Juan Manuel Chumilla-Carbajosa

How does the vision of the brilliant Spanish filmmaker Luis García Berlanga (1921-2010) remain relevant in a time whose popular culture has little to do with his own? Since to understand the secrets of an artist it is essential to know the person behind, his family, his friends, his collaborators, as well as prestigious filmmakers and actors trace a collective portrait of a creator as singular as he is universal.

The young Martín reluctantly spends the hot summer in Madrid with his parents, porters for a farm in the center of the city where they live. One day Julia arrives, an actress who comes to spend a few days in the vacated apartment of a friend

Consuelo is a bored housewife. Her husband is away on business in Berlin, and her only company would be a mysterious neighbor, a science professor who spends a lot of time gardening (?) One fine morning, Consuelo is compelled to find an excuse to speak with her neighbor. She asks him for some sugar, and then starts discussing gardening. During the rest of the film we find out what may be below the well-manicured flowers, and what secrets involving everyone, these may conceal.

Miguel likes card games. One day he meets Ana with whom he spends the night and who writes her phone number on her hand. He wants to erase it when he meets Isabel, but he can't.

Miguel likes card games. One day he meets Ana with whom he spends the night and who writes her phone number on her hand. He wants to erase it when he meets Isabel, but he can't.

The young Martín reluctantly spends the hot summer in Madrid with his parents, porters for a farm in the center of the city where they live. One day Julia arrives, an actress who comes to spend a few days in the vacated apartment of a friend

A ruined businessman who lives as a homeless, struggles to recover the love of his daughter, whom he abandoned as a child and who is now almost a woman. He along with a peculiar group of vagabonds will become her guardian angels.