Emidio Clementi

Inspired by Federico Fellini's unrealised film 'A Journey with Anita', the director bring us into a secret Italy, far from the usual tracks, chasing the story of Guido and Anita, the two protagonists, and their journey in order to reach Guido’s father deathbed. The result is a film full of encounters, amazing stories and characters found out in each and every place all along the two lovers' imaginary journey. A charming directing debut, visually impressive, which originality is especially due to a powerful use of found footage.

En 1941, un soldat italien part pour le front russe. L’armée fasciste est alliée avec les allemands et la victoire semble promise. Contrairement à ses jeunes compagnons enthousiastes le soldat, qui a déjà connu les conflits armés d’Afrique, redoute ce voyage. Le train chemine vers l’Ukraine et l’hiver arrive en même temps que grandit l’inquiétude. Le désir le plus fort n’est plus celui de la victoire mais d’un lit bien chaud, d’un repas et du retour au foyer. Frappées par les vents, les steppes semblent être habitées par des fantômes et le soldat nous emporte avec lui dans sa nostalgie.

A nocturnal journey inside the abandoned spaces of the former Collegno mental hospital. Through the writings from within - the voices of the letters, diaries and testimonies of the internees - the labyrinthine and crumbling rooms come back to life and evoke the painful past of the psychiatric hospital. They tell of the electroshocks and tortures on adults and children carried out by Doctor Giorgio Coda, the "electrician" from Collegno. They tell of the official trial against him for torture and of the proletarian trial that Coda suffered at the hands of a Prima Linea group, led by one of his "patients". Only at dawn, with the story of the closure of the mental hospitals, will we see the light again.