Julia Gorr

Berlin. Grisha, a Russian-German boy, fools around with a toygun. The longer he plays, the further he is thrust into an altered reality. The boundaries between the present and the past start to blur. Images from a bygone Berlin appear; streets and buildings still carry the memories of war. Suddenly, he is caught in a nightmare of another lifetime.

Nine young actors leave behind their daily lives in Berlin and travel to the country to audition for a summer theatre production to be performed in the ruins of an old church. A once-renowned Swiss director is using this week of rehearsals to find the lead for this production of “Hamlet”. The director is staying privately at the home of an old woman, but the actors are being put up at a run-down hotel with very thin walls.

With a woof-woof here and a baaa-baaa there and a quack-quack, oink-oink everywhere, there's always some furry or feathered creature demanding attention from the Hansens. It's partly because Dr. Philipp Hansen is a veterinarian who's just opened a practice in the big old villa he's moved into with his family. But it's mostly because of ten-year-old daughter Greta, who never saw an animal she didn't want to adopt.

La série des Tatort, créé en 1970, est la plus ancienne et la plus appréciée des séries télévisées policières diffusées actuellement dans les pays germanophones. Au cours de l'année 2010, elle a été regardée chaque semaine par près de 8,5 millions de personnes en moyenne, d'après l'ARD.