriend Sophie makes him leave the studio in a hurry. Ηe drives fast and quarrels with another driver. John is upset; he insults the other man and drives off. In the meantime, the producer of the show changes John’s editing. John’s assistant calls him at home but John tells him that they should talk later. John hears the sound of another car and looks out the window. We hear the sound of an accident. John shouts and runs out onto the road. Sophie has hit a pedestrian. She was on her way to tell John that they are expecting a child.

Maria Garcia (Carmen Maura) is a television journalist and she's about to be a single mother. Her career foremost in her mind, she doesn't slow down even for a minute, despite her pregnancy. She is, however, taking Lamaze classes and is quite competently coping with the romantic attentions of a man she's not very interested in. It's not at all irrelevant that her news beat includes stories on terrorism, the greenhouse effect, pollution and genetic engineering, because when her baby's due date comes and goes, she starts hearing from her infant from in the womb. It is telling her that it and many other babies are refusing to be born into such a horrible world. She learns that this is true, and that the children born through induced labor are dying.