Sarah Small

A 120-participant tableau vivant by Sarah Small.

Dans un camp où le folklore bulgare bat son plein, une jeune femme renoue avec une ancienne amie. Tandis qu'elles se retrouvent et se mêlent aux autres, elles apprennent à connaitre les légendes des Balkans.

Sam, newly a mother, shops at a supermarket with her baby and husband Carlson. She throws a neighborhood shishkabob party in her den. Her family shares a Sunday breakfast. But through her smiles and picturesque tasks, there's a suppression. Sam’s grown something she can no longer contain. As she purges this parasite, we move inside her body and experience this wildness as a feverish dance.The parasite ejects us back into the kitchen of another woman, alone eating breakfast as she looks at a happy couple pictured on the back of her cereal box. It’s Sam and Carlson. What's beneath a picture? A dream within a dream. Horror meets dance, SWALLOWED suggests a complex truth to motherhood and domesticity. (The Criterion Channel)

A man and his grandmother hide out from an ominous broadcast. The Grim Reaper hosts a TV show. The formerly incarcerated recount and reinterpret their first days of freedom. A suburban mom's life is upturned by the beast growing inside of her. And a high school gym teacher runs drills from inside a volcano. What happens when five of independent film's most adventurous filmmakers join together to literally adapt each other’s dreams for the screen?

Madeline vient de décrocher le rôle principal dans une pièce de théâtre ! Étrangement, le personnage ressemble exactement à Madeline. Et il a le même chat que celui de Madeline. Et il tient un fer à repasser brûlant tout près du visage de sa mère... comme Madeline est en train de le faire.

A 120-participant tableau vivant by Sarah Small.

A 120-participant tableau vivant by Sarah Small.

A 120-participant tableau vivant by Sarah Small.

A 120-participant tableau vivant by Sarah Small.

A 120-participant tableau vivant by Sarah Small.

A 120-participant tableau vivant by Sarah Small.

A 15-minute short about squatting in London, the film sees Lebon’s signature melding of cut-and-paste graphics and animation meet disarmingly intimate camera work. Told from the perspective of both the squatter and the squatted, it explores unconventional choices and the moral grey areas found in ownership, public and private living, family and community.