木村葉月

Ninpuu Sentai Hurricaneger with Donbrothers is a Japanese superhero tokusatsu crossover short film released exclusively on TTFC, featuring Donbrothers teaming up with Hurricanegers.

It is the Edo Period. Younosuke, Nami, and Koutaro of the Hayate School and Ikkaku and Ikki of the Ikazuchi School are confronted by Oiranda and Aunja of the "Seven Spears of Darkness" and then Teruhime, whom the two Ikazuchi School members guard, is attacked. They were after the "Tenshoishi" ("Ascension Stone"), a stone said to be capable of destroying the world, which was in Teruhime's possession. Just when all seemed to be lost, the Hurricangers and the Gouraigers suddenly appear, having traveled back in time from the future, and a fierce battle ensues.

Dans la cour d'école d'un paisible village japonais, quatre fillettes sont témoins du meurtre d'Emili, leur camarade de classe. Sous le choc, aucune n'est capable de se souvenir de l'assassin. Asako, la mère d'Emili, désespérée de savoir le coupable en liberté, convie les quatre enfants chez elle pour les mettre en garde : si elles ne se rappellent pas du visage du tueur, elles devront faire pénitence toute leur vie. Quinze ans après, que sont-elles devenues ? Sae et Maki veulent se souvenir.

Koto Yuiko fait des rêves troublants dont elle interdit l'accès à son grand-père et à son professeur Mutoi Ayami. En parallèle, sa classe accueille un nouvel élève du nom de Kanji Shibui qui se trouve être le nouveau prince des rêves quelque peu maléfiques de Koto Yuiko. Kanji Shibui aurait-il des projets malveillants ?

Abema original new story. Kamiya Manaha is a high school girl with little confidence in herself. Her dream since she was a child was to enter the Miss Seiran Contest, a beauty pageant that decides who is the most beautiful girl in school. Manaha calls herself a super ordinary girl but one day she gets a chance to enter the pageant. She then meets Tachibana Keigo, a narcissistic, perfect, national treasure-level handsome guy, and Shimamura Sora, a mysterious transfer student. On the day of the contest, Manaha is just a step away from her dream stage…

Sometimes in a woman’s life, passions boil over and lead them to do things that – in ordinary circumstances – they would never dream of doing. And sometimes this manifests itself in a desire for intimacy. This omnibus-style drama series focuses on a different woman in each episode, focusing on the series of events that led up to a single instance of “transforming into an animal.”

L'obscurité du cœur après le meurtre d'un élève du primaire. "Qu'est-ce que l'expiation ?" On suit les quatre étudiants qui ont été témoins du meurtre, mais qui ne se souviennent pas du visage du tueur. La peur des ténèbres dans le cœur est ce qui rend cette histoire si unique.

The suspense story begins when Jin Saeki, a policeman in Yamanashi Prefecture, arrives at a prominent estate residence in response to a tip, and finds the skeletal remains of 13 children, as well as a mysterious marking. Jūzō Haikawa, the long-missing owner of the estate, immediately becomes the prime suspect. Saeki collaborates with a woman named Kanon Hasumi, who has a connection to Haikawa, and together they search for the truth behind the case. In a parallel story set in Tokyo seven years after the case, a girl with a connection to the mark left on the Haikawa estate runs away from home.

Mita Sakura is considered to be weird by her colleagues at the Tokyo Metropolitan Police Department, because she voluntarily works in the unidentified bodies department. About 20,000 unidentified bodies exist in the country and Mita Sakura works on returning these unknown deceased people to their families. She has a colleague, Tsukimoto Makoto, who works in the same department. They are totally opposite in terms of their personalities and interests. Mita Sakura is bright and warm-hearted, but Tsukimoto Makoto is calm and cold-hearted. They do share the same desire to return these unidentified bodies to their families. To find the identities of these deceased people, they rely on the few clues that are left behind on them.