Philipp Hartmann

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Los espejos de la naturaleza
1

Los espejos de la naturaleza

Apr 20, 2024

Los espejos de la naturaleza
2024 137 min 1 vues
The preparations of a sound installation by artist Ernesto Romeo is suspended when his mother falls ill. This interruption motivates the director to embark on a series of projects that share a mysterious connection to each other.
Documentary
Fraktus - Le dernier chapitre de l’histoire de la musique
6.884

Fraktus - Le dernier chapitre de l’histoire de la musique

Nov 06, 2012

Fraktus - Le dernier chapitre de l’histoire de la musique
2012 95 min 43 vues
Dans les années 1980, le trio allemand Fraktus triomphait. La critique plaçait ces inventeurs de la musique techno au même niveau que Daft Punk. Mais après une dispute, le groupe se sépare et ses membres disparaissent des radars. Que sont-ils devenus ? Roger Dettner, producteur miteux, part sur leurs traces pour les convaincre de faire leur grand retour. Il interroge d’anciens fans, des stars peu avenantes et finit par retrouver les trois musicos : l’un vit chez ses parents, un autre mène une vie dissolue à Ibiza… Tous trois sont insupportables. Le come-back s’annonce difficile.
Music
Aus Den 84 Tagen
1

Aus Den 84 Tagen

Jun 07, 2021

Aus Den 84 Tagen
2021 105 min 1 vues
In March 2020, 25 young musicians from the Bolivian Experimental Orchestra for Indigenous Instruments (OEIN) came to Germany to play concerts in Berlin and Dresden. Due to the COVID-19 pandemic, the concerts were cancelled. Then, as Bolivia closed its borders, the musicians found themselves stuck in the Music Academy in Rheinsberg/Brandenburg for almost three months. Together with their German colleagues in the ensembles PHØNIX16 and noiserkroiser, they face the crisis by developing several musical projects, a large part of which involves incorporating improvisation into contemporary music.
Documentary
Aus Den 84 Tagen
1

Aus Den 84 Tagen

Jun 07, 2021

Aus Den 84 Tagen
2021 105 min 1 vues
In March 2020, 25 young musicians from the Bolivian Experimental Orchestra for Indigenous Instruments (OEIN) came to Germany to play concerts in Berlin and Dresden. Due to the COVID-19 pandemic, the concerts were cancelled. Then, as Bolivia closed its borders, the musicians found themselves stuck in the Music Academy in Rheinsberg/Brandenburg for almost three months. Together with their German colleagues in the ensembles PHØNIX16 and noiserkroiser, they face the crisis by developing several musical projects, a large part of which involves incorporating improvisation into contemporary music.
Documentary
Aus Den 84 Tagen
1

Aus Den 84 Tagen

Jun 07, 2021

Aus Den 84 Tagen
2021 105 min 1 vues
In March 2020, 25 young musicians from the Bolivian Experimental Orchestra for Indigenous Instruments (OEIN) came to Germany to play concerts in Berlin and Dresden. Due to the COVID-19 pandemic, the concerts were cancelled. Then, as Bolivia closed its borders, the musicians found themselves stuck in the Music Academy in Rheinsberg/Brandenburg for almost three months. Together with their German colleagues in the ensembles PHØNIX16 and noiserkroiser, they face the crisis by developing several musical projects, a large part of which involves incorporating improvisation into contemporary music.
Documentary
Aus Den 84 Tagen
1

Aus Den 84 Tagen

Jun 07, 2021

Aus Den 84 Tagen
2021 105 min 1 vues
In March 2020, 25 young musicians from the Bolivian Experimental Orchestra for Indigenous Instruments (OEIN) came to Germany to play concerts in Berlin and Dresden. Due to the COVID-19 pandemic, the concerts were cancelled. Then, as Bolivia closed its borders, the musicians found themselves stuck in the Music Academy in Rheinsberg/Brandenburg for almost three months. Together with their German colleagues in the ensembles PHØNIX16 and noiserkroiser, they face the crisis by developing several musical projects, a large part of which involves incorporating improvisation into contemporary music.
Documentary
Aus Den 84 Tagen
1

Aus Den 84 Tagen

Jun 07, 2021

Aus Den 84 Tagen
2021 105 min 1 vues
In March 2020, 25 young musicians from the Bolivian Experimental Orchestra for Indigenous Instruments (OEIN) came to Germany to play concerts in Berlin and Dresden. Due to the COVID-19 pandemic, the concerts were cancelled. Then, as Bolivia closed its borders, the musicians found themselves stuck in the Music Academy in Rheinsberg/Brandenburg for almost three months. Together with their German colleagues in the ensembles PHØNIX16 and noiserkroiser, they face the crisis by developing several musical projects, a large part of which involves incorporating improvisation into contemporary music.
Documentary
Die Zeit vergeht wie ein brüllender Löwe
5

Die Zeit vergeht wie ein brüllender Löwe

Oct 06, 2013

Die Zeit vergeht wie ein brüllender Löwe
2013 79 min 4 vues
Hartmann proposes a 76-minute film in which each minute stands for a year of his life. This obsessive rule is invoked in the last 4 “years” of his life (and of the film). A cable-car journey codes in its own duration the secret of a perdurable shot. A poetic emancipation by a young filmmaker: a life plan finding its right frame. Roger Koza
Documentary
Buscando el mar
1

Buscando el mar

Nov 15, 2023

Buscando el mar
2023 35 min 1 vues
Roger Koza goes back to Hamburg after the pandemic and looks for his old friend Elmar.
Music
66 kinos
1

66 kinos

Jan 26, 2017

66 kinos
2017 98 min 1 vues
Philipp Hartmann made a film, toured the German cinema scene with it and made that into a film too: an overview of an eclectic mix of cinemas all run by cinephiles. Shared love entails shared suffering: every Kino is under threat.
Documentary
virar mar / meer werden
1

virar mar / meer werden

Sep 29, 2020

virar mar / meer werden
2020 85 min 1 vues
Water as a physical and metaphysical metaphor and background of human existence. A docu-fictional essay between the Brazilian Sertão-deserts and the Northern-German flood areas of Dithmarschen. Dramas and day-by-day-observations in times of climate change.
Documentary
virar mar / meer werden
1

virar mar / meer werden

Sep 29, 2020

virar mar / meer werden
2020 85 min 1 vues
Water as a physical and metaphysical metaphor and background of human existence. A docu-fictional essay between the Brazilian Sertão-deserts and the Northern-German flood areas of Dithmarschen. Dramas and day-by-day-observations in times of climate change.
Documentary
virar mar / meer werden
1

virar mar / meer werden

Sep 29, 2020

virar mar / meer werden
2020 85 min 1 vues
Water as a physical and metaphysical metaphor and background of human existence. A docu-fictional essay between the Brazilian Sertão-deserts and the Northern-German flood areas of Dithmarschen. Dramas and day-by-day-observations in times of climate change.
Documentary
virar mar / meer werden
1

virar mar / meer werden

Sep 29, 2020

virar mar / meer werden
2020 85 min 1 vues
Water as a physical and metaphysical metaphor and background of human existence. A docu-fictional essay between the Brazilian Sertão-deserts and the Northern-German flood areas of Dithmarschen. Dramas and day-by-day-observations in times of climate change.
Documentary
En vez de árboles
1

En vez de árboles

Oct 21, 2024

En vez de árboles
2024 80 min 1 vues
A film critic with philosophical interests, played by the film critic Roger Koza, wonders about the nature of Nature. And he obsessively tries to capture it with his phone camera. Other experts—filmmakers from different countries, art historians, a scenographer in charge of a natural science museum, and members of the human species from a distant future—think about ways of representating nature. A kaleidoscopic, playful collage, sometimes fiction, sometimes documentary, the film cannot help but wonder about the nature of cinema itself.
Documentary
En vez de árboles
1

En vez de árboles

Oct 21, 2024

En vez de árboles
2024 80 min 1 vues
A film critic with philosophical interests, played by the film critic Roger Koza, wonders about the nature of Nature. And he obsessively tries to capture it with his phone camera. Other experts—filmmakers from different countries, art historians, a scenographer in charge of a natural science museum, and members of the human species from a distant future—think about ways of representating nature. A kaleidoscopic, playful collage, sometimes fiction, sometimes documentary, the film cannot help but wonder about the nature of cinema itself.
Documentary