Fernanda Vianna

Mesmerized by the image of an active volcano on the other side of the world, a woman sets out to meet her fury. On the way, without being able to return, she finds herself in an extraordinary pregnancy, starting the account of the journey that gives shape to this play-film, a journey between theater and cinema inspired by the narratives of fantastic realism.

Au Brésil Zézé, presque 8 ans, vit à la campagne dans une famille pauvre. Il est sensible et précoce, aime raconter des histoires. Jamais à court d'idées, il se réfugie souvent sous les branches d'un oranger qu'il prend comme confident: à lui, son bel oranger, il peut confier ses secrets, ses peurs, ses joies...

Manfredo seeks out a psychiatrist. The doctor insists on knowing his past, but there is something that Manfredo doesn't want to reveal and he abandons treatment. Dr. Pink starts to chase Manfredo and his life turns into hell.

Two tales of migration. In the first, after a tailings dam disaster floods her hometown, rural worker Joana (55) moves to São Paulo to find her sister Tania, who lives with her grandson Jaime. Joana enters the universe of insecurity, replying to an application for house cleaning. She bonds with her colleagues, and their struggle for better conditions gives Joana’s life a new meaning. Her relationship with young Jaime brings back old memories. In the second part, after the death of her estranged father, Flavia (32) moves to her farm with her wife Mara. The couple suffer a shock of reality when facing the harshness of rural life. The contact with the abandoned house reveals to Flavia unknown aspects of her father. She begins to suspect that there is something supernatural in the woods.

Sylvia and Lúcio have decided to separate after twelve years of living together. The last night under the same roof is marked by memories, accusations and revelations that will change their lives.

Grupo Galpão’s Romeu e Julieta (1992), directed by Gabriel Villela, is an intercultural adaptation of Shakespeare’s Romeo and Juliet, a production that intentionally draws on a range of popular practices such as street theatre, circus performance and the tradition of the commedia dell’arte, as well as on elements from the cultural imaginary of Minas Gerais in southeast Brazil.

Au dernier jour des vacances, Pedro reste imperturbable dans son rythme de vie flegmatique. Ses parents s’en amusent. Une visite va soudain changer le cours des choses. Dans son studio d’enregistrement, Eduardo ressent une étrange douleur, tandis que Silvia, sa femme, envisage de partir en vacances avec lui et leur bébé. Ana et João s’apprêtent à vivre les retrouvailles avec leur enfant qui leur a été volé à la naissance. Ces 3 histoires nous livrent des émotions très intenses sur les rapports entre parents et enfants, et ce qui s’y communique difficilement

Rita was fired from work and has no courage to tell her family. Your chance to have a nice Christmas dinner for the family is to win the prize for a music cover contest. For that, she needs to remember her youth, when she imitated Rita Lee, and revive her band with her husband, Roberto and her friend Marguê.

À la frontière entre le réel et le fantastique, entre le passé colonial et la modernité écrasante de l'agro-industrie, la ville de Goiás est le théâtre de la rencontre entre la jeune Fernanda et ses racines secrètes.